Manuscript sheet, in unidentified hand, on parchment, containing an anatomical drawing of a seated woman. Text includes descriptions of the different parts of the body
Alternative Title:
Anatomie pour congnoistre les parties interieures : [a large anatomical drawing in color, surrounded by explanatory text]
Description:
In Middle French., Title from heading., Script: humanist hand., Layout: anatomical drawing in center, double columns of 80 lines surrounding and underneath drawing., No text on verso. Used as binding waste., Included in a portfolio (66 x 51 cm.) with eight 58 x 38 cm. color photoreproductions., and Dr. Peter Jones, May, 2003, states that this single sheet most likely is a manuscript copy of the Jean Ruelle fugitive sheet (female figure only) Paris, 1540. cf. Carlino, A. Paper bodies ... London, 1999, page 171.
Subject (Topic):
Anatomy, Human anatomy, Medicine, Manuscripts, and Medicine, Medieval
Manuscript, on parchment, incomplete, containing the remains of a book of hours, probably Use of Rome. All illuminations have been excised and there are few complete sections except for the Penitential Psalms (63r-75v) and the Office of the Dead (82r-112v). These texts are followed by two prayers to Saint Lazarus in Latin (113v- 115r ). Folios 115v-116v contain a personal narrative in French by Sister Collette d'Oisellet of the Hospice of Beaune, the owner of the volume. She describes being miraculously healed from paralysis in 1497 at Autun cathedral through the relics of Saint Lazarus; an annotation records her decision to remain at the Hospice of Beaune to care for the poor. Her account is followed by two additional prayers, also in French
Description:
In Latin and Middle French., Ownership inscription of Sister Alix de Besançon on 116v., Nineteenth-century printed bookseller description, annotated in pen, affixed to 116r., Bookseller description available., Script: gothica textura (Book of Hours); bâtarde (personal narrative and final prayers)., Layout: single column, 14-16 lines (Book of Hours)., Decoration: rubricated. Many small decorated initials, gilt; some two-line initials, also gilt. Some line-filler decorated bars. Many ivy leaf borders with gold leaves and colored blossoms. All leaves that might have contained illuminations appear to have been excised from the volume., and Binding: modern amateur binding of reddish velvet over pasteboard. Needlepoint flowers and leaves on both covers; the embroidered word "Heures" on the front cover.
Subject (Geographic):
France., France, Connecticut, New Haven., and Autun (France)
Subject (Name):
Oisellet, Collette d'., Lazarus, Saint (Poor man from the Gospel of Luke), Cathedral of Saint-Lazare (Autun, France), Hospices civils de Beaune., and Catholic Church
Subject (Topic):
Relics, Books of hours, Manuscripts, Medieval, Miracles, Nuns, Women, Religious aspects, Catholic Church, and Religious life and customs
Manuscript on parchment, in at least two scribal hands, containing works by Alain Chartier, including Le quadrilogue invectif, Le livre des quatres dames, Le lay de paix, Le livre d'esperance, Le breviaire des nobles, Le debat du reveille-matin, Le lay de plaisance, La belle dame sans mercy with La requeste baillee aux dames contra l'acteur and Lettres envoyees par les dames a l'auteur, L'excusation aux dames, Le debat des deux fortunes d'amour, and La complainte contre la mort. The volume also contains poems by Michault Taillevent, Boton de Grandson, Achille Caulier, and Simon Greban
Description:
In Middle French., Script: lettre bâtarde., Layout: 43 lines in two columns., Decoration: Rubricated.Text capitals and versal initials highlighted in yellow. Numerous one- to eight-line initials in pink or blue on burnished gold grounds with pansies and numerous stanza markers with pansies on a gold ground. 22 initials with full borders. 11 small and 8 large figurative miniatures., Modern foliation, in pencil, 1-136., Byname: Clumber Park Chartier., and Binding: 18th-century full red morocco, gilt. Gilt-tooled six-compartment spine. Spine title in second compartment, in gilt: Alain Charti.
Subject (Geographic):
France., Connecticut, and New Haven.
Subject (Name):
Caulier, Achille., Chartier, Alain, active 15th century., Dunois Master, active 1430-1465., Granson, Oton de, -1397., Gréban, Simon, -approximately 1473., Lecuy, Abbé., and Taillevent, approximately 1315-1395.
Subject (Topic):
French literature, French poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (crude) of Copy of an account book for the hunting expenses of King Charles VI of France. The account is rendered by Philippe de Courguilleroy (?) "chevalier maistre veneur du Roy et maistre de ses canes et forestz" and encompasses November 1395 to 2 February 1396
Description:
In French., Script: Written in a chancery script by a single scribe., and Binding: 18th-19th centuries. Brown mottled and spattered calf with a red label, gold-tooled.
Manuscript on parchment of Boethius, De consolatione philosophiae, translated into French by Renaut de Louhans. As the translator states in the prologue, his work incorporates material from a commentary on Boethius made by another member of the Dominican order (Nicholas Trevet) as well as his own digressions
Description:
In French., Script: Written in batarde by a single scribe., Two intricate penwork initials, 5-line, on ff. 1r and 2r in red and blue; less detailed penwork initials, 3-line, in same colors throughout text; first letter of each verse stroked in red., and Binding: 17th-18th centuries. Brown spattered calf, with peculiarly striped turn-ins. Title, in gold, on spine: BOECE EN VER FRANC.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524., Trivet, Nicholas, 1258?-1328., and Dominicans
Subject (Topic):
Manuscripts, Consolation, French poetry, Literature, Medieval, and Manuscripts, Medieval
Manuscript, on paper, in a single hand, of a collection of annotated coats of arms for 177 members of the Knights of the Round Table. Each knight is represented by a coat of arms drawn in trick and followed by an explanation of each device and its appropriateness to that knight. The main text is preceded by a nine page text, "De l'invention des armes," and followed by a "Briefue narration de la table ronde."
Description:
In Middle French., Modern title page in English bound in before original title page., Printed bookseller description pasted in on verso of rear flyleaf., Layout: Single columns of varying length. Armorial entries begin with the name of the knight and a pen and ink drawing of his coat of arms in trick, followed by a descriptive paragraph,, Script: secretary., Decoration: 177 pen and ink drawings in trick of coats of arms., and Binding: eighteenth-century green velvet over boards; silver castle ornament mounted on front cover.
Subject (Geographic):
Connecticut, New Haven., and Arthurian romances
Subject (Name):
Arthur, King
Subject (Topic):
Heraldry, Manuscripts, Renaissance, and Arthurian romances
Manuscript of parchment roll composed of 8 membranes, written in 4 columns. Column 1) Chronology of the popes from Peter to the antipope John XXIII. 2) Chronology of the rulers of the Empire from Augustus to Louis of Bavaria, Holy Roman Emperor from 1328-47. 3) Chronology of the Monarchs of France, beginning with the Trojan nobles and concluding with Charles VI, king from 1380-1422. 4) Chronology of the kings of England, from King Lud in the time of Julius Caesar to King Henry IV (d. 1413).
Description:
In French., Script: Written in batarde script by a single scribe., Text is accompanied by parallel schematic genealogical diagrams in red consisting of connected roundels inscribed with the names of various rulers in succession, between the columns. The genealogical diagrams are periodically interspersed with 58 roundels framed in red with lively pen drawings in brown ink with washes in blue, pink and green, depicting cities and churches whose foundations are ascribed to particular rulers or occurred during their reigns. Each of the genealogical diagrams begins at the top of the text with a roundel, depicting respectively (I) Mount Calvary, (II) Rome, (III) Venice (whose foundation is ascribed to Trojan nobles) and (IV) London. Included are drawings of Constantinople, Hagia Sophia, Santiago de Compostela; the majority of the drawings appear in the chronology of the French monarchs, with depictions of Paris, St. Genevieve, St. Denis, St. Martin-de-Champs, and others. The buildings are all late medieval in character and do not bear resemblance to the monuments themselves., Four illuminated initials, 4-line, at the top of each column, blue with white filigree against gold ground with stylized foliage or geometric patterns in red and blue. At the top of each initial, black inkspray with gold leaves; at the first initial (left column), decoration extends into the left margin to form a partial border. Numerous smaller initials, 2-line, gold on blue and mauve grounds with white filigree. Headings in red., Binding: Unbound., and Art. 3 also known as "A tous nobles."
Subject (Geographic):
Connecticut, New Haven., France, Great Britain, and Holy Roman Empire
Subject (Topic):
Illumination of books and manuscripts, Medieval, Church history, Chronology, Kings and rulers, Legends, Manuscripts, Medieval, and History
Manuscript on parchment of The Horloge de Sapience, a loose translation and adaptation into French of Henry Suso, Horologium sapientiae. With a Colophon, in French verse, stating that the translation was made by a French Franciscan master of theology at Neufchateau in 1389
Description:
In French., Script: Written in batarde script, below top line., Plain initials, 4- to 1-line, headings, paragraph marks, initial strokes, foliation and underlining, all in red., and Binding: 1800-1810, France. Diced brown calf, blind-and gold-tooled. Edges gilt. Stains from turn-ins of early binding on original front parchment pastedown. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Seuse, Heinrich, 1295-1366. and Franciscans
Subject (Topic):
Manuscripts, Devotional literature, French, Literature, Medieval, Manuscripts, Medieval, and Mysticism
Manuscript on parchment of a Book of Hours, with Calendar and prayers to the Virgin in French
Description:
In Latin and French., Script: Two hands can be distinguished: ff. 1r-6v and 15r-63r are written in a small, even batarde; ff. 7r-14v in a rounded gothic script showing some batarde characteristics. Folios 7-14 may have been added later, judging by the difference in the style and color of the miniatures and their placement on the page. Prayers added on ff. 63v-64v in batarde, early 16th century., Sixteen camaieu-gris miniatures by three artists, in tondo format, with gold frames inscribed in white capitals. The miniatures on ff. 15v and 19v are by the leading artist; the remainder are by a competent assistant (with the exception of ff. 7v, 8r, 9r, and 10r, which are of inferior quality). 4-, 3-, 2-, and 1-line initials, grey with gold highlights, on a black ground, some with leaves and dots in gold. On ff. 7r-14v the letters are composed of leaf forms. Ribbon line-fillers, geometric and leaf forms, gold, grey, and white on black. Rubrics in pale red. Calendar has KL monogram as 2-line initials, month and dates in red; feasts in blue, major feasts in red., The black ink of the initials has run on many pages, and has sometimes adhered to the opposite pages., and Binding: 18th-19th centuries. Brown goatskin gold-tooled, silver fastenings. On the spine, flowers and the words "Heur en Latin. MSS. S. Velin en Min."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
