Manuscript on paper of Cicero, Paradoxa, Pseudo-Cicero, Synonyma, and other texts
Description:
In Latin., Script: the original parts are copied by two scribes: A copied art. 1 in Gothica Semihybrida Libraria/Currens; B, writing a bold Gothica Cursiva Formata with “northern” features and marked by lengthened and decorated ascenders on the top line, copied artt. 4, 6 and 7. The additional texts, copied on blank spaces or pages, are in badly shaped Humanistica Cursiva (art. 2), slovenly executed Gothica Semihybrida Currens (art. 3), Humanistica Cursiva (art. 5, [1] and [2]) and Gothico-Humanistica Cursiva (art. 5, [3] and [4])., There are remnants of an early foliation in arabic numerals (17th century?) in the upper outer corner of the recto pages, starting f. 16 ("1")., In the original parts all initials are missing; at the opening of art. 6 the upper half of f. 17r is blank (in view of a picture which was not executed?) and a later hand has entered a large and coarse initial “C” (8 lines) containing a human face; in that art. there are guide letters for the small initials which were intended to open each entry; a few of these initials were added afterwards. The initial planned at the opening of art. 7 is 6 lines high. The opening lines of art. 1 are in a large fanciful display script overdecorated with flourishes and almost illegible. There is some pale red stroking of the majuscules on ff. 68v, 69r and 70v., The manuscript contains: 1) Marcus Tullius Cicero (106-43 B.C.), Paradoxa. 2) Prophecy in 11 verses added by a slightly later hand on the blank lower half of the page. The text is corrupt. 3) Two rhetorical exercises by an unrecorded author addressed to an emperor, who is praised with all possible exaggeration. 4) Astronomical or computistical table, recording for each month 3 up to 7 days, of which two are superscribed with a cross and an hour, the remaining ones only with the letter "p". The crosses are crutched crosses up to September inclusive, afterwards simple crosses. 5) Notes added by slightly later hands on a blank page; notes on ancient Roman abbreviations; various Latin names applied to the Greeks. 6) Ps.-Cicero, Synonyma, printed from 1487 onward, with 17th century Italian annotations, in the same hand as in art. 1, found in the margins of ff. 23v-25r. 7) Ps.-Sallustius, Invectiva in Marcum Tullium Ciceronem., and Binding: 20th century. Yellow parchment over light cardboard, with turned edges.
Manuscript on paper of 1) Cicero, De amicitia. 2) Cicero, Paradoxa Stoicorum
Description:
In Latin., Watermarks: similar in design to Piccard Schere III.918-19., Script: Written in poorly formed humanistic script with some gothic and cursive elements, perhaps by more than one scribe, above top line., Decoration, all of poor quality, executed by several contemporary hands. On f. 1r, black penwork initial with floral design in center, on square pale red-orange ground, outlined in black; large rectangular frame, in black, connects initial to unidentified arms (or a castle [tower?] proper surrounded by vine, in chief azure [with label of cadency of 4 points argent?] with charge [stars or crosses?] argent) in lower margin. On f. 26r, angular scroll, green with pale red and orange trim, unfurls to form the letter A, 5-line, with an arrow shot through the two shafts to serve as crossbar; green foliage sprouting above. Initials, 5- to 2-line, of similar scroll design for each paradoxon. Rubric on f. 1r in a different hand from those in rest of manuscript. Many elegant pointing hands with fancy cuffs in margins., and Binding: Nineteenth century, Italy. Quarter bound in vellum with blue, red, and yellow woodblock paste-paper sides. Traces of inscription on fore-edge (contemporary?) and on vellum strip.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval, and Stoics
Manuscript on parchment of works by Cicero, Plutarch, Petrus Diaconus, Marcus Valerius Probus, Leonardo Bruni, and Plato
Description:
In Latin., Script: Written in humanistic bookhand below the top line by two persons: Scribe 1) ff. 1r-128r and 149r-191v; Scribe 2) ff. 129r-148v and 192r-207v., Initials, 5- to 2-line, ff. 1r, 39v, 71r (space for additional initials on ff. 105v and 149r), gold edged in black with white-vine ornament, against crimson, green and light blue; white-vine extensions in upper and inner margins. On f. 1r a coat of arms in lower margin surrounded by a wreath with a ribbon. 3-, 2-, and 1-line initials in red or blue. Rubrics throughout., Water damage has obliterated several words in the lower left of f. 1r., and Binding: 17th-18th centuries. Brown/red calf, gold-tooled. Paste decorated edges. On spine, stamped in gold but nearly effaced: "Ciceronis et aliorum varia. MSS 1465".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Philosophy, and Roman law
Leaf of Cicero (106-43 B.C.), De Finibus Bonorum et Malorum (On the Ends of Good and Evil) II.27-28.
Description:
Script: Copied by a single hand in a rather uneven Humanistica Textualis marked by frequent fusions. and Decoration: None. The modern folio number(?), 36, is written in pencil on the recto.
Manuscript on parchment of Cicero, De officiis, with Antonius Geminianensis' oration in honour of Franceso Useppio, added circa 1500
Description:
In Latin., Script: main text copied by one hand in Humanistica Textualis, with gloss in small Humanistica Cursiva Currens. Antonius Geminianensis' oration is written in Humanistica Cursiva Libraria s. XV/XVI. The following moral maxims are in in Humanistica Cursiva s. XVI., Pink headings in Capitalis. The opening words of each book after the initial are in alternately black and pink letters. Alternately red and blue 2-line plain initials (Capitalis)., and Binding: French s. XIX/XX binding: blue morocco over pasteboard, the covers decorated with fillets in blind-tooling; spine with five raised bands and gold-tooled inscription “CICERO / DE / OFFICIIS”.
Manuscript on paper of 1) Ps.-Cicero, Oratio in Catilinam; 2) Ps.-Catilina, Responsio in Ciceronem; 3) Franciscus Aretinus, speech delivered in Rome to Pope Paul II; 4) Verses in praise of Francesco Accolti; 5) Franciscus Philelphus, translations of moral quotations from ancient authors; 6) Manuel Guarinus, Letter to Francesco Pendilacqua; 7) Gasparinus Barzizius, De compositione
Description:
Script: Copied by one hand Humanistica Cursiva. and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catiline, approximately 108 B.C.-62 B.C., Cicero, Marcus Tullius., Griffolini, Francesco, 1418-1483., and Paul II, Pope, 1417-1471.
Subject (Topic):
Latin letters, Medieval and modern, Manuscripts, Medieval, Rhetoric, Medieval, and Speeches, addresses, etc., Latin (Medieval and modern)
In Latin., Script: Written in italic script by Piero Cennini (b. 1444)., Fine border and initials by Mariano del Buono. 3/4 white-vine border, f. 2r, infilled green, pink, and blue, against a blue ground, with white dots; putti and birds; at the periphery, flowers, gold dots, and hair-spray, especially profuse in lower margin; supported by a trellis, gold, which expands at regular intervals to form roundels. In upper margin, a blossom with fruits, in lower margin, in separate roundels, a hound chasing a stag, against deep landscape backgrounds. Between roundels with animals, the arms of Joannes Vitez, bishop of Gran, in a complex braided roundel, infilled green and blue with white and yellow filigree, and supported by four putti, two of which play musical instruments. One historiated initial, f. 1r, gold, Cicero reading a book, against a blue ground with stylized clouds, all against a green ground with yellow filigree. Thirty-two 7-, 6-, 5-, and 3-line initials, gold, with white-vine infilled green, pink, and blue, with white dots, against blue ground, with vines extending into margin, gold dots and hair-spray. Twelve 4- and 3-line initials, following f. 178, gold, against pink and blue or pink and green grounds, with white and/or yellow filigree. Following initials, one line of square capitals in brown or alternating red and brown. 1-line square capitals in text., The entire codex, including the binding, is in an excellent state of preservation., and Binding: Fifteenth century. Resewn on seven tawed, slit straps laid in channels and nailed into wooden boards. The spine is square, the edges gilt. Covered in ruby-red goatskin, blind-tooled with concentric panels. The rectangular central panel is reduced to a square with rope interlace and the central ornament is a four-pointed star protruding from a quatrefoil within a circle. Five foliate brass catches on the lower board. Stubs of green fabric clasp straps on the upper board. Rebacked; headbands and a gold-tooled spine added. Two catches and all clasps wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript fragment on parchment of Cicero's Orationes Philippicae
Description:
In Latin., Script: written in a round humanistic bookhand., and Decoration: 1-line initials are in brown square capitals; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript on parchment of Cicero, Orationes. With works by Pseudo-Cicero and Pseudo-Sallust
Description:
In Latin., Script: Written by a single scribe in a beautiful humanistic script., Delicately executed gold initials, 7- to 5-line, filled with white-vine ornament (highlights in pale orange) on blue, pale green, and pale orange ground with brown dots, mark the beginning of each oration. Rubrics (modified square capitals) throughout., and Binding: Eighteenth century. Narrow brown calf spine with brown spattered-paper sides, small vellum corners. Bound for the Convent of San Marco, Florence; rebacked in Yale Library Conservation Studio.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Speeches, addresses, etc., Latin
