Autograph copy., Copy of the tenor part in Burney's hand, accompanied by a copy of the quintus part in another hand (48 p.)., Last page blank., and Pagination between parts is non-contiguous.
Subject (Name):
Weelkes, Thomas, ca. 1575-1623
Subject (Topic):
Balletti (Part songs), Madrigals, English--Early works to 1800, and Part songs, English
Includes cello part, Song in Barnaby Brittle., Numerous additions and corrections bound over original parts., Page 6 bound to p. 5 as fold-out., and Page 7 is fold-out to p. 8.
Subject (Name):
O’Keeffe, John, 1747-1833. Poor soldier.
Subject (Topic):
Dramatic music -- England -- 18th century, Incidental music -- England -- 18th century, Opera -- England -- 18th century, Operetta--England, and Theater -- Great Britain -- 18th century
Additional p. 15-16 tipped in between p. 20-21., Additional p. 17 tipped in after p. 23., Blanks unscanned, excluded from pagination., Folder 2 of 2 for Handel choruses., P. blank, unscanned., and Wanting p. 11-14.
Subject (Topic):
Choruses, Dramatic music -- England -- 18th century, Incidental music -- England -- 18th century, and Theater -- Great Britain -- 18th century
Anonymous musical MS., Consisting of a 4 part canon for 2 tenors and 2 bassi, set to the text To Father Son & Holy Ghost All Glory be therefore., and Written in the shape of a square to be read from four sides of the paper.
MS, mostly holograph. and Note: 35 Cantatas for one voice with continuo, numbers 1-5, 7-10, 14-27, 29,and 32-35 are in the composers hand and are signed and dated by him.
Chant de guerre ...," published by the Enragés at Nanterre, was also known as the "Grapignole" and modeled on the revolutionary songs "La Carmagnole" and "Ça ira." Cf. Seidman, Michael. The imaginary revolution, p. 67.
Alternative Title:
Bon Dieu dans la merde, Chant de guillotine de Ravachol, and Père Duchesne
Description:
Also includes lyrics to: L’bon Dieu dans la merde (d’après le père Peinard, 1892). and Mimeographed typescript.
Publisher:
Les Enragés,
Subject (Topic):
Students --France --Nanterre --Political activity --Songs
Anonymous MS copy., Full score, with all the first movement, most of the second, and none of the third. The concerto was written ca. 1720, but not published until ca.1850., and Signed presentation copy from Felix Mendelssohn (1809-1847) to Ferdinand David (1810-1873), dated 19 January 1841. Some marking my be David's.
Subject (Name):
David, Ferdinand, 1810-1873 and Mendelssohn-Bartholdy, Felix, 1809-1847
Manuscript music copied by Burney, possibly for use in his General History of Music. Music includes madrigals by Gioseffo Zarlino, Ruggiero Giovannelli, Alfonso Ferrabosco, and Luca Marenzio; motets by Johannes Lupi, and songs by John Dowland and Henry Lawes. An index written in an unidentified hand is laid in.
Description:
Binding: 19th century marbled boards., Blanks not scanned., Label on cover: A collections [sic] of Italian mss in the handwriting of Dr. Burney, many of which he introduced in his history of music., Label on spine: Madrigals, &c., 1567, &c., Page [1]: stamped signature of Charles Hackett., and Words in Italian, Latin, and English.
Subject (Name):
Burney, Charles, 1726-1814, Dowland, John, 1563?-1626, Ferrabosco, Alfonso, 1543-1588, Giovannelli, Ruggiero, ca. 1560-1625, Lawes, Henry, 1596-1662, Lupi, Johannes, d. 1539, Marenzio, Luca, 1553-1599, and Zarlino, Gioseffo, 1517-1590
Subject (Topic):
Music -- History and criticism -- Early works to 1800, Vocal music -- 16th century, and Vocal music -- 17th century
