<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>Operetta</dc:title><dc:creator>Galli, Angelo, approximately 1390-approximately 1459</dc:creator><dc:date>1453</dc:date><dc:language>ita</dc:language><dc:description>Manuscript on paper of Angelo Galli, Operetta</dc:description><dc:description>In Italian.</dc:description><dc:description>Script: the main text copied by one hand writing Gothico-Humanistica Cursiva Libraria. Corrections in a more rapid form of the same script. The series of essays are in late Humanistica Cursiva. The main text has pale red headings, red stroking of the majuscules, and 3-4-line plain red initials, sometimes with interior reserved shapes at the beginning of the chapters, with guide letters.</dc:description><dc:description>Angelo Galli (c. 1390-1459), Operecta in laude dela bellezza e detestatione dela crudeltade dela sua cara amorosa del signor duca Fernando. The author was a poet and soldier in the service of the court of Urbino. The very numerous and extensive corrections in a hand close to, but not identical with, the scribe's hand obviously prove that this is a working copy corrected by the author himself. The manuscript also includes a series of essays for the beginning of an epitaph in Italian verse; some readings are uncertain.</dc:description><dc:description>Binding: 16th century limp parchment binding, sewn on three leather thongs. The long inscription on the front cover is hard to read.</dc:description></oai_dc:dc>