<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>The contrast utrum horum mavis accipe. [graphic]</dc:title><dc:date>[approximately 1760]</dc:date><dc:language>eng</dc:language><dc:description>A representation of contrasting feelings and emotions in two separate oval frames on one plate. In the left one, a dejected-looking middle-aged man is gazing ahead with unseeing eyes. His chin rests on the handle of the cane that he is holding up with both hands, chapeau-bras. His forehead is creased with worry and his mouth downturned. In the frame on the right, a stout middle-aged man laughs joyously pointing to sad man on the left</dc:description><dc:description>Title from item.</dc:description><dc:description>Publication date from an unverified card catalog record.</dc:description><dc:description>Sheet trimmed within plate mark.</dc:description><dc:description>Later state, with the background mezzotinted, of a print made and published by Thomas Bakewell in 1737.</dc:description><dc:description>Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.</dc:description><dc:description>Temporary local subject terms: Contrasts.</dc:description><dc:description>Window mounted to 27 x 37 cm.</dc:description></oai_dc:dc>