<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>The progress of the Emperor Napoleon [graphic].</dc:title><dc:creator>Rowlandson, Thomas, 1756-1827, printmaker</dc:creator><dc:date>[not before 19 November 1808]</dc:date><dc:language>eng</dc:language><dc:description>"A sequence of eight Napoleons arranged in two rows. [1] As' A Ragged Headed Corsican Peasant', he is a shock-headed boy registering tense determination, his hand plunged deep in the pockets of a tattered coat. [2] A youth in civilian dress sits at a small table intently studying the plan of a fort: 'Studying mischief at the royal Military Academy at Paris'. [3] Dressed in officer's uniform but without a sword, he bows, hat in hand:' An humble Ensign in a Republican Corps - requesting a situation in the British Army'. [4] He stands agressivelv hand on hip, r. arm extended, wearing a plumed bicorne and long sabre: 'A determined Atheistical Republican General - ordering his men to fire on the Parisians Vollies of grape shot'. [5] He stands in Turkish dress, bowing with a furtive sideways glance; he wears a plumed turban and fur-trimmed robe: 'A Turk at Grand Cairo'. [6] He runs hurriedly in profile to the left., wearing his cocked hat, but no sword: 'A Runaway from Egypt'. [7] As 'A Devout Catholic', he stands in uniform, without hat or sword, head bowed and hands crossed on his breast. [8] In the last scene he sits enthroned, with the inscription: 'An Emperor on a Throne of iniquities - O Tempora O Mores'. He wears a crown and long robe. The back of his throne is inscribed 'Murderer. Duke D'Enghem [sic], Prisoners at Jaffa, Palm, Captn Williams, Pichegreu, Calon, Toussaint &amp;c &amp;c, Robberies innumerable [commas have been inserted]'."--British Museum online catalogue, description of an earlier state</dc:description><dc:description>Title etched below image.</dc:description><dc:description>Printmaker from description of earlier state in the British Museum catalogue.</dc:description><dc:description>Artist questionably identified as Woodward in the British Museum catalogue.</dc:description><dc:description>Later state; former plate number "63" has been removed from upper left corner and a new number etched in upper right, and date has been removed from imprint statement leaving a gap between "Pubd." and "Thos. Tegg, N. 111 Cheapside."</dc:description><dc:description>Plate numbered "295" in upper right corner.</dc:description><dc:description>Companion print to: The progress of the Empress Josephine.</dc:description><dc:description>Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4.</dc:description><dc:description>Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 101-2.</dc:description></oai_dc:dc>