<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>The opera house, or, The Italian eunuch's glory humbly inscribed to those generous encouragers of foreigners, and ruiners of England. [graphic]</dc:title><dc:date>[ca. 1730]</dc:date><dc:language>eng</dc:language><dc:description>"Satire on foreign opera singers based on "The Beggar's Opera Burlesqued"; animal-headed singers portraying the principal characters are shown on an outdoor stage with musicians and audience in the foreground; beyond, to left, theatre boxes with an audience of ladies and below a wall hung with ballads against which two men urinate and defecate; to right, a conventional stage scene; an angel carrying a ribbon lettered "Harmony" flies off at top right. On either side hang scrolls listing the presents given to Farinelli, copied from Hogarth's Rake's progress, Plate 2; ten lines of verse below."--British Museum online catalogue</dc:description><dc:description>Title etched above image.</dc:description><dc:description>Date of publication from British Museum online catalogue.</dc:description><dc:description>Formerly attributed to Hogarth, now dismissed.  See Paulson.</dc:description><dc:description>Sheet trimmed to plate mark.</dc:description><dc:description>Ms. note in Steevens's hand above: Given me by the Revd Dr. Lort.</dc:description><dc:description>On page 49 in volume 1. Plate trimmed to:</dc:description></oai_dc:dc>