<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>[A rake's progress]. [graphic] / [Plate 8]</dc:title><dc:creator>Hogarth, William, 1697-1764, printmaker</dc:creator><dc:date>[25 June 1735]</dc:date><dc:language>eng</dc:language><dc:description>A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude</dc:description><dc:description>Title, state and imprint from Paulson.</dc:description><dc:description>Additional title from first lines of verse etched below image.</dc:description><dc:description>Eighth scene in A rake's progress. See Paulson.</dc:description><dc:description>After the painting at Sir John Soane's Museum.</dc:description><dc:description>On page 77 in volume 1. Trimmed within plate mark: 34.6 x 39.7 cm.</dc:description></oai_dc:dc>