<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>Marriage a-la-mode. [graphic] / Plate V</dc:title><dc:creator>Ravenet, Simon François, 1706-1774 printmaker</dc:creator><dc:date>[1 April 1745]</dc:date><dc:language>eng</dc:language><dc:description>In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands.  Behind her on the right Silvertongue escapes through the window.  On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays</dc:description><dc:description>Title engraved below image.</dc:description><dc:description>State from Paulson.</dc:description><dc:description>After the painting "The Bagnio" in the National Gallery, London.</dc:description><dc:description>Formerly on page 118 in volume 2.  Removed in 2012 by LWL conservator.</dc:description></oai_dc:dc>