<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>Farmer George &amp; his wife [graphic]</dc:title><dc:date>[not before 1786]</dc:date><dc:language>eng</dc:language><dc:description>Design in an oval with the bust portraits of George III and Queen Charlotte in profile looking to the right, his taller figure concealing her right shoulder and the back of her shady hat which has a transparent brim. Both are plainly dressed as in prints depicting them as a farmer and his wife, see British Museum satire no. 6918. A reverse of the original (British Museum satire no. 6968). A small anchor is etched in the lower left corner outside the oval design</dc:description><dc:description>Title etched below image.</dc:description><dc:description>Print signed using Frederick Marryat's device: an anchor tilted diagonally. See British Museum catalogue.</dc:description><dc:description>Probably published by William Holland: the lettering is in his hand and the print is listed in his 1788 Catalogue at a shilling.</dc:description><dc:description>Later state with date entirely and artist's devise (an anchor) partially burnished out.</dc:description></oai_dc:dc>