<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>Taking the back track : a dangerous neighborhood</dc:title><dc:creator>Cameron, James, 1817-1882, artist</dc:creator><dc:date>[1866]</dc:date><dc:language>eng</dc:language><dc:description>Lithograph reproduces a painting by James Cameron that depicts a small party of trappers of with horses and with pack mules hiding near a rocky, tree-topped hill to avoid being seen by a large group of indigenous persons approaching them on horseback in the tall grass of the middle-ground</dc:description><dc:description>BEIN BrSides Zc10 866ca: On verso: Manuscript instructions for matting; manuscript notes: Sir John Hesketh Lethbridge from his dear son, "Albert." Ottawa, Canada West. Framed by W. Lee, Barnstaple, in 1871.</dc:description><dc:description>Title from caption below image.</dc:description><dc:description>Signature of Cameron within image.</dc:description><dc:description>Below image: Entered by act of Congress AD 1866 by Currier &amp; Ives, in the clerk's office of the District Court of the United States, for the Southern District of N.Y.</dc:description></oai_dc:dc>