<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>L'orologio del piacere : che mostra l'ore del diletteuole soggiorno hauto dall'altezza serenissima d. Ernesto Augusto, vescouo d'Osnabruc, duca di Bransuich, Luneburgo, &amp;c. nel luoco di Piazzola di S.E. il signor Marco Contarini, procurator di S. Marco, consacrato all'a.s. dalla medemma eccellenza</dc:title><dc:creator>Freschi, Domenico, 1634-1710</dc:creator><dc:date>MDCLXXXV [1685]</dc:date><dc:language>ita</dc:language><dc:description>BEIN Italian Festivals 112: Autograph: 1742, Giaco. Soranzo.</dc:description><dc:description>In 6 parts, with separate t.p.'s. Each describes an entertainment provided Ernst August during his visit to Marco Contarini at Piazzola, and each section after the 1st includes Piccioli's libretto for a dramatic cantata, the music for which was supplied by Domenico Freschi. The music has been lost, except that for pt. [5]; see New Grove. The titles of pts. [2-6] are: Il vaticinio della fortvna; La schiavitv̀ fortvnata di Nettvno; Il ritratto della gloria, donato all'eternità; Il prelvdio felice; Il merito acclamato. For discussion of the festivities surrounding Ernst August's visit, see: Piazzola / Paolo Camerini. Milano, 1925 (p. 274-290).</dc:description><dc:description>Printed at Contarini's palace press at Piazzola sulla Brenta.</dc:description><dc:description>Illustrations: 10 engravings, comprising a frontispiece leaf with the arms of Ernst August (recto) and the Contarini of Venice (verso), together with 8 folded views: [1], arrival of Ernst August; [2-3], aquatic pageant; [4], banquet in the Sala della Musica; [5], aquatic battle; [6] (double sheet), coursing of Barbary horses in the palace courtyard; [7] (double sheet), banquet in the palace courtyard; [8] (triple sheet), entry of the procession into the palace courtyard; see: Piazzola / Paolo Camerini (p. 265-298). Plates [3] and [5] repeat [2], except for the central portions depicting further festivities on the water, which have been engraved on separate plates. Similarly, plates [6-8] are the same except for the T-shaped central portions, engraved on separate inset plates. In addition plate [8] has been extended by a 3rd sheet at the right depicting stables. Plates [6-8] are signed at lower left: Gu R sc.</dc:description><dc:description>Signatures: A⁴ B², ²A⁴, ³A⁴ C⁴, ⁴A⁴ D² [chi]² E² F⁴, ⁵A⁴.</dc:description></oai_dc:dc>