<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>Musaeum hermeticum reformatum</dc:title><dc:creator>Hellmerich, Georg</dc:creator><dc:date>1692.</dc:date><dc:language>lat</dc:language><dc:description>Manuscript on paper (thick) containing 1) Basilius Valentinus, Porta sophica, sive duodecim claves. 2) Marcellus Palingenius, Alchemical invocation. 3) George Ripley, Liber duodecim portarum, the prologue only. 4) Hermes, Tabula smaragdina. 5) Basilius Valentinus, Practica cum duodecim clavibus. 6) Lambsprinck, De lapide philosophico libellus. 7) Michael Maier, and others, Emblematical alchemical paintings, without text. 8) Riginio Danielli, Canzone</dc:description><dc:description>In Latin and Italian.</dc:description><dc:description>Script: Painstakingly but not very skillfully written by a single hand imitating different typefaces.</dc:description><dc:description>In brown ink with some red headings and capitals.</dc:description><dc:description>Binding: Probably original binding of plain brown calf, back with four raised bands, remains of early paper title label at top of backstrip on which the compiler's name is written partly defectively, "Gregori ... [sic] ... llmri ..." Badly wormed and repaired in modern times, with modern leather title label on backstrip.</dc:description></oai_dc:dc>