<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>[Joseph accused by Potiphar's wife] [graphic]</dc:title><dc:date>[between 1783 and 1787?]</dc:date><dc:date>[printed 1980]</dc:date><dc:language>lat</dc:language><dc:description>"Potiphar's wife accusing Joseph to have attempted to seduce her, in front of her husband; the young woman sits on a chair at centre and addresses Potiphar, who stands at [right]; Joseph stands at [left]; after a drawing formerly attributed to Rembrandt."--British Museum online catalogue, description of the Caylus etching from which this print was copied</dc:description><dc:description>Title supplied by cataloger.</dc:description><dc:description>Text below title, lightly printed and only partially legible: La femme [de Putiphar accuse] Joseph devant son mari.</dc:description><dc:description>According to Nicholas J.S. Knowles, the handwriting on the plate and a few stylistic clues point to Thomas Rowlandson as printmaker. Knowles posits that Rowlandson copied a print by Caylus (IFF 378(6).II; British Museum online catalogue, registration no.: 1865,0208.6) rather than copying the original drawing formerly attributed to Rembrandt (currently in the Louvre, inventory number: NV 22908, Recto). Rowlandson made a series of reproductive prints after old master prints starting from about 1783, and Knowles suggests an early- to mid-1780s date for creation of this particular plate.</dc:description><dc:description>Late-20th century restrike on modern paper, with pencil annotation "TR/RP/80" in lower right that suggests a 1980 printing date. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles.</dc:description></oai_dc:dc>