Unnumbered copy of limited first edition of Jean Cocteau's L'ode à Picasso (Paris: La Belle Edition, 1919), heavly annotated by Cocteau. Laid in: business card of Louis Broder, with autograph manuscript note, signed.
Description:
Formerly owned by Louis Broder. Purchased from John McWhinnie on Edwin J. Beinecke Book Fund, 2008., Jean Cocteau (1889-1963), French author and filmmaker., and Title devised by cataloger.
Doni, Gio. Battista (Giovanni Battista), 1593 or 1594-1647
Published / Created:
MDCXL [1640]
Call Number:
Monteverdi 5
Image Count:
9
Resource Type:
Books, Journals & Pamphlets
Description:
Author's presentation inscription to Malatesta Albani. Unidentified armorial bookplate. Shelfmark in ms. on t.p. verso: M VIII 4. Accompanied by 3 leaves of ms. notes. From the Albi Rosenthal Collection of Monteverdi and the birth of opera. and Signatures: [dagger]⁸(-[dagger]1, blank?) A-3F⁴ 3G².
Publisher:
Nella stamperia d'Andrea Fei,
Subject (Name):
Doni, Gio. Battista (Giovanni Battista), 1593 or 1594-1647. Compendio del trattato de' generi e de' modi della musica. and Rosenthal, Albi, 1914-2004
Subject (Topic):
Music, Greek and Roman, Music--Acoustics and physics, and Musical instruments
Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year.
Description:
Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., and Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r.
Subject (Name):
Martí, Ramón,--d. ca. 1286 and Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Binding: Eighteenth century. Rebound in brown cowhide (?), blind-tooled, with numerous metal bosses. Pastedowns from the same 17th-century antiphonary used as flyleaves., Script: Written in two sizes of round liturgical gothic script by several scribes: Scribe 1, ff. 1r-235r; Scribe 2, f. 235r-v, and Scribe 3, ff. 236r-245v., and Three fine historiated initials, 4- to 2-line, shaded pink and/or green, with blue, yellow, green and orange foliage and knots, with gold dots and orange frame; figures against blue ground. 3- to 2-line calligraphic initials, divided, red and blue with red penwork, with blue and red penwork flourishes. 1-line initials red or blue with blue or red penwork, sometimes with black and green; some initials with guide-letters in outer margin. 1-line initials with yellow. Square notes on 4-line red staves. Rubrics throughout, with notes to rubricator in margins. One very crude 4-line initial (s. xvii) on f. 1r, in red, yellow, blue, green and purple.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Antiphonaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 3 liturgical rolls, containing Ambrosian Rite Antiphons for Rogation Days, with musical notation.
Subject (Name):
Catholic Church--Ambrosian rite
Subject (Topic):
Antiphonaries, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Music--500-1400, and Rogation days
Correspondence, photographs, and an incomplete catalog raisonné related to the work of artist Charles Demuth, which Richard W. C. Weyand collected and compiled from 1940 to 1955, as well as auction catalogs related to Weyand's estate, 1957-1976. Correspondence in the collection documents artwork created by Demuth and owned by different persons and institutions, while circa 125 photographs document work created by Demuth, circa 1906-1934.
Description:
Charles Demuth (1883-1935) was an American watercolor artist who turned to oils late in his career and developed a modern art movement known as Precisionism., Folios 203, 207, 209-10, 213, 216, 218, 220, 227-229, 244, 250-260, 272-276, 287-289, 291-292, and 298 are missing., Gift of Ann Grether Hill, 1988., and Richard W. C. Weyand (1905-1956), born Richard Conklin Weyand, was the son of Edwin Stanton Weyand (1863-1913) and Wilhelmina Thompson Weyand (1873-1943). He had two sisters, Dorothy Adams Weyand Grether (1897-1982) and Louise Victoria Weyand White (1899-1924), as well as two brothers, Edwin Stanton Weyand (1903-1973) and William Rodgers Weyand (1908-1970). Weyand served in the United States Navy during World War II, 1942-1945. Weyand and Robert Evans Locher (1888-1956), a close friend of artist Charles Demuth, operated an antique store and lived in the former home of Demuth in Lancaster, Pennsylvania, 1943-1956.
Subject (Name):
Demuth, Charles, 1883-1935, Demuth, Charles, 1883-1935--Catalogs, Demuth, Charles, 1883-1935--Pictorial works, Locher, Robert Evans, 1888-1956, Stieglitz, Alfred, 1864-1946, and Weyand, Richard W. C., 1905-1956
Subject (Topic):
Artists--Pennsylvania--Lancaster, LGBTQ resource, and Precisionism--Pennsylvania--Lancaster