Manuscript on parchment, composed of four parts. Written at the end of the 14th century (Parts I, III) and in 1578 (Parts II, IV); the prominence of St. Maclovius (Macutus) suggests that Parts II and IV were produced in Brittany or Normandy
Description:
In Latin., Script: Parts I and III (ff. 1r-40v, 48r-72v): Written in liturgical gothic of two sizes, by one scribe. Parts II and IV (ff. 41r-47v, 73r-102v) were intended to be integrated into the earlier portion: Written in liturgical gothic of the late 16th century, in two sizes by a single scribe; the letters slant slightly toward the left., On f. 48r, a 5-line historiated initial (65 x 58 mm.), white-decorated red and blue on a gold ground, enclosing a priest serving Communion; from the corners sprout blue vines with white, gold, and red trilobe leaves, extending around 3 sides of the page. On f. 1r, an 8-line illuminated initial of white-decorated blue and red (63 x 65 mm.), filled with blue and red trilobe leaves, on a gold ground; the base of the letter is extended around the inner and lower margins as a gold, blue, red, and white bounding line; from the lower two corners of this line and the upper left corner of the initial sprout vines, as for the historiated initial. 3- and 2-line initials in orange-tinted red or blue; rubrics throughout. Square notes in brown on 4-line orange-tinted red staves (the red ink has bled so that the whole written space has an orange glow). Parts II and IV: 4- to 1-line initials in red and blue. Rubrics are sometimes set off on the right side of the page by a narrow vertical border in brown. Musical notation: square notes on 4-line staves, all in brown., and Binding: 1981. Quarter cloth case, retaining brown mottled paper covered boards, 19th century. Traces of earlier bindings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of Gregory the Great's Moralia in Iob
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 10line initials are in brown uncials; punctuated with the punctus, punctus elevatus, punctus versus, and punctus flexus; double quotation marks in the margin; hyphenation in the same ink as the text.
Manuscript on parchment of a facsimile of the edition Venice, Aldus Manutius, [1495-1497]. In contrast with the edition, in which the Greek text is interleaved with the Latin translation by Marcus Musurus (c. 1470-1517), in the facsimile the Greek text is followed by the Latin translation and the copy of the two woodcuts illustrating the Hero and Leander story is placed between both on ff. 11v-12r
Description:
In Greek and Latin., Script: "Typographic" Greek and Latin script., and Binding: De luxe binding by Francois Bozerian called Bozerian Jeune, 19th century. Black morocco over cardboard, both covers with gold-tooled frame and corner-pieces and the Aldine anchor and dolphin in the centre. Spine with seven raised bands with in the compartments the gold-tooled inscriptions "MUSAEUS", "ALDUS / 1495", "REL.P.BOZERIAN.JEU" and "IN MEMBRAN". The other compartments tooled. Gilt edges. Gold-tooled green silk doublure and silvery silk pasted on the facing flyleaf.
Manuscript on paper of Prayers to be said at various times during the Mass. Composed by Paul Pellisson-Fontanier (1624-93).
Description:
In French., Script: Written by the master calligrapher Jean Pierre Rousselet, a follower of Nicholas Jarry, active in Paris between 1677 and 1736., Two full-page miniatures and nine historiated headpieces in gouache, all in frames best described as resembling the frames of 18th-century mirrors; the frames blue and purple with white highlights and gold side-pieces decorated with red flowers in diamonds; floral swags at bottom. Tail pieces with swags, as above and filled with gold, on f. 48v with the Holy Spirit as a dove. 3- and 2-line initials, blue with white highlights on gold; 1-line initials in red. Titles in gold, red and blue capitals; running headings and rubrics in red., and Binding: 18th-19th centuries. Black goatskin, gold-tooled. A red label and salmon pink doublures and flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pellisson-Fontanier, Paul, 1624-1693. and Catholic Church
Subject (Topic):
Liturgy, Devotional literature, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of a quodlibetical text, possibly associated with a student of Henry of Ghent
Description:
In Latin., Script: written in a small, highly abbreviated gothic script (littera textualis)., and Decoration: 2-line initials alternate red and blue, occasionally with red penwork; 1-line initials are in brown capitals, frequently preceded by a paragraph mark which alternates red and blue; rubrics written in red in the same script as the text; punctuated with the punctus and the virgule; there are marginal corrections written in a contemporary cursive hand as well as numerous corrections within the main body of the text.
Manuscript on parchment of Roman de la Rose. With Poem on Paris of Troy, added in a later hand (15th/16th century); and Poem including the name of the man for whom the volume was copied, Pierre Louvel
Description:
In French., Script: Written in well-formed batarde by one scribe; art. 1 and some marginal notations in a slightly later hand., Inscriptions in almost every miniature to identify the figures. Sixty-six miniatures, 16- to 12-line, framed in gold, on f. 1r with a cusped arch and a full border of blue and gold acanthus at the corners and midpoints, red and blue flowers, and hair-spray with gold leaves, bounded in red and with a gold bar in inner margin. Other miniatures with 3/4 borders in the same style, some with birds. On f. 1r a 4-line initial, blue with white highlights, filled with red and blue ivy against a gold ground. 3- or 2-line initials, gold, with pink and blue grounds with white filigree. Capital at beginning of each verse stroked in yellow., Borders and miniature on f. 1r rubbed. Black ink hair-spray on many borders smeared., and Binding: Nineteenth century. Rigid vellum case heavily gold-tooled, with a red label. Gilt, gauffered edges. Motto on upper cover: "Nobilis ira." Bound by Bevan.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Lorris, active 1230. and Jean, de Meun, approximately 1240-approximately 1305.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances
Manuscript on parchment of Roman de la Rose. Seventeen leaves containing lines 8242-10751 are now missing between ff. 39 and 40; in addition, the text has been abridged to 16272 lines
Description:
In French., Script: Written by a single scribe in neat gothic textura., Plain initials, 2-line, alternating red and blue, throughout the text; headings in red. First letter of most verses stroked with yellow., Slits in parchment on ff. 42-44, some affecting text., and Binding: Nineteenth century. before 1881. A very fine Grolieresque binding in brick red goatskin, gold-tooled, by Riviere.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Lorris, active 1230.
Subject (Topic):
French literature, French poetry, and Manuscripts, Medieval
Manuscript fragment on parchment of a selection of sermons by Stephen Langton, including: an unidentified sermon on St. Paul; Sermon on the Conversion of St. Paul (25 January); unidentified sermon on the Annunciation (25 March); and Sermon on John the Baptist (24 June).
Description:
In Latin., Script: written in small gothic script (littera textualis)., and Decoration: 2-line and 6-line sermon initials are in red, except for the initial on fol. 1r, which is a 1-line capital in brown ink; 1-line initials are brown; rubrics in red in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation in the same ink as the text.
Manuscript on parchment of 1) Statuta capituli generalis, with the years 1158 and 1180-1190 mentioned in red. 2) Liber usuum. 3) Super instituta generalis capituli apud Cistercium. 4) Liber usuum conuersorum. 5) Carta caritatis
Description:
Probably produced at the abbey of Fontaine-Jean in Northern France, to which it belonged in the late 16th century. The Cistercian abbey of Fontaine-Jean, near Montargis, between Sens and Orleans, was a daughter house of Pontigny founded in 1124., In Latin., Script: Written by one scribe in large, even bookhand. Additions by various hands, 13th-17th centuries; some lost due to trimming., Four large initials, ff. 1v, 38r, 86r, and 93r (12-, 29-, 8-, and 9-line), light brown with crude running pattern of clover-leaf-like forms in brown ink, filled with brown, green and red spiral foliage with flowers and dragon-head terminals, on blue and red grounds decorated with triplets of white dots. One elaborate, but crude, calligraphic initial, f. 118v, 9-line, divided red and green, accompanied by red and green foliate motifs, framed in green. Numerous initials throughout, 7- to 2-line, red or blue, and occasionally green, with blue, red or green foliate penwork, some extensive. 1-line initials, red or blue, alternating. Rubrics throughout, some in text, others in margins. Wavy red line-fillers., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled, with mottled, mauve paper sides. On spine: "Constitutions du monastre de Fontaine-Jehan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders