"Satire on the times in four compartments each showing the figure of Time and a grindstone in relation to current events: the incompetent management of war with France; John Barnard's lottery scheme, in which Henry Legge, Chancellor of the Exchequer, had invested heavily; Henry Fox's "Treachery,Vanity, Folly & Impudence" which Pitt promises to crush; the burden of taxes on all but the friends of the Devil."--British Museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Design divided into four compartments, each with its own title and numbered Part 1 to 4., Temporary local subject terms: Grinding stones -- Britannia (Symbolic character) -- British Lion -- Personifications: Time -- Frenchmen -- Spaniards., and Mounted to 23 x 38 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
The figure of the miserable footboy who attends the "Old Maid", copied from William Hogarth's Morning from The four times of the day series; he wears a hat and carries a large prayer book under his right arm. Shivering and gritting his teeth as he walks, he tucks his left hand in the breast of his coat. The background consists of a few scratches for clouds and puddles
Description:
Title devised from British Museum catalogue., Letters 'H' in artist's name and letter P in 'pinx' linked., Publication date from British Museum catalogue., Sheet trimmed within plate mark., and Bowditch's ms. annotations on the mounting sheet below image; mounted to 32 x 40 cm.
The figure of the miserable footboy who attends the "Old Maid", copied from William Hogarth's Morning from The four times of the day series; he wears a hat and carries a large prayer book under his right arm. Shivering and gritting his teeth as he walks, he tucks his left hand in the breast of his coat. The background consists of a few scratches for clouds and puddles
Description:
Title devised from British Museum catalogue., Letters 'H' in artist's name and letter P in 'pinx' linked., Publication date from British Museum catalogue., Sheet trimmed within plate mark., With the title written above the image in Steevens's hand: Three spurrious., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., Formerly cataloged with the title: The half-starved boy., and On page 89 in volume 1. Trimmed to plate mark 215 x 511 mm.
An expensively decorated room with a gas chandelier of cut glass is filled with a raffish crowd, eating, drinking, and fighting, and flirting. The selling of shell-fish is a 'specious pretence' for 'costly suppers' in a 'den of depravity'. The center figure, a young man assailed by a woman, appears to be Robert Cruikshank. See British Museum catalogue
Alternative Title:
New Covent Garden Hall
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14950 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 1, page 399.
Publisher:
Sherwood Jones & Co.
Subject (Name):
Cruikshank, Robert, 1789-1856,
Subject (Topic):
Chandeliers, Courtship, Crowds, Eating & drinking, Fighting, Intoxication, and Parties
"The happy family engaged in the noblest work of humanity, that of relieving the indigent, and giving succour to the aged and infirm". See S. Ireland's Graphic illustrations of Hogarth, p. 128
Description:
Title devised by cataloger., Series title from caption below image; plate number in upper right., Plate from: Graphic illustrations of Hogarth from pictures and drawings in the possession of Samuel Irland author of this work, v. 2, opposite page 128., and Prints trimmed within plate mark with loss of imprint. Imprint from impressions as issued in bound volume: Lewis Walpole Library 75 H67 S794.
Title from text printed on verso of previous plate in the series., Publication information from a closing plate in the series with intact imprint statement: The water doctor, or, hydropathyist., Numbered 'Plt. X' in upper left corner from: The sure water cure., and On same sheet, verso: Going to the bath's.
"A copy by Rowlandson after the 1774 Bunbury print, 'The hopes of the family - an admission at the university', a satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two further volumes, and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and a woman, a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."
Description:
Title supplied by cataloger, based on that of the print on which this design is based., Printmaker and date of publication from British Museum online cat., registration no.: 2006,U.1348., Restrike. Date of printing based on watermark., A reduced copy of no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Similar to and perhaps related to a series of small copies by Rowlandson of earlier Bunbury satires, published in 1803 by R. Ackermann. See Rowlandson the caricaturist / by Joseph Grego. London, Chatto and Windus, 1880, v. ii, p. 42-43., Watermark: J. Whatman 1828., Imperfect; artist's signature erased from sheet., and A border enclosing the design and shading to the lower portion of the design added in pencil.
"A copy by Rowlandson after the 1774 Bunbury print, 'The hopes of the family - an admission at the university', a satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two further volumes, and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and a woman, a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."--British Museum online catalogue
Description:
Title supplied by cataloger, based on that of the earlier print from which this design was copied., Printmaker and date of publication from British Museum online catalogue, registration no.: 2006,U.1348., A reduced copy of no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Similar to and perhaps related to a series of small copies by Rowlandson of earlier Bunbury satires, published in 1803 by R. Ackermann. See Rowlandson the caricaturist / by Joseph Grego. London, Chatto and Windus, 1880, v. ii, p. 42-43., On same sheet: Miseries of London., and Mounted to 56 x 37 cm.
Publisher:
publisher not identified
Subject (Topic):
Dogs, Families, Social mobility, Students, Teachers, Teaching, and Portraits
Title devised by cataloger., Plate from: The Freeholder's magazine, or, Monthly chronicle of liberty, v. 2? (1770)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Trades: farriers -- Crimes: horse-stealing -- Orders: Star of the Garter.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820. and Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790