Title below image, center., Place of publication derived from street address., Date supplied by curator., Above image: Actualités. 282., Published in Le Charivari, 12 December 1868., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
A. de Vresse, r. Rivoli, 55 and Lith. Destouches, r. Paradis Pres 28.
Subject (Name):
Rossini, Gioacchino, 1792-1868., Berryer, Pierre-Antoine, 1790-1868., Mallefille, Jean Pierre Félicien, 1813-1868., Havin, Léonor-Joseph, 1799-1868., Rothschild, James, baron de, 1792-1868., and Empis, Adolphe-Simonis, 1795-1868.
Subject (Topic):
Death (Personification)., Tombstones & sepulchral monuments, Skeletons, and Bicycles & tricycles
Full length view from behind of a Scotsman dressed in kilt and covered with a plaid shawl. He wears a bonnet and plaid stockings
Alternative Title:
Montagnard d'Ecosse
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Highlander's tartan., and Watermark: Strasburg lily, partially cut off.
"Portrait of Marie de Bretagne, Duchess of Montbazon, bust-length, slightly turned to the left, with curly hair, pearl earring, pearl necklace, and dress with square neckline."--British Museum online catalogue
Alternative Title:
A Madame la Duchesse de Montbazon
Description:
Title engraved below image., Publisher and date of publication from the British Museum online catalogue, registration no.: 1917,1208.3886., Dedication to the Duchess of Montbazon by Jean Leblond engraved below image: Quoy qu'il ne soit pas possible, Madame, que l'art puisse bien representer l'extreme beauté ... Vostre tres-humble, et tres-obeissant seruiteur Iehan le Blond ..., Sheet trimmed within plate mark., Mounted on page 63 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Publisher:
Jean Leblond
Subject (Name):
Montbazon, Marie d'Avaugour, duchesse de, 1610-1657,
A lawyer wearing spectacles and with a feather pen in his mouth sits at a tall desk in his study while country bumkins solicit him with payment in dead animals and produce -- e.g., rabbits, fowl, and piglets. His clerk (behind him at the desk) smiles as he also writes with a feather pen. On the wall (right) hangs a map of Great Britain and above it on a bookshelves large folios with titles 'Strange reports' and 'Burn's justice'.
Alternative Title:
Avocat de la campagne avec ses clients
Description:
Title from text below image., Title in English and French., Sheet trimmed to plate mark., Numbered "553" in lower left corner., No. 30 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
"Bird's eye view over Vauxhall Gardens, with figures surrounding bandstand and the Prince of Wales's pavillion in centre, triumphal arches at right and supper boxes at either side of the gardens, the conical roof of the 'Elegant music room' at extreme left"--British Museum online catalogue, description of an earlier state
Alternative Title:
General prospect of Vauxhall Gardens and Vüe d'etaillee des Jardins de Vaux Hall
Description:
Title from text below image., Later state, with publication line burnished from plate. For an earlier state published in 1751 by John Bowles, see British Museum online catalogue, registration no.: 1880,1113.5465., Date of publication based on that of earlier state. See British Museum online catalogue., and Plate numbered "128" in upper right corner.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Vauxhall Gardens (London, England),, England, and London.
"Bird's eye view of London; the Tower on the right, old London Bridge in the centre with the Monument to its right, St Paul's beyond, Westminster Abbey in the distance at the left; a reduced copy of a print by Bowles."--British Museum online catalogue
Alternative Title:
Vüe générale de la ville de Londres qui comprend la partie la plus voisine de la Tamise
Description:
Titles etched below image, in English and French., Probably a later state, with slight alterations to the plate numbering. For a state with "No. 1" in upper right corner and no number in upper left corner, see British Museum online catalogue, registration no.: 1875,0710.4904., Date range for publication from the British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "No. 1" in upper left corner and "1" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 20 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Thames River (England),, London Bridge (London, England),, England, and London.
Subject (Name):
Tower of London (London, England),, St. Paul's Cathedral (London, England),, and Westminster Abbey,
Subject (Topic):
Monument, The (London, England), Cathedrals, Bridges, Monuments & memorials, Rivers, Boats, and Sailing ships
A view of the city of Oxford from a distance with a horse and cows grazing in the foreground on either side of a stream. In middle distance there is a large manor with outbuildings
Alternative Title:
Vue générale de la ville d'Oxford
Description:
Titles in English and French engraved below image., Sheet trimmed to plate mark., Plate numbered "87" in upper right corner., and Mounted on stiff cardboard.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
"A companion print to British Museum Satires No. 6912; a similar group of men in a similar room stand or sit at a rectangular table singing from a large music-book held open on the table. Punch-bowl, wine-bottle, glasses, pipes, a tumbler are on the table which is covered by a heavy cloth. Their expressions are more serious than those of the catch-singers. Two men in the background are smoking, one of whom is lighting his pipe. A dog sits in the foreground looking up at the singers. The words of the glee are engraved beneath the print, beginning: 'Which is the properest Day to drink, Saturday, Sunday, Monday,'; republished state."--British Museum online catalogue
Alternative Title:
Allegresse
Description:
Title from item., Artist from description in Sotheby's catalog., Publication date assigned by the repository based on the series number., Twelve lines of verse below image., Numbered '567' in series., and Temporary local subject terms: Glee Club -- Punch bowls -- Wine bottles -- Glass: wine glasses -- Tablecloths -- Interiors: Robert Smith's house in St. Paul's Church Yard -- Carpets.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Singing, Smoking, Pipes (Smoking), Wine, Drinking vessels, and Dogs
A copy in reverse of William Hogarth's Plate 4 of A harlot's progress: A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her in Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On a shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Harlot's progress. Plate 4, In Bridewell beating hemp, and Dans la maison de correction a battre le chanvre
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.5 x 36 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2076., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 124.
A copy in reverse of William Hogarth's Plate 5 of A harlot's progress: In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Alternative Title:
Harlot's progress. Plate 5, In a high salivation at the point of death, and Elle meurt en passant par le grand-reméde
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.5 x 36 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2092., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 125.
Publisher:
publisher not identified
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.