Haimo, of Auxerre, d. ca. 855 John, of Wales, 13th cent
Published / Created:
[between 1300 and 1350; 1290 and 1325]
Call Number:
Marston MS 223
Image Count:
2
Resource Type:
Archives or Manuscripts
Abstract:
A composite manuscript written in different locations and periods: Part I was written in Italy in the first half of the 14th century; Part II was probably written in England (or Northern France?) at the end of the 13th or beginning of the 14th century. The index was added on blank leaves in Italy in the 14th century, perhaps at the same time that Parts I and II were joined together to form the present codex. and Manuscript on parchment composed of two distinct parts. Part I: 1) Brief prologues to the Pauline Epistles, paraphrasing or extracted from the argumenta of Haimo of Auxerre, Expositio in epistolas Sancti Pauli. 2-4) Notes for sermons arranged according to the liturgical year. Part II: 5) Unidentified sermons. 6) John of Wales, Breviloquium.
Alternative Title:
Haimo of Auxerre; John of Wales, etc.
Description:
Binding: Nineteenth century, England. Backs of quires cut in for original sewing. Brown calf case, blind-tooled., Part I: Red initials, 3- to 2-line, with crude harping designs in black; headings and paragraph marks (art. 3) in red. Instructions for rubricator. Part II: Flourished initials, 3- to 2-line, alternate red and blue with penwork designs in the opposite color. Paragraph marks alternate red and blue; headings, often added in margin, in red. Remains of guide letters for decorator., Purchased from C. A. Stonehill in 1958 by Thomas E. Marston., and Script: Part I (ff. 1-24): Scribe I copied ff. 1r-6v in small gothic bookhand with southern features; Scribe II copied ff. 7r-24r in a somewhat more angular gothic bookhand; additions by different scribes on f. 24r-v. Part II (ff. 25-78): Arts. 5-6 copied in small neat gothic bookhand, by a single scribe; some marginalia added in anglicana script (e.g., f. 46v); art. 7 added in a less careful gothic bookhand.
Subject (Name):
Haimo,--of Auxerre,--d. ca. 855
Subject (Topic):
Bible.--N.T.--Epistles of Paul, Bible--Commentaries, Church year sermons--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Scholasticism, and Sermons--Early works to 1800
Manuscript on paper (unidentified watermarks in gutter; upper margin, trimmed) of a Ritual, possibly written for a nunnery.
Description:
Binding: Sixteenth century. Original sewing on three double, tawed supports laced into the wooden boards. The spine is heavily rounded, with the sewing supports well defined by blind-tooled lines. Covered in dark brown calf with a panel of the Annunciation, in a border of birds, animals and flowers blind-stamped on each board inside outer frames of lines. There is a brass catch on the upper board and a long, thin brass clasp on a leather strap attached to the lower with a brass plate. The leather is slightly torn at the head of the spine but otherwise the book is in fine condition, with no trace of sophistication. Front and back pastedowns from a 15th-century Latin liturgical manuscript., Calligraphic initials, 5- to 3-line, in green or red with red or grey flourishes, often extending the length of the written area. Initials, 3- to 1-line, underlining, strokes on 1-line initials, and headings in red., and Script: Written by three people in what Lieftinck calls Littera brevitura. Scribe 1, ff. 1r-87v and 98r-153v, writes in a large and rather careless hand; 2, ff. 90r-97v, in a small even hand; 3, ff. 154r-272v, in a large uneven hand.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Monastic and religious life--Early works to 1800, and Rituals (Liturgical books)
Manuscript on parchment of Guido de Baysio, Rosarium decretorum, secunda pars. Missing leaves throughout.
Description:
Binding: Date? Brown leather over wooden boards, possibly early. Blind-tooled with concentric frames of fillets and a rectangular rope tool. Hearts in a central panel. Four fastenings, the catches on the upper board. Heavily restored., One fine miniature, f. 1r, 23-line, without frame, bishop enthroned under baldachin instructing the clergy; two trees at sides; two birds above. In lower margin, a roundel with a portrait of a student, in a blue, pink and white frame, surrounded by spiral foliage and large gold dots. At the end of the volume, f. 212v, a roundel with a portrait of an older man, with a thick red and blue frame with blue, green, and gold dots. Thirty initials, 16- to 12-line (ff. 1r, 15v, 36r, 45r, 47v, 52r, 59r, 64r, 68v, 81r, 92v, 96v, 100r, 103v, 123v, 127r, 129r, 131r, 137v, 156v, 163r, 163v, 166r, 166v, 172r, 174r, 190r, 190v, 193r, 194r), most with a single, some with as many as three figures, bishops, priests, monks, students, and women, either reading, instructing or debating; in one case, f. 194r, a priest celebrating mass (De consecratione). The figures set against navy blue grounds with white filigree; the initials shaded pink, orange, red, blue and green against square gold grounds with white filigree, framed in black, blue or green; curling foliate serifs attached to bar stems in inner or central margin, interrupted by initials in margin, blue, light blue, grey, pink, orange, red, and black, extending full length of margin; with large spiral foliate terminals with gold dots and flourishes in brown ink, often incorporating roundels, some with additional figures or birds. Numerous small, 4-line, flourished initials, red with blue flourishes and vice versa, as well as red and blue alternating paragraph marks throughout. Running titles added along upper edge., Script: Written in elegant round gothic bookhand secundum pecias., and Written probably in Bologna from a stationer's exemplar secundum pecias.
Subject (Name):
Guido,--de Baysio,--d. 1313
Subject (Topic):
Canon law--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Pecia
Manuscript on paper of 1) Juvenal, Satirae I-XVI (with XVI preceding XV). With the argumenta of Guarino of Verona added at the beginning of each satire. 2) Persius, Prologue followed by Satirae I-VI. 3) Notes on the moon in the twelve signs of the zodiac.
Description:
Argumenta of Guarino of Verona in red rustic capitals preceding each title; spaces for decorative initials never filled., Binding: Sixteenth century (?). Vellum stays. Original sewing on three slit, tawed straps. Primary, plain and secondary, beaded endbands on twisted, tawed cores, laid in grooves and pegged or nailed. Spine lined with tawed skin, mostly lacking. Straps laced and pegged or nailed into beech boards covered in (originally) brick-red leather, blind-tooled with an inscription in a border around an inner panel of overlapping circles interspersed with dots. Four flower-shaped bosses on each board and two catches on the lower one. Two bosses and clasp straps wanting., Watermarks: similar to Briquet Lettre R.8941 and Harlfinger Fleche 12., and Written in humanistic script by three scribes. The principal scribe, Franciscus Seroddi Centinomius Phylaretus, wrote ff. 1r-72v and 79r-84v; he signed the manuscript on ff. 72v and 84v. Scribe 2 wrote ff. 74r-78v and Scribe 3 the notes on ff. 85r-87v. Marginal and interlinear glosses in several contemporary hands.
Subject (Name):
Juvenal
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Satire, Latin, and Scholia
Manuscript on parchment of collected Greek moral sayings translated into Latin by the diplomat George Hermonymus of Sparta. The manuscript also contains a dedicatory preface to the Abbot of St. Albans. The final two leaves contain 16th and 17th-century verses in multiple hands. The humanist style of the book's script, contents, and illuminations suggest that it is a sister copy of British Library, Harley MS 3346, which was presented to George Neville, Archbishop of York.
Description:
Binding: original, worn velvet over wooden boards., Decoration: heraldic illumination on f. 1v of two angels holding a coat of arms, overpainted to that of the Totewhill family (sable, three covered cups argent); the mitre associated with the abbacy of St. Albans floats above. Borderwork around the miniature consists of gold leaf and alternating red and blue flowers. 1 four-line gilt initial "M" on 2r with accompanying blue and red design and gold borderwork with blue and red background. Between 1 and 3 two to three-line gilt initials per page with blue and red background. Rubrics in red., Ex libris St. Albans Abbey. Ex libris the Totewhill family of Cornwall. Purchased from Christie's London sale (2017 July 12, lot 13) on the James Marshall and Marie-Louise Osborn Fund, 2017., Layout: single column of 14 lines., Script: main text in a humanist hand, possibly that of George Hermonymus. Later English and Latin verses in three early modern hands., and The manuscript contains a dedicatory preface from George Hermonymus to "Gulielmum," the Abbot of St. Albans, either William Albon (1465-1475) or William of Wallingford (1476-1492); this manuscript was probably presented while Hermonymus was on a diplomatic mission to England between 1475 and 1476. The coat of arms of the Totewhill family of Cornwall have been overpainted in the heraldic miniature.
Subject (Name):
Albon, William,---1476., Hermōnymos, Geōrgios,--15th cent., St. Albans Abbey, and Wallingford, William,---1488?
Subject (Topic):
Classical philosophy, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Peter Lombard, Sententiarum libri IV. With a Commentary on Eccles. 38.
Description:
Binding: 1837, England. Bound by Gough in London. Dark brown goatskin, blind-tooled with a light brown gold-tooled label with title "Liber Sententiarum"., Purchased in 1957 from Quaritch, London, by L. C. Witten, who sold it in 1959 to Thomas E. Marston., Red and blue divided initials, 4- to 3-line, for prologue and beginning of books, with penwork designs in the same colors. For other text divisions, 3- to 2-line initials in red or blue with flourishes in opposite color. Distinctio numbers and running headlines in red and blue; rubrics in red. Initial letters of each entry in chapter lists alternate red and blue., and Script: Written in gothic bookhand, below top line; annotations added in less formal, later hands.
Subject (Name):
Peter Lombard,--Bishop of Paris,--ca. 1100-1160
Subject (Topic):
Bible.--O.T.--Ecclesiastes, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Philosophy, Scholasticism, Scholia, and Theology
Manuscript on parchment of John Chrysostom, Sermo de dignitate humanae originis, translated into Latin by Ambrogio Traversari. The text is preceded by a dedicatory letter, here directed to Rene d'Anjou (King of Sicily and Naples, 1435-42).
Description:
3 large initials of modest quality, 8- to 7-line, gold on blue or blue and red grounds with white dots and white vine-stem ornament. 1 smaller initial, 3-line, gold on red and blue ground with white dots. Plain initials in blue and red, one in gold, some with penwork flourishes in red. Rubrics throughout. Paragraph marks in red or blue. Guide letters for initials., Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laced through tunnels in the edge to channels on the outside of beech boards and nailed. Beige and white chevron endbands are sewn on tawed skin cores laid in grooves on the outside of the boards. The spine is lined with green tawed skin between supports. Covered in brown, originally tan, calf with corner tongues, blind-tooled with a triple cross in a border of rope interlace. Spine: sewing bands defined and panels diapered with triple fillets. Two truncated diamond catches with a flower in a circle on the lower board, the upper one cut in for the red fabric straps attached with star-headed nails., Purchased from Giuseppe (Joseph) Martini of Lugano by H. P. Kraus, who sold it in 1957 to Thomas E. Marston., and Script: Written by a single scribe in humanistic cursive script, below top line.
Subject (Name):
John Chrysostom, Saint, -407 and Traversari, Ambrogio, 1386-1439
Subject (Topic):
Catechetical sermons, Fathers of the church, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons--Early works to 1800
Manuscript on paper of Johannes Herolt, Sermones de tempore.
Description:
Binding: Fifteenth century, Germany. Sewn on four supports attached to wooden boards. Covers lined with parchment documents; text side pasted down and illegible. Covered in white tawed skin with two fastenings, the catches on the upper board. Remains of label with title on spine; traces of inscription on upper board. Rebacked., Only selected leaves scanned., Plain red initials, 3- to 2-line. Paragraph marks, initial strokes and underlining in red; rubrics added sporadically., Purchased in 1956 from Bernard Quaritch of London by L. C. Witten, who sold it in 1958 to Thomas E. Marston., Script: Written in hybrida script, perhaps by a single scribe., The bookplate of Hilprand Brandenberg (hand-colored woodcut of an angel holding a shield representing his arms: an ox passant with a ring in its nose) is pasted below the ownership inscription, to which the shelf-mark "CXXXI" was added by a later hand., and Watermarks: several bull's heads including Piccard Ochsenkopf V.636 and similar in design to V.305-13.
Subject (Name):
Brandenburg, Hilprand, 1442-1514, bookplate, Catholic Church --Sermons, Herolt, Johann, and Marston, Thomas E., bookplate
Subject (Topic):
Church year sermons, Church year sermons--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Sermons, Latin, and Sermons--Early works to 1800
Manuscript on paper of 1) Life of Terence. 2) Terence, Andria. 3) Terence, Eunuchus. 4) Terence, Heautontimoroumenos. Artt. 5-24: Cicero, Epistolae. 25) Commentary, partly in Italian, on the first letter of Cicero to Lentulus Spinther (some loss due to trimming).
Description:
Binding: Seventeenth century. Limp vellum case with title lettered in ink down the spine., Crude initials mark beginning of each section; rubrics throughout; many letters stroked in red., Script: Written by multiple scribes in various styles of round humanistic and gothic scripts. One hand supplied most of the glosses on Terence and Cicero and the texts on ff. 143r-145v in italic., and Unidentified watermarks buried in gutter include horn, mermaid in a circle; two distinct birds in circles similar to Briquet Oiseau 12203 and 12220.
Subject (Name):
Terence
Subject (Topic):
Latin drama (Comedy), Latin letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (trimmed) of 1) Bible in the usual order with some prologues and later additions. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) List of readings for year, beginning with the first Sunday in Advent through Monday after Easter. 4) Another list of readings from the first Sunday in Advent (f. 427r) through the 25th Sunday after Trinity, for the dedication of a church, for the sanctorale from Andrew through Cecilia, for the common of saints and for Trinity, Holy Spirit, Holy Cross, Virgin Mary, and the dead. and Manuscript on parchment (trimmed).
Description:
Binding: Nineteenth century. Red, straight-grained goatskin, gold-tooled., Collection of Cornelius Vanderbilt (MS 190); bequeathed to Yale in his memory by his daughter Gladys Moore Vanderbilt, Countess Laszlo Szechenyi in 1966., Rectangular pieces cut out of lower margin, ff. 266-69; no loss of text., Script: Written in small gothic textura; a few corrections added in a tiny neat cursive hand. Marginal notes in several cursive hands of 14th-15th centuries., and The historiated initials, 11- to 6-line (not including ascenders or descenders), are pink and blue, with dragons, against pink and blue grounds with gold dots and triplets of white dots. Initials for prologues 6- to 4-line (without ascenders or descenders), as above, filled with intertwining vines, blossoms, dragons, occasionally birds or fish; 4- to 1-line initials, red or blue with blue and red penwork. Headings, chapter numbers, red and blue alternating letters with blue and red penwork. Capitals stroked in red. Some rubrics missing.
Subject (Topic):
Bible.--Latin--Versions, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Manuscripts, Medieval--France--13th century, and Medieval and Renaissance Manuscripts in Beinecke Library