Manuscript on parchment (thick, good quality), composed of four parts. Although all four parts may be roughly contemporary in execution, they apparently were not assembled together as a "missal" until the 15th century, at which point the manuscript was annotated and cross-referenced from beginning to end; it is possible that only the lectionary and sacramentary in Part IV were originally intended to be used together.
Description:
Binding: Nineteenth century, England. Quarter bound in brown calf, blind-tooled, over wooden board. Metal fittings at the head and tail of the leather and two fastenings., Elegant repairs to parchment sewn with blue and chartreuse thread (e.g., f. 27). Most of the leaves of Part III have been repaired., Part I: KL monograms, in red, embellished with knobs. Part II: Eleven large initials, 12- to 6-line, drawn in red and/or brown ink against geometric grounds of blue and lime-green washes. The initials are constructed of dragons and other fantastic animals, or of stylized foliage inhabited by biting beasts and birds. Plain initials in blue, red or lime-green, some with blue and/or red penwork designs, others with knobs. Major headings in majuscules with letters alternating red, black, and sometimes lime green; other headings in red. Instructions to rubricator perpendicular to text. Part III: The decoration of the Canon of the Mass consists of a 3/4-page miniature of the crucifixion, f. 60r, framed with a narrow border of olive green, red and blue with white filigree. Christ is shown hanging from a Y-shaped Astkreuz flanked by Mary and St. John, against gold ground. The gold ground is largely rubbed and the figures are partly restored (lower part of St. John's robe has been reworked, and flaked paint on the cross and Christ's loin cloth replaced). Marginal illustration of what appears to be a kneeling Augustinian canon dressed in white and red robes, adjoining the Te igitur (f. 60v). Three illuminated initials, ff. 58r, 59v, 60v, for the Canon of the Mass, 7- to 5-line, pale mauve with stylized scrolls and green foliage against gold ground edged in blue with white filigree. Vere dignum initials, 3-line, alternate in red and blue with penwork in either blue or red. Part IV: Pen-and-ink initials, 7- to 4-line, of a similar design as in Part II, but lacking the vitality; drawn in brown and/or red ink with stylized foliage and palmettes sometimes touched with blue or red against blue, red and/or lime-green ground. Smaller initials, 4-line, red, blue or green with red and/or green penwork design. Plain initials in red. Headings in red. Instructions for rubricator perpendicular to text., and Script: Part I (ff. 2-8): Text of calendar written in gothic bookhand by a single scribe; many later additions in several hands. Part II (ff. 9-56): Written in gothic bookhand, with additions in several different hands in less formal styles of writing. Musical notation consists of Austrian adiastematic neumes in the same ink as the text. Part III (ff. 57-64): Written in large liturgical gothic bookhand. Part IV (ff. 65-276): Written in gothic bookhand; several layers of marginalia added in less formal hands.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
f. 1r //tur vobis. Deus autem pacis qui eduxit de mortuis pastorem magnum dominum ... Secundum Marcum. In illo tempore mane prima sabbati ...et illi euntes nunciaverunt ceteris.
Thursday of the second week after Easter, with lessons from Hebrews 13:20 and Mark 16.2-13.
f. 1r-v Feria via. Ad Romanos. Fratres, cum adhuc essemus infirmi ... Secundum Matheum. In illo tempore exierunt mulieres de monumento ... usque in hodiernum diem.
Friday of the second week after Easter, with lessons from Romans 5:6-11 and Matth. 28:8-15.
f. 1v Sabbato. Si non fuerit festum novem lectionum sollempnizamus ultimam missam ...
Saturday of the second week after Easter.
Dominica iia post Pascha. Ad missam de beata Maria. Alleluia. Versus. Post partum ... Ad processionem per cimiterium. Antiphona. Surgens Dominus Ihesus ... Ad missam introitus. Misericordia Domini plena est terra ... Gloria in excelsis. Collecta. Deus qui in filii tui humilitate iacentem mundum erexisti ... Lectio epistolae beati Petri apostoli. Karissimi, Christus passus est pro nobis ... R. Alleluia. Versus. Ego sum pastor bonus et cognosco oves meas et cognoscunt me mee. //
Second Sunday after Easter, with lesson from 1 Peter 2:21-25., On parchment., Pricking in the upper and lower margins. Ruled with brown ink for two columns of 30 lines below top line (type 43, 212 x 140 mm., The majuscules are heightened in yellow. One line-filler in gold and paint. The decoration consists of (1) 2-line dentelle initials and (2) 3-line foliate initials. On f. 1v there is a gold and blue bar in the intercolumnium ending in the upper and lower margins in rinceaux with vine-leaves, a few flowers and acanthus leaves. Instructions for the rubricator are written in the margins in small Gothica Cursiva., and Written in Northern Gothica Textualis Formata in two sizes.
2-line plain initials (Capitalis) in red, with guide-letters. A few flourishes in black at the end of articles., Binding: Sixteenth-century. Italian brown leather over pasteboards, both covers blind-tooled: fillet frames and a border of floral tools, in the centre a fleuron. Marks of two ties. Yellow edges., Cite as: Moral Treatises. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Italian and Latin., and Manuscript on parchment of 1) Treatise on Christian love. Several later corrections on f. 10v. 2) On the contemplation of death, final judgment and hellish punishment. 3) Six prescriptions for Christian life given by St. Bonaventure (Bonaventura, 1221-1274) to a young friar. Translated into Italian. 4) The qualities of a perfect monk. Copied by one hand in large calligraphic Humanistica Textualis Formata; line-fillers in the form of crossed i.
Subject (Topic):
Christian literature, Italian, Christian literature, Latin (Medieval and modern), Didactic literature, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on parchment (thin, pliable) of Aristotle, 1) Priora analytica, Lat. tr. Boethius. 2) Posteriora analytica, Lat. tr. Jacobus Veneticus (ca. 1130-40). 3) Books I-III of the Ethica Nicomachea. 4) De anima, Lat. tr. Jacobus Veneticus. 5) De anima (from the Parva naturalia), Lat. tr. Jacobus Veneticus.
Description:
Attractive flourished initials, red and blue divided with penwork designs in the same colors, mark the beginning of arts. 1-4; first few words of each of these texts written in red and blue alternating majuscules. For minor text divisions 2-line initials red or blue with designs in the opposite color. Paragraph marks in red (or sometimes alternating red and blue). Headings and instructions to rubricator in red., Binding: Nineteenth century, Germany. Parchment case binding made from a bifolium of a missal (Germany, 15th century) containing text for the end of the Secret for the 11th Sunday after Pentecost through part of the Gospel reading for the 12th Sunday. Remains of title, in ink, on spine. Pink (faded red?) edges., and Script: Written in a small neat gothic text script, above top line and with uncrossed tironian et. Marginal and interlinear annotations, contemporary or slightly later, in a variety of scholarly hands; annotations written in ink, crayon and lead, some very faded and barely legible.
Subject (Name):
Aristotle
Subject (Topic):
Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
f. 1r-v [et potum meum cum] // fletu miscebam. A facie ire indignacionis tue ... Ne revoces me in dimidio dierum meorum in generacione et // [generacione anni tui].
Ps. 101:10-25., On parchment., Pricked and ruled in pink ink for one column of 18 lines below top line (type 15, 97 x 65 mm.). The last of the vertical row of pricks near the edge of the page is double. Northern Gothica Textualis Formata with Central European characteristics., The decoration consists of line-fillers in blue, red and gold and 1-line dentelle initials in the same colours., and Was folio 96 in a manuscript (pencil foliation s. XIX-XX).
Gilbert, of Hoyland Gregory I, Pope, ca. 540-604 Hugh, of Saint-Victor, 1096?-1141
Published / Created:
[between 1100 and 1150]
Call Number:
Marston MS 125
Image Count:
254
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper and parchment, composed of three distinct sections. Part I: Gregory the Great, Liber regulae pastoralis. Part II: Gilbert of Hoyland, Sermones in Cantica Canticorum XVIII-XLVIII. Part III: Hugh of St. Victor, Homilia prima in Salomonis Ecclesiasten.
Description:
Binding: Between 1800 and 1810, Italy. Half bound in brown calf with bright pink paper sides and edges spattered bluish green. Two green, gold-tooled labels: "Gregorii. M/ Pastoralis/ Manuscrip" and "Saecul XII". Bound in the same distinctive style as Marston MSS 50, 128, 135, 151, 153, 158, 159, and 197, also from the Cistercian abbey of Hautecombe., Part I: Decorative initials, 3- to 2-line, in black, with simple pen designs and small "pearls" on the thin parts of the letters, on irregular grounds of pale yellow wash. Initial strokes and plain line-fillers in pale yellow (initial strokes in red on f. 9r presumably added by the rubricator of ff. 1-8). A series of red dots (also a later addition?) outline the ground of initial on f. 18v. Explicit on f. 80r brushed with yellow wash. Part II: Plain monochrome initials, 3- to 2-line, in red or blue. Spaces for rubrics left unfilled; guide letters., and Script: Part I (ff. 1-80): Written by a single scribe in a well formed late caroline calligraphic minuscule. Part II (ff. 81-114): Written by multiple scribes in small highly abbreviated noting hands, above top line. Part III (ff. 115-121): Written by a single scribe in gothic bookhand, above top line. Plain initials, 3- to 2-line, in red. Guide letters.
Subject (Name):
Gregory--I,--Pope,--ca. 540-604
Subject (Topic):
Bible.--O.T.--Ecclesiastes, Bible.--O.T.--Song of Solomon, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Sermons, Latin, and Sermons--Early works to 1800