Opera, with libretto by Philippe Quinault, after Tasso. First performed and published in 1686. and Score, copyist's manuscript with revisions, dated 1702 May 10 at end. Annotated with the inital "L," possibly by Lully, on endpaper.
Description:
Also listed in finding aid for General Collection Manuscript Music Miscellany., Binding: contemporary marbled calf., Blanks not digitized., Jean Baptiste Lully, French composer., Pages 139-147 excised., Pages numbered 1-138, 147-366., and Title from caption.
Subject (Name):
Lully, Jean Baptiste,--1632-1687, Quinault, Philippe, 1635-1688, and Tasso, Torquato, 1544-1595 --Musical settings
Autograph copy., Copy of the tenor part in Burney's hand, accompanied by a copy of the quintus part in another hand (48 p.)., Last page blank., and Pagination between parts is non-contiguous.
Subject (Name):
Weelkes, Thomas, ca. 1575-1623
Subject (Topic):
Balletti (Part songs), Madrigals, English--Early works to 1800, and Part songs, English
Includes cello part, Song in Barnaby Brittle., Numerous additions and corrections bound over original parts., Page 6 bound to p. 5 as fold-out., and Page 7 is fold-out to p. 8.
Subject (Name):
O’Keeffe, John, 1747-1833. Poor soldier.
Subject (Topic):
Dramatic music -- England -- 18th century, Incidental music -- England -- 18th century, Opera -- England -- 18th century, Operetta--England, and Theater -- Great Britain -- 18th century
Additional p. 15-16 tipped in between p. 20-21., Additional p. 17 tipped in after p. 23., Blanks unscanned, excluded from pagination., Folder 2 of 2 for Handel choruses., P. blank, unscanned., and Wanting p. 11-14.
Subject (Topic):
Choruses, Dramatic music -- England -- 18th century, Incidental music -- England -- 18th century, and Theater -- Great Britain -- 18th century
Anonymous musical MS., Consisting of a 4 part canon for 2 tenors and 2 bassi, set to the text To Father Son & Holy Ghost All Glory be therefore., and Written in the shape of a square to be read from four sides of the paper.
MS, mostly holograph. and Note: 35 Cantatas for one voice with continuo, numbers 1-5, 7-10, 14-27, 29,and 32-35 are in the composers hand and are signed and dated by him.
Clavierbuchlein vor Wilhelm Friedemann Bach and Clavier-Büchlein vor Wilhelm Friedemann Bach
Description:
About two-thirds of the book in J.S. Bach's autograph. Cf. Bach-Gesellschaft, Bd. 45., Contents include preludes from the Kleine Praeludien, preludes from Das wohltemperierte Klavier, Two-part and Three-part inventions; two incomplete movements by J.C. Richter, a partita by G.H. Stölzel, and a suite attributed to J.P. Telemann., Inscription on flyleaf, signed J. Koetschau., Ms., Signature, Wilhelm Friedemann Bach, on back endpaper., and Title on front endpaper.
Subject (Name):
Bach, Johann Sebastian, 1685-1750. and Bach, Wilhelm Friedemann, 1710-1784.