Manuscript on parchment of Pauline Epistles (Epistola ad Romanos 2.27 through Epistola ad Hebreos 11.34), with commentary of Gilbert de la Porree. With Argumenta, later additions, all attributed to Hugo de Sancto Caro or Peter Lombard.
Description:
Binding: Twentieth century, United States (?). Half bound in dark red goatskin with gold-tooled lettering on the spine ("St. Paul/ Epistulae cum commento/ MS. 12th Cent."), marbled paper sides, and yellow edges., Script: Written in fine early gothic bookhand in two sizes of script, above top line., and Three illuminated initials at beginning of first three Epistles of excellent quality, ff. 34v, 69v, 86v, 8- to 5-line, with descenders extending into margins, red, blue, green and beige against gold ground. Bodies of initials filled with stylized scrolling foliage, bright blue, red, green, orange, silver and yellow with white highlights against gold ground. Descenders serve as a trellis for similar scrolls, some ending in biting animal's heads or fantastic birds. Scrolling foliage, f. 86v, inhabited by beasts of a canine variety, white with red shading. The decoration of manuscript is unfinished; f. 99r pen and ink underdrawing for an initial as above, with only touches of red added; blank spaces left for initals for remaining Epistles. Small initials, 3-line, gold with red penwork, for beginning of commentary for each Epistle. Headings in red or alternating red and blue majuscules. Plain initials touched with red. Running titles, later addition, in red.
Subject (Name):
Gilbert, de La Porrée, Bishop, ca. 1075-1154, Hugh, of Saint-Cher, Cardinal, ca. 1200-1263, Paul, the Apostle, Saint, and Peter Lombard, Bishop of Paris, ca. 1100-1160
Subject (Topic):
Bible.--N.T.--Epistles of Paul, Bible--Commentaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Plato, Phaedo, translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Pope Innocent VII. 2) Xenophon, Hiero (Tyrannus), translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Niccolo Niccoli.
Description:
Binding: Between 1800 and 1810, Italy. Rigid vellum case with the title gold-tooled on a label on the spine: "Leon. Aret. Opus". Gilt edges and faint lettering on the head edge., Decorated in the early style of Gioacchino de' Gigantibus. On f. 1r a partial border in upper, lower and inner margins, white vine-stem ornament on blue, green and dark pink with grey dots on blue grounds, blue dots on pink grounds, and gold balls. In lower border, medallion framed by gold interlace bands and supported by two putti wearing red necklaces, with a coat of arms, now erased, on green ground. Four illuminated initials, 7- to 5-line, in gold, framed in yellow, on blue, green and red grounds, with dots as above. Initial on f. 1r, inhabited by standing putto wearing a red necklace, is joined to the border. Other initials have vine-stem decoration extending into the margins and terminating with groups of three gold balls. Headings and names of interlocutors in red., Purchased from L. C. Witten in 1954 by Thomas E. Marston., and Script: Written by a single scribe in a somewhat angular humanistic bookhand.
Subject (Name):
Hieron--I,--Tyrant of Syracuse,--d. 467 or 466 B.C, Innocent--VII,--Pope,--1336-1406, Niccoli, Niccolò,--ca. 1364-1437, and Plato
Subject (Topic):
Biography--To 500, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient
Manuscript on paper of 1) Sonnet by the Franciscan Alessandro de Ritiis, or by his compatriot from L'Aquila, Buccio di Ranallo, lamenting the loss of a loaned book. 2) Polistorio, attributed to the Dominican Bartolomeo da Ferrara (1308-1444).
Description:
Binding: Fifteenth century, Italy. Parchment stays are adhered inside the quires. Rear pastedown (now lifted): parchment leaf from a lectionary, Italy (North?), 1050-1100; a parchment leaf, perhaps from the same manuscript, is concealed under front paper pastedown. Each leaf, with a stub, is folded around the front and back flyleaves, sewn, and glued down under the pastedowns. Original sewing on five tawed skin, slit straps laid in channels on the outside of beech boards and nailed. Yellow edges. Plain wound, natural color endbands are sewn on leather cores. Covered in brown calf with narrow corner tongues. There is a large, eight-petalled fitting in the central blind-tooled panel and four corner fittings have flower and agnus dei designs on them. The concentric outer frames are filled with rope interlace or small roses. The Marcello arms were stamped on each board on an inlaid leather shield which is wanting on the upper board. Spine: bands outlined with triple fillets, an X of three fillets in the panels. Four fastenings, the catches on the lower board, the upper one cut in for red fabric straps, attached with star-headed nails., Collection of Sir Thomas Phillipps (no. 3008). Purchased from H. P. Kraus in 1956 by Thomas E. Marston., Fully illuminated title page, f. 6r. Floral border in inner and upper margin, black inkspray with blossoms, green, blue and purple with white highlights and gold balls. Bar border between text columns, gold and red, extends from buds (mauve, green and blue with white highlights) with stylized foliage, purple, blue and green and gold with white highlights; surmounted in upper margin by half-length figure of Virgin with Child. In outer margin, elaborate partial border of stylized foliage and flowers, green, blue and purple with white and yellow highlights and gold balls, framing central wreathed medallion with triton blowing a curved horn, on gold ground with penwork filigree. In center of lower border, arms of the Marcello family of Venice (azure, a bend wavy or) on deep red ground within wreathed medallion, both with yellow highlights. Arms symmetrically flanked by 2 putti plucking fruit from wreathed medallion and holding rods, green, blue, and purple with scrolls bearing the mottoes "sola virtus" and "dulcia poma" in red, and two triton-putti, one playing a flute, the other a stringed musical instrument. One historiated initial, 6-line, of stylized foliage in green, purple, and blue with white filigree on gold ground, with a half-length figure of a crowned and bearded man, perhaps the Emperor Augustus. The design of the upper and inner border and of the historiated initial is conservative in style and close to the work of Leonardo Bellini., Script: Written in fere-humanistic script by a single scribe, above top line., and Watermarks: Briquet Arbalete 746.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Nicolaus de Lyra, Postillae on Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, Judges, Ruth, and I-IV Kings.
Description:
19 pen-and-ink drawings with washes in red, green, blue and pale yellow, some inserted into the text column, others up to half-page size dealing with the Tabernacle in the Desert and the Temple of Solomon: the drawings serve to clarify the written text by depicting differences in interpretations between Jewish and Catholic exegesis; contrasting drawings are usually juxtaposed and labelled with the respective source for each., Binding: Modern restoration? Limp vellum case with earlier title (mostly illegible) running lengthwise on spine and later title added at top of spine: "Fr. Nicolai de Lyra ord. min. Commentaria in Libro historico Sacrae Scripturae"., ff. 43-44 loose., Many fine flourished initials, red and blue divided, 9- to 3-line, with penwork designs in red, blue and/or purple; somewhat smaller less ambitious initials alternate red and blue with designs in the opposite color. The minor decoration appears inconsistently, with running headlines, rubrics, paragraph marks and underlining of Biblical texts, in various colors or totally absent., Purchased in 1958 from Emile Rossignol, Paris, by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written by several scribes in gothic bookhand., and Written by several scribes in gothic bookhand.
Subject (Name):
Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Bible.--O.T.--Historical Books, Bible.--O.T.--Pentateuch, Bible--Commentaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
Manuscript on paper of 1) Ps.-Cyprianus Carthaginensis (Pseudo-Cyprian of Carthage or Pseudo-Augustine), De singularitate clericorum. 2) Ps.-Augustinus Hipponensis (Pseudo-Augustine), De incarnatione Verbi ad Ianuarium. 3) Pseudo-Augustine, De essentia divinitatis. 4) Letter from the bishops assembled at the council of Carthage, A.D. 416, to pope Innocentius I. 5) Letter of pope Innocentius I to the bishops at the council of Carthage A.D. 416. 6) Letter from the bishops assembled at the council of Mileve A.D. 416 to pope Innocent I. 7) Innocentius I, letter to the bishops assembled at the council of Mileve A.D. 416. 8) Prayer to be said before the image of Corpus Christi. 9) Prayer to Jesus Christ. 10) Prayer to Jesus Christ ascribed to Thomas Aquinas.
Description:
Binding: Original Italian reddish brown leather over pasteboard with a flap at the rear cover closing over the front cover with leather ties. Covers and flap are blind-tooled with frames and lozenges of quadruple fillets, decorated with small circular tools either single or in clusters, and a full border consisting of a scroll motif. At the top of the front cover, in black ink, Capitalis ca. 1500: “Aur. (?) Augustini opus”. Parchment flyleaves. On the front flyleaf verso a Table of Content written in red by hand A, recording artt. 1-7 only, under the title “Que in hoc libello inserte sunt”., Headings in purplish red. Spaces for 1- or 2-line initials have been reserved throughout the codex (in artt. 1-3 with guide letters), but these have not been executed, except in artt. 8-10, where they have been clumsily written in black ink in the left margin. At the opening of art. 1, 3-line half inset Humanistic dentelle initial on a square background in green and blue decorated with silver and gold penwork. It has floral extensions with gold balls in the upper and inner margin. In the lower margin of the same f. 1r, between three similar floral decorations, a circular medallion containing the coat of arms of the Ugolini family of Florence (parti per bend, or on azure, with two lions passant counter changed, surmounting)., and Script: Two hands, both writing a very small Humanistica hesitating between Semitextualis Currens and Cursiva Currens. A, the main scribe, copied ff. 1r-60v; B, an inexperienced hand, marked by the use of d with ascender curving to the right, i longa and round s in all positions, added the prayers on ff. 61r-63r.
Subject (Name):
Council of Carthage--(411) and Pseudo-Augustinus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pelagianism, and Theology--History--Early church, ca. 30-600
Manuscript on parchment (speckled on hair side) of 1) Petrarch, Rerum vulgarium fragmenta. 2) Petrarch, Triumphi.
Description:
Acquired from H. P. Kraus in 1960 by Thomas E. Marston., Binding: Nineteenth century, Italy. Brown calf, blind- and gold-tooled. Gilt edges. Title on spine: "Petrarca". Signed by "CR"., Illuminated by Antonio di Niccolo di Lorenzo. The decoration consists of an illuminated title page with full border, white vine-stem ornament on blue, red and green ground with white, blue and pale yellow dots, respectively, with a thin gold bar in all margins, forming a diamond (black) in inner and a roundel with a profile head of a young woman against blue sky with some clouds in the outer margin. In the lower border a medallion (erased) framed in gold and supported by four round-faced putti with multicolored wings in green and red. Superimposed on the border are a variety of multicolored birds, a lion and two putti. These animals are related to animals in contemporary Florentine manuscripts and perhaps reflect the use of a model book. Historiated initial, 10-line, gold, on blue green and red ground with white vine-stem ornament attached to the inner border, with a half-length portrait of Petrarch holding a book against a blue sky with white cloud formations. Six illuminated initials (ff. 143r, 155v, 159r, 168v, 176r, 178v), 6- and 5-line, gold on blue, red and green grounds with white vine-stem ornament extending into margin, and gold dots with hair-line extensions. On f. 143r, initial joined to partial border, same as above. Plain initials in blue, paragraph marks alternate red and blue. Headings in red., and Script: Written by Carlo di Palla Guidi in a round humanistic script, above top line.
Subject (Name):
Petrarca, Francesco,--1304-1374
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Antoninus Pontus (Antonino Ponti from Cosenza, ca. 1600-1650), Rhomitypion. An allegorical treatise in three parts on the past and present state of Rome and Italy, topography, cosmography, geography, etc. Includes a dream vision of heaven and a dialogue between the author and Cato the Censor. Ends with a panegyric in praise of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza (1511-1527), the author's patron. The manuscript is apparently unique and probably an autograph fair copy.
Description:
At many places the paper is damaged and the reading impaired by the acidity of the ink., Belonged to Sir Thomas Phillipps, MS 887. Purchased on the Edwin J. Beinecke Fund., Binding: Original presentation binding: light brown leather over pasteboard. Spine with three raised bands, gauffered and gilt edges. Both covers are decorated with two frames of blind-tooled quadruple fillets surrounding rich gold-tooled frames with in the centre on the front cover the coat of arms of the dedicatee (with six-spoked wheel), on the rear cover a large rosette. Remainders of two pairs of ties., On f. 2v, painted coat of arms of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza, surmounted by a cross and placed in a floral wreath, above two distychs. At the head of each part a 6-line silver initial (Capitalis), outlined with black ink, on a square red or blue background with silver foliate decoration. A small purple initial in the space for a 4-line initial on f. 4r., and Script: Copied by one hand in a slightly uneven upright Humanistica Cursiva Formata. Headings and explicit-incipit formulas in capitals.
Subject (Geographic):
Rome (Italy)--Description and travel
Subject (Name):
Ponti, Antonino
Subject (Topic):
Allegory, Illumination of books and manuscripts, Medieval, Laudatory poetry, Latin, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Visions
Manuscript on parchment of 1) Rudimenta grammatices (Grammatica latina secundum Donatum). 2) Disticha Catonis.
Description:
Binding: Twentieth century, England (?). Quarter bound in brown, blind-tooled calf over wooden boards., Historiated initial, f. 1r, 11-line, pink against blue ground with a half-length portrait in profile of the author, dressed in red and green robes and a red hat against parchment ground with brown penwork. Foliage serifs, green, blue and red extending into inner and upper margin to form partial border. In center of lower margin, blank shield for coat of arms, flanked by stylized foliage, blue and red. In outer margin, small patch of green with boy or man sitting under a tree (visible under ultra-violet light). One illuminated initial on f. 11r, 8-line, pink against blue ground filled with stylized foliage, blue, green and red. Plain initials in red. Small initials touched with yellow., Purchased from H. P. Kraus in 1955 by Thomas E. Marston., Script: Written in round gothic bookhand by a single scribe., and The entire manuscript is well worn, affecting the text; f. 1r is badly rubbed and stained.
Subject (Name):
Donatus, Aelius
Subject (Topic):
Catonis disticha, Illumination of books and manuscripts, Medieval, Latin language--Grammar, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Stoics
Manuscript on paper (thick, coarse) of Lives of the Saints, preceded by accounts of events in the Bible from both the Old and New Testaments. Folios 51 and 61 interchanged in rebinding.
Description:
Binding: Nineteenth century, Italy. Rigid vellum case with two red labels on spine: "Trattati di storia sacra" and "Manuscritto 1360"., Crudely executed title page, f. 1r, consisting of floral and foliage motifs in upper margin, scroll around column in inner margin, and, in outer margin, scroll around column terminating in elongated arm with text on the scroll (much rubbed and stained). In lower margin a coat of arms (damaged; probably: or, two columns gules); the letters B and C on either side in the bases of columns in inner and outer margins. The decoration of title page in bright red and green. Plain initials (some with simple foliage designs), headings, paragraph marks, pointing hands, and hands holding crosses or symbols of passions of martyrs (e. g., gridiron for Laurence), all in bright red, green, and/or black., Folio 1 damaged; no loss of text., Script: Written by several scribes in unruly mercantesca script, above top line. Script becomes smaller and tighter toward end of codex., and Watermarks: similar in design to Briquet Ciseaux 3708 dated Genoa, 1465.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library