Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1801]
Call Number:
Drawings W87 no. 28 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
The surface of a platform stretches across the design; on this Pitt (right), valiant but anxious, faces the massive Russian bear, Paul, behind whom stands a stout ferocious-looking Russian soldier (like a showman with a performing animal), nearsightedly reading a document: 'Be it known to all men, - that my master, - the most Magnanimous [see BMSat 9415] most puissant, most powerful and most wonderful great Bear of the north - being in his sound and sober senses - Challenges the Whole World to single combat - and commences his first trial of skill, here in Moorfields, after which it is his intention to persue his Travels, and visit every Court in Europe - Asia - Africa - and America'. The bear wears a plumed crown, a collar inscribed 'Paul Bruin', to which are attached the massive links of a chain. His drawn sword is 'Temper'd-á-lá-Suwarrow!' On his shield is a grotesque head with gaping mouth, and the inscription 'Swallow All O.' Pitt wears a plumed helmet and light armour. His sword is 'Temper'd á-lá Nelson', his shield is inscribed 'Howe', 'Duncan', 'Nelson', 'Jervaise' [St. Vincent], 'Warren', 'Parker'. The platform is surrounded by a dense and jovial crowd. The windows and roofs of the adjacent houses are crowded with tiny waving figures; a boy sits on the high wall before a bunding inscribed 'Moor Fields' and probably intended for Bedlam
Alternative Title:
Magnanimous Paul O! challenging all O
Description:
Title and date from Rowlandson print after this drawing., Attributed to Woodward., For the print based on this drawing see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 9702., and For further information, consult library staff.
Subject (Name):
Pitt, William, 1759-1806, Paul I, Emperor of Russia, 1754-1801, St. Vincent, John Jervis, Viscount, 1735-1823., Howe, Richard Howe, Earl, 1726-1799., Duncan of Camperdown, Adam Duncan, Viscount, 1731-1804., Nelson, Horatio Nelson, Viscount, 1758-1805., and Suvorov, Aleksandr Vasilʹevich, kni︠a︡zʹ Italiĭskiĭ, 1730-1800.
Sir Edward Walpole (1706-1784) was the fourth child and second son born to Robert Walpole (1676-1745), chancellor of the Exchequer and first prime minister of Great Britain, and his wife Catherine Shorter (1782-1737). His younger brother was the author and antiquarian collector Horace Walpole (1717-1797). Edward Walpole graduated from Eton (1718) and King’s College, Cambridge (1725) before becoming master of pleas in the Office of the Exchequer in 1727 and clerk of the pells, a lifetime appointment, when his older brother Robert resigned from that position in 1739. Walpole also served in Parliament from 1730 until 1768 representing in succession Lostwithiel and Great Yarmouth and became a Knight of the Bath in 1753. With his common-law wife Dorothy Clement (1715?-1739) he was the father of one son and three daughters. Sir Edward Walpole died on January 12, 1784; he was buried at St. George’s Chapel, Windsor., Unknown artist., Miniature set in bracelet clasp decorated with brightwork, with a fixed flange on the left and a removable slide on the right., and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Portrait of Sir Ralph Abercromby after John Hoppner. Abercromby is half-length directed slightly to right, looking away to left, right-gloved hand at his waist; he wears a military uniform with epaulettes, sash, star, and a white stock
Alternative Title:
Sir Ralph Abercrombie
Description:
Title devised by cataloger., Date based on execution of John Hoppner painting., Copy of oil painting by John Hoppner, ca. 1798., and For further information, consult library staff.
Title supplied by cataloger., Place of publication from sitter's known place of activity., and Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text.
King George III is standing with a woman holding a parasol (possibly Herschel's sister and assistant Caroline) observing two men operating a massive 40 ft. reflecting telescope suspended in a complex framework of wooden supports, cables, pulleys, and wheels
Description:
Title, date, and artist supplied by cataloger. and For further information, consult library staff.
Subject (Geographic):
Slough (England)
Subject (Name):
Herschel, William, 1738-1822. and George III, King of Great Britain, 1738-1820.
Subject (Topic):
Reflecting telescopes, Telescopes, Astronomical instruments, and Astronomy
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1792]
Call Number:
Drawings W87 no. 34 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
Two rows of women quarter-length and in profile, some cradling cats in their arms, with captions inscribed in ink near each figure: This is my Queensbury the finest Tom Cat in England; I'm going to see Arabella's catery she had two charming sitters yesterday morning; God bless me these Irish captains are terrible men; Eighteen delightful little creatures I'm told what a sweet ...
Description:
Title and date supplied by cataloger., Attributed to Woodward., and Sheet possibly trimmed from a larger design for a border.
A sketch by Bentley for Thomas Gray's Ode on the destruction of the Welsh bards: a landscape with figures on horseback and the bard with attendants on a cliff on the upper left. On the verso, lower edge, a sketch of a head with a helmet in grey wash with swatch of wash background
Description:
Title devised by curator., Date and attribution based on other drawings for the publication., With watermark on top portion of sheet: L.V. Gerrevink., Horace Walpole's ms. note on mount below image on leaf 11 referring to this and the image above on leaf 12: This and the two following are sketches for Mr. Gray's Ode on the destruction of the Welsh bards., and Formerly mounted on bottom half of leaf 12 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
A sketch by Bentley for Thomas Gray's Ode on the destruction of the Welsh bards: in a landscape with a tree on the left and mountains in the distance (right), four men on horseback confront a bearded man who holds hold out his arm in defense while hiding his harp behind his back. In the right foreground, a figure of a child amongst the riders
Description:
Title devised by curator., Date and attribution based on other drawings for the publication., Horace Walpole's ms. note on mount below image: This and the two following are sketches for Mr. Gray's Ode on the destruction of the Welsh bards., With watermark and countermark in center of sheet: L.V. Gerrevink and IV., and Formerly mounted (folded) on leaf 11 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].