Manuscript, in a single hand, of a collection of approximately 105 poems divided into "Miscellaneous Pieces," "Songs," "Cantatas," "Odes," Satirical Pieces," "Mock-Pieces relating to the Stage," and "Imitations." The first "Imitation" is a sonnet concerning an abortion scandal surrounding Mademoiselle de Guerchi in 1660, and is addressed in her voice to her aborted "embrio;" other poem titles include "An Ode, Inscrib'd to his grace the Duke of Buckingham, on his Embarking for France," "The paper Bonnets worn by Ladys," "On seeing lewd Women refus'd Admittance," "Fungus," "The poor & Rich Rogue," "Prologue to a Puppet-Show," and "The Shipwrack'd Sailors." The collection is prefaced by a dedication to Viscount Nessuno in the voice of an "orphan Muse" who writes, "should she beg your Lordship...to favour her with a corner of the Green-house in delightful Groves of Utopia; there to correct at Leisure, the numberless Reams she has scribbled within these twelve years: And should she afterwards implore your Lordship to assist the publication of her labours, by raising a handsom subscription among your friends for that purpose...she is certain your Lordship would not deny her one of them." Many additional poems, in a smaller hand and with numerous corrections, appear in the margins.
Description:
Additional poems, in a smaller hand and with numerous corrections, appear in the margins., Binding: full sueded calf., Laid in at the beginning of "Imitations": a piece of paper with an engraving in red ink., and Pasted onto pages at beginning at end: printed poems by Lockman, with handwritten corrections.
Subject (Name):
Lockman, John, 1698-1771
Subject (Topic):
English drama--18th century, English literature--18th century, English poetry--18th century, Epigrams, Occasional verse, English, and Verse satire, English
Bacon, Roger, 1214?-1294 Freelove, Robert Jean, de Meun, d. 1305? Khālid ibn Yazīd al-Umawī, 7th cent
Published / Created:
[ca. 1550]
Call Number:
Mellon MS 33
Image Count:
277
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Unidentified alchemy. 2) Jean de Meung, Liber Lapidis mineralis, Book II only, translated into English by Robert Freelove, 1522. 3) The Practys of Lyghtes. 4) Roger Bacon or Johannes Sawtre, Radix mundi, translated into English by Robert Freelove, 1550. 5) Rudianus, Liber trium verborum, translated into English. 6) Khalid ibn Yazid, Liber secretorum philosophorum, translated into English, 1542. 7) Unidentified alchemy.
Description:
Binding: Sixteenth century, English. Brown calf over pasteboards, the covers paneled in blind fillets, much deteriorated and the backstrip missing, preserved in a cloth case., No color or rubrication; occasional headlines or headings in large writing., Script: At least three scribes writing English cursive vernacular hands; the first, whose initials were probably "T.R." as written on f. 18r, 20, wrote ff. 1-18; the second wrote ff. 19-53, 67-94, and perhaps ff. 115-128; the third wrote ff. 54-65., and Watermarks: 1) a pot similar to Briquet 12801; 2) a similar one with a gothic "3" on the pot; 3) a hand with flower like Briquet 11347, all datable about 1550.
Subject (Topic):
Alchemy--Early works to 1800, English literature--Early modern, 1500-1700, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Remarks on Sr. J. Hawkins's 'General history of music', 1776.
Image Count:
36
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript, in a single hand, with numerous corrections, of notes on "A General History of the Science and Practice of Music" by Sir John Hawkins. Citations from Hawkins' work are followed by often disparaging commentary upon them; Burney remarks that "Ch. V. Bk. IV is chiefly made up of dry dictionary articles of Biography, loosely littering his Book as if he had been in want of a needle & thread to tack them together," and "Vol. III p. 262 He calls Jno. Okenheim the disciple of Jusquin whereas it is well known he was the master." He includes a list of "Omissions of Composers & Performers who died long before Sr. Jno. published his History & therefore had fair Claims to a Niche in it." The work is interspersed with commentaries on various pieces and composers, accompanied by fragments of musical notation, and followed by a piece on "Dancing," a history of opera and theater titled "Progress of the Musical Drama or opera, at Venice," and another titled "Progress of the Musical Drama at Rome."
Description:
Binding: contemporary parchment., Index on flyleaf., Page numbers written in ink have been crossed out and replaced by different page numbers written in pencil., and Section ends with a note written in pencil: "Here insert an engraving of the transcript" although the engraving is not included.
Subject (Name):
Burney, Charles, 1726-1814 and Hawkins, John, Sir, 1719-1789
Subject (Topic):
Music--18th century--History and criticism, Musical analysis, Music--Europe--History and criticism, Music--History and criticism, Opera, and Opera--Italy