Manuscript on paper (medium weight, sturdy) of 1) Aristotle, De anima. Followed by a Latin translation of Aristotle's De anima, sometimes ascribed to William of Moerbeke. 2) Simplicius, In Aristotelis De anima libros Commentarius. 3) Paraphrasis of art. 1. 4) Plotinus, Enneades I.1-8.6 line 27. 5) Aristotle, De interpretatione
Description:
In Greek and Latin., Watermarks on f. ii similar to Briquet Main 10713; ff. 1-48 similar to Harlfinger Homme 21; f. 49 similar to Briquet Ancre 428; ff. 51-67 similar to Briquet Chapeau 3384; ff. 69-80 similar to Briquet Balance 2506; ff. 81-96 similar to Briquet Lettre R 8938., Script: The manuscript is divided into 4 parts, which do not correspond precisely with the divisions of the text. Part I (ff. 1r-50v): Written in small, neat Greek minuscule. The parallel Latin translation (ff. 1r-9v only) is in italic, about the same size as the Greek; probably added later, since it is written around some marginal rubrics for the Greek text. Part II (ff. 51r-67r): Written in a rather large Greek minuscule, with a thick pen which ran out of ink every few words; marginal and interlinear notes much smaller, but possibly by same hand. Part III (ff. 67v-80r): Greek minuscule very similar to that in Part I. Part IV (ff. 81r-96v): Same scribe as Part II; signed on f. 96v: George, son of Constantine., Part I: Space for a 5-line initial at the beginning of the Greek text was not filled; 2-line initials in red at beginning of sections; headings in red, also marks in margin for chapters. Part II: Spaces for initials, 7-line or larger, were not filled in, but two initials similar to those in Part IV were sketched in (ff. 51r and 56r). Part III: Spaces for 8-line initials not filled. Part IV: 7-line initials in black and orange-tinted red; stylized leaves and vines, with a bird on f. 83v. Diagrams in red traced over black., and Binding: Nineteenth century. Tan calf case deeply indented and gold- and blind-tooled. Similar to the bindings of MSS 255 and 256 and probably by the same binder. According to A. R. A. Hobson the binder may be Whitaker.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on paper of 1) Leonicenus Omnibonus, De arte metrica. 2) Donatus, De Barbarismo et soloecismo (Ars maior, Part 3). 3) Lorenzo Guglielmo Traversagni de Savone, O. F. M. (1425-1503), Opusculum de re rhetorica. 4) Pseudo-Priscian, De accentibus
Description:
In Latin., Watermarks: similar to Briquet Balance 2489., Script: Written by a single scribe in italic for the text and marginal notes, and in modified capitals for headings., Decorative initial and border outlined in red, but uncolored, appear on f. 1r. Frequent use of red ink in headings, marginalia and for long sections of the text., Water and ink stains throughout; some loss of text., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bonisoli, Ognibene, ca. 1412-1474.
Subject (Topic):
Latin language, Grammar, Manuscripts, Medieval, and Rhetoric
Manuscript on paper of Nicolaus Cusanus, De Beryllo. The Beinecke manuscript is the oldest witness to this text
Description:
In Latin., Watermarks: similar to Briquet Fleur 6651 (a. 1452, not 1552 as printed)., Script: Written in fere-humanistic script by one scribe., Two illuminated initials, one on f. 1v, 11-line, with the arms of Nicolaus Cusanus, mauve, green, blue, and gold acanthus with yellow and white highlights, against a square gold ground, edged with brown pen; foliate serifs with extensive penwork and gold dots fill outer margin. The second initial, f. 1r, 7-line, as above, with short penwork extensions and silver dots; body of the initial incorporates the lens (beryllus). Diagrams to complement text in margins., and Binding: 16th-17th centuries (?). Sewn on three small, tawed skin, slit strap supports laced into made boards. The head edge is spattered green. Covered in light brown goatskin with corner tongues. Four fastenings of suede-like ribbons. Blind-tooled with concentric frames, the center filled in with a floral design, dotted with ring punches. All but one of the fastenings wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Cusa, Cardinal, 1401-1464.
Subject (Topic):
Knowledge, Theory of., Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy, Medieval
Manuscript, on vellum, in a single hand, of Boethius, De consolatione philosophiae
Description:
In Latin., Probably copied in Tuscany., Signed, after the explicit: "Ego iulianus francisci de leuanto notarius scripsi.", Layout: single columns of 30 lines., Script: rounded gothic bookhand., Decoration: 5 illuminated initials on gold grounds; many smaller initials in red or blue penwork., and Binding: contemporary (?) beech boards with brown goatskin spine decorated with blind ropework; metal clasp and latch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524.
Subject (Topic):
Manuscripts, Medieval, Consolation, and Dialogues, Latin
Leaf of Cicero (106-43 B.C.), De Finibus Bonorum et Malorum (On the Ends of Good and Evil) II.27-28.
Description:
Script: Copied by a single hand in a rather uneven Humanistica Textualis marked by frequent fusions. and Decoration: None. The modern folio number(?), 36, is written in pencil on the recto.
Manuscript on parchment (goatskin) of Pseudo-Bernard of Clairvaux (Ps.-Bernardus Claraevallensis), 1) De interiori homine (Mediationes). 2) De illis qui ingrediuntur religionem ut abundent bonis. 3) De interiori domo. Due to the loss of a quire 20 pages are missing, foliated 49-58. Due to the loss of f. 83 the final paragraphs of this text are lost. 4) A compilation on virtues and vices, followed by quotations of a theological and moral nature. The beginning of this text was on the lost f. 83.
Description:
In Latin., Script: With the exception of f. 1r apparently copied by one hand, writing Southern Gothica Semitextualis Libraria; f. 1r, in the same type of script, is by another more rapid hand and is perhaps palimpsest., Headings in red added afterwards, with instructions for the rubricator in Gothica Cursiva in the margins (the headings are missing from f. 91r onwards). Red plain initials, 2-3 lines, sometimes with simple flourishing. A few pointing hands and Nota-marks., and Binding: Original deerskin over bevelled wooden boards. On each cover four small brass bosses. Four similar bosses at the four corners of the spine and at the attachment of a white leather strap attached to the front cover and clutching with a decorated brass piece over a pin in the rear cover. The front paste-down is a fragment of a 14th-century Latin grammatical treatise in two columns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Bernard of Clairvaux. and Cistercians.
Subject (Topic):
Christian literature, Latin, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on paper of Aristotle, De interpretatione, translated into Latin by Ioannes Argyropylos, with his prefatory letter to Piero de' Medici. With Aristotle, Priora analytica, through Book 1.7.29b28
Description:
In Latin., Watermarks: unidentified flower in gutter., Script: Written in italic by a single scribe., Plain initials, 2- to 1-line, and headings, in red. Numerous tables and crescent diagrams within the text and margins, in black and red., and Binding: Nineteenth century. Red, spattered paper case.
Manuscript on parchment (fine, smooth) of 1) Prologue. 2) Moamin, De scientia venandi per aves, translated into Latin by Theodorus of Antioch. Although the prologue states that there are four treatises composed by Moamin, the fourth (Quartus naturam et medicamen qutrupedum [sic] cum quibus uenamur) is omitted in this manuscript. 3) Treatise of Dancus rex. 4) Treatise of Guillelmus falconarius. 5) Four anonymous descriptions of types of falcons. Produced probably for Ferdinand II of Aragon (arms on f. 1r).
Alternative Title:
Moamin
Description:
In Latin., Script: Written by a single scribe in elegant round humanistic script below top line., One miniature, f. 1r, five falcons sitting on a perch in a niche, with a 6-line initial, blue and light green, with green and blue acanthus, against gold, framed in red, with white dots; full border, pink and blue flowers on stems with pink, orange and green leaves and gold dots spiraling around a pink and gold bar; framed in gold and inhabited by birds, putti, four of the putti in lower margin supporting a coat-of-arms. 5-line initials, gold, filled with blue or crimson with flowers in white, on irregular grounds, crimson or blue with flowers in white, and hair-spray extensions with crimson and blue leaves, flowers and gold trefoil leaves or dots. 2-line initials, gold, filled with crimson or blue against irregular crimson or blue grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red goatskin, gold-tooled with "Cetreria" on spine. Gilt edges with lettering on fore-edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Antonio de Ferrariis (called himself Galateo after his birthplace, d. 1517), De situ Iapygiae. His work is a geographical, historical, epigraphical and literary description of Iapygia, i.e. the Southeastern part of Italy (now Apulia).
Description:
In Latin., Script: Three scribes, all writing Humanistica Cursiva: hand A copied ff. 1r-20v, 24v-26v, 31r-36r line 10, 36v last three lines (Libraria); hand B copied ff. 21r-24r, 27r-30v (Currens); hand C copied f. 36r line 10-36v, except the last three lines (Currens under Gothic influence)., No decoration., Water stains. Some pages badly damaged by the acid ink., and Binding: The damaged covers of the original binding are mounted on the new binding in brown leather. Blind-tooled, featuring two square frames bordered by fillets and rolls.
Subject (Geographic):
Connecticut, New Haven., Italy, and Puglia (Italy)
Subject (Name):
Ferrari, Antonio de, 1444-1517.
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Description and travel