Manuscript on paper and parchment containing 1) Ownership inscription and note on the scribe, followed by a variant form of a Biblical quotation (Lamentations 3:27-28). 2) Legend of St. Jerome in Italian, with special attention for miraculous events, as an introduction to artt. 4-6. Quotes Iohannes Belet (12th century), St. Augustine, Prosper of Aquitaine, Isidore of Seville, Sulpicius Severus. 3) Ps.-Eusebius, Epistula de morte Hieronymi (BHL 3866), Italian translation. 4) Ps. -Augustinus Hipponensis, Epistola de magnificentiis Hieronymi (BHL 3867), Italian translation. 5) Ps.-Cyrillus, Epistola de miraculis Hieronymi (BHL 3868), in Italian translation. 6) History of abbot Daniel living in Thebais and his disobedient servant, to whom he tells the life of a virtuous man they have met, called Eulogius, who eventually became patricius and praefectus praetorio in Constantinople at the time of emperor Justinus I (518-527); due to the loss of one or more quires the major part of the text, containing the intervention of the Virgin, is missing.
Description:
Binding: Quarter binding of bevelled wooden boards (worm-eaten) and brown leather; spine with three raised bands and paper title label with handwritten 17th-century inscription: “Vita / di S. / Girola.” On the boards marks of one clasp attached to the front board and on the front board the ca. 1800 inscription “JO.” written in black ink. Possibly the binding once belonged to another manuscript., Collection of Bernard M. Rosenthal (MS 38). Purchased from him on the Edwin J. Beinecke Fund., Description follow modern foliation which includes two preliminary leaves.., Headings in pale red, often difficult to read. Yellow heightening of the majuscules. Initials, with guide letters written in the space reserved for the initial: (1) flourished initials (3-4 lines) in red with pale red (or brown) penwork or in blue with red penwork, sometimes with marginal penwork extensions; (2) at the beginning of each text a larger initial; the letters following this type of initial are majuscules. F. 3r: 12-line blue initial of the littera duplex type with extensive penwork in red and some blue, with decorative border in the same colours in the inner and lower margin and tendrils in the other margins containing flowers and acorns; the border of the lower margin terminates in a medallion containing a coat of arms; ff. 8r, 41r: 9-line initial of the same type and in the same colours; f. 47v: 6-line, idem; f. 77v: 7-line black initial., Script: Copied by one hand in a peculiar form of Southern Gothica Textualis Libraria under Humanistic influence as visible in the total lack of compression; special features are: the sloping hairline at the top of the second stroke of e, parallelled by the sloping stroke on i; h with exceptionally long curved extension under the baseline; the forked lower ending of f and straight s on or under the baseline and the forked descender of p; and the very fancy majuscules., and The lower margin of f. 62 torn off.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (bad quality) and paper containing 1) Guillelmus Peraldus (Guillaume Peyraud, s. XIII), De professione monachorum. 2) Requirements for the priest who is proceeding to the consecration of the Eucharist. 3) Iohannes Gerson (1363-1429), Opus tripartitum de praeceptis Decalogi, de confessione et de arte moriendi. 4) Anonymous treatise on the seven sacraments. 5) A short treatise on the Canonical Hours, being an annex to art. 5. 6) Henricus de Coesvelt OCarth. (d. 1410), De sacramento eucharistiae. 7) Anonymous treatise on the preparation to mass. 8) Alphonsus Bonihominis OP (d. c. 1353), Historia Ioseph. 9) Thomas de Cantimprato (Thomas of Cantimpré, d. before 1266?), Vita sanctae Christinae Mirabilis (d. c. 1224). 10) Guido Vicentinus OP (d. 1332), Margarita Bibliae (Biblia metrica), without the prologues. 11) Table of contents.
Description:
Binding: ca. 1900. Tan morocco binding over heavy bevelled wooden boards; the covers decorated with a blind-tooled roll, and gold-tooled frames. Five decorated brass bosses with cornerpieces, of an undetermined age (16th century?), on each cover, and two brass clasps, equally much older than the binding, attached to the rear cover. Spine with four raised bands. Six leather tabs., Modern (paper) binder's blanks not digitized., Script: Copied by various scribes in Gothica Semihybrida or Hybrida Libraria; the last section only (art. 11) is copied in a more rapid Gothica Cursiva Libraria/Currens, by Henricus de Benthem., and The decoration differs from section to section. Red heightening of majuscules, red paragraph marks and red underlining. Headings in red or black, sometimes in Textualis. 2-line (rarely 3- or 4-line) plain initials in red. 4-, 5- or 6-line flourished initials in red with black penwork on ff. 2r (art. 2), 50v (littera duplex, art. 4), 72r (littera duplex, art. 5), 146r (littera duplex, art. 8), 178r (art. 9).
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Monasticism and religious orders, and Theology--History--Middle Ages, 600-1500
Gazaeus, Aeneas Rufinus, of Aquileia, 345-410 Traversari, Ambrogio, 1386-1439
Published / Created:
[ca. 1450]
Call Number:
Marston MS 1
Image Count:
127
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Aeneas Gazaeus, Theophrastus, translated into Latin by Ambrogio Traversari. 2) Life of St. Helenus, monk in Egypt. Text is an extract (incomplete) taken from the Latin translation by Rufinus of the Historia monachorum, ch. 11.
Description:
Acquired from C. A. Stonehill in 1949 by Thomas E. Marston., Binding: Fifteenth century, Italy. Vellum stays are adhered in and outside the paper gatherings. Original sewing on three tawed skin, kermes pink, slit straps which go through tunnels in the edges of wooden boards to channels on the outside where they are pegged. The primary endband, sewn on a tawed skin core, is gilt with traces of a red secondary endband. A design is scratched on the gilt edges. Covered in brown sheepskin with corner tongues and blind-tooled with progressively taller concentric frames alternately decorated with five small tools. Five flower-shaped bosses on each board, some wanting, and four fastenings, leaf-shaped catches on the lower board, the upper board cut in for the clasp straps which are attached with star-headed nails. Rebacked., ff. 2r-9v blank (first gathering; foliation begins on preceding flyleaf), One large illuminated initial, 5-line, of modest quality, in gold with black accents on a multicolored ground of red, blue and green with white vine-stem ornament and white dots. One smaller initial (unfinished), parchment color on blue ground with white vine-stem ornament. On f. 1r, in lower border an unidentified coat of arms: vert a chief sable (?), overall a lion (?) rampant gules (or purpre?) on the main field and or in chief and with bend (tincture undetermined) overall; the whole shield overpainted in black. Headings in red., Script: Written in humanistic script by a single scribe, above top line., and Watermarks: Briquet Fleur 6306, and unidentified shrub, ff. i-viii, in gutter; Briquet Tete humaine 15617.
Subject (Name):
Gazaeus, Aeneas
Subject (Topic):
Biography--To 500, Desert Fathers, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monks
Manuscript on paper of Iohannes de Sacrobosco (1000-1210), Tractatus de sphaera.
Description:
2-line plain initials alternately in red and blue at the beginning of the subdivisions of the text. They are placed almost entirely in the margin and are missing ff. 17v, 28r and 33r. Guide letters, written in the space reserved for the initials, are equally often missing. On f. 1r the Prologue opens with a 4-line foliate initial in red, green and blue with two flowers on a gold background and floral extensions in the inner margin, in Lombard style; in the lower margin of the same page a painted double-headed imperial eagle in black, its two heads with a golden crown and on its chest an oval shield with the coat of arms or, three bends azure., Binding: Original Italian, undecorated blue-stained leather over beech boards. Sewn on three double leather thongs. Remnants of three clasps attached to the front board (one at the upper, one at the lower and one at the right-hand side); thin brass engraved catches on the rear cover, decorated with a floweret and the Gothic majuscule “S”. The parchment pastedowns are now detached from the boards., Collection of Bernard M. Rosenthal, Berkeley (MS 149). Purchased from Rosenthal on the Edwin J. Beinecke Fund., Parchment end leaves., Script: Copied by one hand in Humanistica Cursiva Libraria/Currens, widely spaced. The first letter after an initial is in Capitalis., and Watermark: two crossed arrows, similar to Briquet 6269-6275, especially to Briquet 6271 (attested 1462). The whole group and its variants are attested in Northeastern Italy 1448-1495.
Subject (Name):
Sacro Bosco, Joannes de,--fl. 1230
Subject (Topic):
Astronomy, Medieval, Geometry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Christian literature, English (Middle), Humility--Religious aspects--Christianity, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Diogenes Laertius, Vitae et sententiae philosophorum, translated into Latin by Ambrogio Traversari and preceded by his dedicatory letter to Cosimo de' Medici.
Description:
Binding: Fifteenth century, Italy. A hybrid Italo-Greek binding. Sewn or resewn (the sewing is too tight to determine with certainty) on five tawed skin, slit straps. Wooden boards which are not flush at head and tail are grooved on the edges. Beaded Western endbands added. Covered in dark brown calf, blind-tooled with a triple cross made up of gilt annular dots and rope interlace in a central panel within concentric frames alternately made up of a beaded zigzag ribbon and feathered rinceau. Similar tools are used on Marston MSS 39 and 68. Spine: bands outlined and panels diapered with triple fillets. Traces of four braid-and-pin fastenings, the pins in the edges of the lower board instead of the upper board as is usual in Greek bindings. "Diogenes ***" is added on the fore edge; "diogenes laergi" is written in batarde on a label under horn at the head of the upper board, possibly added in northern Europe., Script: Main text written in round humanistic bookhand by a single scribe., Some worming at beginning of text., and The decoration consists of a 3/4 border, f. 1r, of intricate white vine-stem ornament curling around thin gold bars (doubled in inner and lower margins) on a blue, green and pale pink ground dotted with white, yellow and blue, and gold balls. Incorporated into the lower border are a medallion (blank) framed by a laurel wreath and two narrow gold bands, a stag, and a putto with multi-colored wings in blue, green and dark red. In the inner margin are two birds in brown, orange and white. Ten illuminated initials, 9- to 4-line, gold on blue, green and pale pink background with white vine-stem ornament. Numerous smaller initials, 3- to 2-line, gold on blue and pink or green and pink grounds with white and gold filigree. Headings in black majuscules. Running headlines, in red, on ff. 1-4 only.
Subject (Name):
Diogenes Laertius and Medici, Cosimo de',--1389-1464
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient
Manuscript on paper of Henricus de Ratisbona, Vocabularius Dictus Lucianus.
Description:
Modern foliation employed, some errors.
Subject (Name):
Henricus de Ratisbona
Subject (Topic):
Latin language--Glossaries, vocabularies, etc.--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
William, of Saint-Thierry, Abbot of Saint-Thierry, ca. 1085-1148?
Published / Created:
[between 1200 and 1250] and ca. 1200
Call Number:
Beinecke MS 828
Image Count:
73
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of Guillelmus de Sancto Theoderico (William of St. Thierry, c. 1080-1148), Epistola ad fratres de Monte Dei (De vita solitaria), without the Preface. The letter is addressed to the monks of the Charterhouse of Montdieu in the diocese of Reims. With an index of the chapters of art. 1.
Alternative Title:
Frater Bruno
Description:
Binding: Twentieth century. Yellow velvet over rounded wooden boards. The former cover consists of a 17th-century document on parchment with text on the inner side, largely illegible due to the remnants of paste on its surface, issued by “Frater Bruno [d'Affringues, 1600-1631], ... totius ordinis Cartusiensis generalis minister”. The former binding contained also three fragments of a 13th-century manuscript on parchment, containing liturgical directions. These are now kept apart with the former cover and a former parchment flyleaf., Red heightening of the majuscules, but layout and decoration lack uniformity. (1) Up to f. 12r inclusively the chapters start in the middle of a line and are preceded by a red paragraph mark; the corresponding chapter number is written by another hand at the same height in one of the side margins, and the chapter heading is added by the same hand in one of the margins and connected to the beginning of the chapter by a reference mark or by a connecting line. (2) From f. 12v up to at least f. 22v the chapters open at the left margin with a 1- or 2-line red plain initial and the corresponding heading and chapter number are copied in red by a contemporary hand in the open space on the preceding line; instructions for these are provided by the scribe (B) in small handwriting alongside the upper or lower edges. (3) Starting f. 23v for the final chapters 40-42 we see the type of layout and decoration as described under (1). On f. 1r a large and narrow “shaped inset” littera duplex in red and green initial F in red and green (8/16 ll.). with extremely developed penwork in the same colours and green extensions in the left margin., Script: Copied by two scribes writing a heavily abbreviated early Gothica Textualis Libraria with simplified letter forms: hand A (ff. 1r-10r, line 5) is rather bold and uses single-compartment a and straight s in all positions; hand B (ff. 10r, line 6-26v) is slightly less careful, there is more variety in the shape of a, and final s is either round or straight., and The lower edges of ff. 2, 7 and 11 are irregular; the lower outer corners of ff. 18, 23 and 24 are defective.
Subject (Geographic):
Reims (France)
Subject (Name):
William,--of Saint-Thierry, Abbot of Saint-Thierry,--ca. 1085-1148?
Subject (Topic):
Latin letters, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monastic and religious life
Manuscript, on parchment, containing copies of several treatises: 1) Tractatus de Sacramento Corpus Christi, by Baldwin, Archbishop of Canterbury (ff. 1-26); 2) De Vero Sapientia, Dialogus I and II, attributed here to Petrarch (now believed to be by Nicholas of Cusa) (ff. 27-50v); 3) De Invidia, Niccolò Perotti's translation of a sermon by Basil the Great, with a preface addressed to Pope Nicholas V (ff. 51-63); 4) De invidia et odio, Niccolò Perotti's translation of a work by Petrarch, with a preface addressed to Pope Nicholas V (ff. 63v-68v); 5) De fortuna virtute ve nominum: ad Nicolaum quintum pontificem maximum, by Niccolò Perotti (69-73v); 6) Epistle LXVII to Simplician, by St. Ambrose (ff. 74-79v); 7) Ex sermonibus quadragesimalibus: Sermone de correctione fraterna, by Leonardo di Utino, O.P. (80-86v); 8) Speculum regis Edwardii tercii, attributed here to Simon Islip, Archbishop of Canterbury (now recognized as the work of William Pagula) (ff. 87-148, with skip from 89 to 100); 9) De tenenda obedientia et evitanda superbia, by St. Augustine (ff. 148-152).