Manuscript on parchment of Leonardo Bruni, De bello italico adversus gothos, in the Italian version by Ludovico Petroni made in 1456. Preceded by the letter of Leonardo Bruni to Giuliano Cardinal Cesarini (1398-1444).
Description:
Binding: 18th-19th centuries, Italy. "Alla rustica" with grey-green paper added over the spine and part of the boards. Edges yellow., Partial border in inner margin of white vine-stem ornament, f. 1r, on blue, green and pink ground with white and blue dots. In lower border terminals extending in ink hair spray with green, pink and blue flowers and gold balls frame central medallion with a crude outline drawing of a head in profile (later addition?). Two decorated initials, 4- to 3-line, gold on blue, pink and green grounds with white vine-stem ornament. On f. 1r initial joined to partial border. Heading on f. 1r in red., and Script: Written by a single scribe in fere-gothic script, above top line.
Subject (Geographic):
Rome--History
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--15th century, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Nonius Marcellus, De compendiosa doctrina.
Description:
Binding: Twentieth century, after 1926, England. Dark green pigskin, gold-tooled with the arms of C. H. St. John Hornby on the upper side; title on spine. Edges gilt., Folio 1r with partial border in upper and inner margins; white vine-stem ornament on blue, green and pink ground with grey and pale yellow dots, terminating in penwork with gold balls. At the left upper corner vine-stem ornament is inhabited by a red-winged putto being attacked by a bird. Historiated initial, 9-line, gold, against a blue, green and pink ground with white vine-stem ornament, and a medallion with the profile of a man, dressed in a red and green cap and red robes against blue ground. Numerous small initials, 4-line, gold on blue, pink and green or blue and pink rectangular grounds with white and pale yellow filigree., Purchased from Davis and Orioli in 1955 by L. C. Witten, who sold it that same year to Thomas E. Marston., and Script: Written in a small upright humanistic cursive script by a single scribe who began copying the text with a single line of majuscules; written below top line.
Subject (Name):
Nonius Marcellus,--4th cent
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Theology--Early works to 1800
Manuscript on parchment of Naldo Naldi, Oratio ad Andream Vendraminium (doge of Venice 1476-78).
Description:
Binding: 15th-16th centuries, Italy. Sewn on three tawed skin, slit straps laced through tunnels in the edge of beech boards to channels on the outside and nailed. Gilt edges. Fragment of head endband. The spine is lined with tawed skin between supports. Covered in red silk with traces of four fastenings on each board., One illuminated initial of average quality, 3-line, gold against blue ground with gold filigree. Filled with half-length portrait of the doge dressed in red robes and a red hat against green ground. Dedication, 5 lines, in alternating lines of gold and blue majuscules followed by the first three lines of text in red majuscules., Script: Written in a round humanistic hand, below top line, by the poet Tommaso Baldinotti of Pistoia (1451-1511)., and The margins of f. 1 have been trimmed away from the written space, which was then mounted on another piece of parchment conjugate to the front pastedown; hence, any marginal decoration, which may have included a coat of arms, is now lost.
Subject (Geographic):
Venice (Italy)
Subject (Name):
Naldi, Naldo,--1439-ca. 1520 and Vendramin, Andrea,--1392-1478
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin (Medieval and modern)
Manuscript on parchment of 1) Plato, Phaedo, translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Pope Innocent VII. 2) Xenophon, Hiero (Tyrannus), translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Niccolo Niccoli.
Description:
Binding: Between 1800 and 1810, Italy. Rigid vellum case with the title gold-tooled on a label on the spine: "Leon. Aret. Opus". Gilt edges and faint lettering on the head edge., Decorated in the early style of Gioacchino de' Gigantibus. On f. 1r a partial border in upper, lower and inner margins, white vine-stem ornament on blue, green and dark pink with grey dots on blue grounds, blue dots on pink grounds, and gold balls. In lower border, medallion framed by gold interlace bands and supported by two putti wearing red necklaces, with a coat of arms, now erased, on green ground. Four illuminated initials, 7- to 5-line, in gold, framed in yellow, on blue, green and red grounds, with dots as above. Initial on f. 1r, inhabited by standing putto wearing a red necklace, is joined to the border. Other initials have vine-stem decoration extending into the margins and terminating with groups of three gold balls. Headings and names of interlocutors in red., Purchased from L. C. Witten in 1954 by Thomas E. Marston., and Script: Written by a single scribe in a somewhat angular humanistic bookhand.
Subject (Name):
Hieron--I,--Tyrant of Syracuse,--d. 467 or 466 B.C, Innocent--VII,--Pope,--1336-1406, Niccoli, Niccolò,--ca. 1364-1437, and Plato
Subject (Topic):
Biography--To 500, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient