In Latin with some Dutch headings., Script: Copied by one Northern scribe writing Southern Textualis Formata (Rotunda) with some Humanistic features (Capital A, straight d alternating with Gothic d)., Headings in red. Lavish decoration in Ghent-Bruges style. Rectangular line-fillers in red, blue, green and gold. Trompe-l'oeil initials (1 line, 2 lines, 3 lines (rarely), 5 lines) consist of twisted branches in mat gold projecting shadow on a square background in red, blue or green. Full-page miniatures are painted on the verso of inserted singletons and are framed by four-margin borders which have their counterpart on the facing text page. Text miniatures (height: 7-8 lines) are painted in regular quires and are accompanied by four-margins, mostly floral borders., and Binding: Partly original binding in blind-tooled brown calf by the Bruges binder Ludovicus Bloc (1484-1529). The original binding is inset in brown morocco by F. Bedford (?) On each cover a panel with eight animals in tendrils, surrounded by the inscription in Roman Capitals "Ob laudem Christi librum hunc recte ligavi Ludovicus Bloc", is stamped four times; between the upper and the lower panel imprints is a five-compartment frieze containing animals. On the modern blind-tooled spine gold-tooled modern inscriptions "HORAE / B.V.M. / TORNACENSIS" and "MS./ BRUGES / C. 1520". Gilt and gauffered edges. White parchment endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment, on parchment, decorated, from a book of hours, containing text possibly from the Hours of the Virgin Mary
Alternative Title:
Book of hours
Description:
In Latin., Script: gothica textura., Decoration: rubricated. Recto contains two two-line decorated initials and a spiky floral border. Verso contains one small decorated initial., and Contemporary annotation (textural addition?) in margin of verso, partially effaced.
Illuminated manuscript on parchment of a book of hours, Franciscan Use, created for a clergyman. Contains 1) Calendar, ff. 1r-12v; 2) Mass of the Virgin, ff. 13r-15v; 3) Gospel extracts, ff. 15v-19v; 4) "Obsecro te," "O intemerata," and other prayers, ff.19v-28v; 5) Office of the Dead, use of Rome, ff. 29r-61v; 6) Fifteen Gradual Psalms, ff. 61v-70r; 7) Hours of the Virgin, ff. 70r-121v; 8) Hours of the Cross, ff. 121v-127v; 9) Hours of the Spirit, ff. 127v-132v; 10) Office of the Dead, ff. 132v-134r; 11) Seven Penitential Psalms and Litany, ff. 134r-153r; 12) Preparation for the Mass, ff. 153r-164v. Items 5-6 belong after f. 132v; text on f. 29r continues from f.133v and Bound with contemporary illuminated manuscript on parchment containing 13) Benedictions, ff. 165r-173v; 14) Pontifical ordos, ff. 173v-180. Benedictions open with 3-line historiated initial. Rubrication. 2-line initials excised at f. 166 and f. 179
Description:
In Latin., Title devised by cataloger., Layout: single columns of 17-19 lines., Script: gothica textualis., Decoration: Forty historiated initials of approximately 6 lines. Inhabited full borders. Rubrication., Binding: nineteenth-century full brown calf. Covers framed with gilt and blind ornament; spine gilt and lettered. Spine title: Missale., and Bookseller description available.
Subject (Geographic):
France., Connecticut, and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, Latin, and Manuscripts, Medieval
Manuscript, on parchment, incomplete, of a book of hours, probably Use of Châlons. It contains a calendar (1r-12v); the Hours of the Virgin in the Use of Châlons (13r-70v); Hours of the Cross and Hours of the Holy Spirit (71r-78v); Seven Penetential Psalms (79r-98v); and the Office of the Dead (99r-138v).
Description:
In Latin., Bookseller description available., Script: gothica textualis semi-quadrata., Layout: single column, 14 lines., Decoration: Many small decorated initials, gilt, or with contrasting red and blue penwork; some two-line decorated initials, also gilt. Nearly all pages have one margin filled with an ivyleaf border with gold leaves and colored blossoms. Nine large miniatures accompanied by large gold initials and full gold borders: Annunciation (13r); Nativity (40v); the angel and the shepherds (47r); Presentation in the temple (55v); Coronation of Mary (66r); Crucifixion (71r); Pentecost (76r); David repenting (79r); Mass for the dead with mourners and clerics (99r)., and Binding: eighteenth-century full blind-tooled brown leather, rebacked: spine title "HORAE" on modern spine. Marbled endpapers.
Illuminated manuscript on parchment of a book of hours, use of Sarum, incomplete. May have been produced for a Scottish patron. Contains 1) Prayers in Latin and Middle Scots, f1r-5v; 2) Hours of the Virgin, use of Sarum, with Hours of the Cross and of the Holy Spirit intermixed, f6r-30r; 3) Prayers, including Seven Joys of the Virgin, O intemerata, and Obsecro te, f30v-42v; 4) Seven Penitential Psalms and Litany, f43r-55v
Description:
In Latin; rubrics in Middle Scots., Script: gothic bookhand., Decoration: 5 column-width miniatures, some illuminated; 4-6 line initials with illuminated full borders; 2-line blue initials with red penwork; 1-line initials in alternating red and blue. Rubricated., Layout: single columns of 22 lines., Secundo folio: tuo., Binding: modern limp vellum. Spine title: "Horae ad Usum Sarum" and "MS.", Some annotations in Middle Scots in 15th-century hand., Some full and partial leaves removed throughout., and Bookseller description available.
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: copied by one hand in Northern Gothica Textualis Formata, in two sizes., Rich decoration: 1-line versals and 2-line initials, both of the dentelle type; 2-line KL-monograms of the same type in the Calendar. Floral outer margin borders normally on the pages with 2-line initials. Four-margins borders and miniatures above 3 lines of text opening with a 3-line foliate initial, on ff. 13r (Annuntiation), 25r (Visitation), 38r (Crucifixion), 39v (Pentecost), 41r (Nativity), 46r (Annuntiation to the Shepherds), 50r (Adoration of the Magi), 58v (Flight into Egypt), 65r (Coronation of the Virgin), 76r (Saint John on Patmos), 99r (Funeral mass). The miniatures are rounded at the top. The borders contain acanths and a multitude of gold vine and other leaves, flowers, animals, hybrids and monsters. The artist is said to be Péronet Lamy, an illuminator in the service of the Dukes of Savoy in the second quarter of the fifteenth century., and Binding: contemporary binding: brown calf over rounded wooden boards. Both covers entirely blind-tooled with rows of juxtaposed stamps: monkeys and fleurs-de-lys in the central panel; rosettes and phoenix(?) in the frame. Clasps missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval