Close score at top, additional words in the middle, with flute part at bottom., Same opening line as ESTC (RLIN) N6808., and Song within range of high, medium, and low voice.
Opera, with libretto by Philippe Quinault, after Tasso. First performed and published in 1686. and Score, copyist's manuscript with revisions, dated 1702 May 10 at end. Annotated with the inital "L," possibly by Lully, on endpaper.
Description:
Also listed in finding aid for General Collection Manuscript Music Miscellany., Binding: contemporary marbled calf., Blanks not digitized., Jean Baptiste Lully, French composer., Pages 139-147 excised., Pages numbered 1-138, 147-366., and Title from caption.
Subject (Name):
Lully, Jean Baptiste,--1632-1687, Quinault, Philippe, 1635-1688, and Tasso, Torquato, 1544-1595 --Musical settings
Includes cello part, Song in Barnaby Brittle., Numerous additions and corrections bound over original parts., Page 6 bound to p. 5 as fold-out., and Page 7 is fold-out to p. 8.
Subject (Name):
O’Keeffe, John, 1747-1833. Poor soldier.
Subject (Topic):
Dramatic music -- England -- 18th century, Incidental music -- England -- 18th century, Opera -- England -- 18th century, Operetta--England, and Theater -- Great Britain -- 18th century
Additional p. 15-16 tipped in between p. 20-21., Additional p. 17 tipped in after p. 23., Blanks unscanned, excluded from pagination., Folder 2 of 2 for Handel choruses., P. blank, unscanned., and Wanting p. 11-14.
Subject (Topic):
Choruses, Dramatic music -- England -- 18th century, Incidental music -- England -- 18th century, and Theater -- Great Britain -- 18th century
Anonymous musical MS., Consisting of a 4 part canon for 2 tenors and 2 bassi, set to the text To Father Son & Holy Ghost All Glory be therefore., and Written in the shape of a square to be read from four sides of the paper.
MS, mostly holograph. and Note: 35 Cantatas for one voice with continuo, numbers 1-5, 7-10, 14-27, 29,and 32-35 are in the composers hand and are signed and dated by him.
Manuscript music copied by Burney, possibly for use in his General History of Music. Music includes madrigals by Gioseffo Zarlino, Ruggiero Giovannelli, Alfonso Ferrabosco, and Luca Marenzio; motets by Johannes Lupi, and songs by John Dowland and Henry Lawes. An index written in an unidentified hand is laid in.
Description:
Binding: 19th century marbled boards., Blanks not scanned., Label on cover: A collections [sic] of Italian mss in the handwriting of Dr. Burney, many of which he introduced in his history of music., Label on spine: Madrigals, &c., 1567, &c., Page [1]: stamped signature of Charles Hackett., and Words in Italian, Latin, and English.
Subject (Name):
Burney, Charles, 1726-1814, Dowland, John, 1563?-1626, Ferrabosco, Alfonso, 1543-1588, Giovannelli, Ruggiero, ca. 1560-1625, Lawes, Henry, 1596-1662, Lupi, Johannes, d. 1539, Marenzio, Luca, 1553-1599, and Zarlino, Gioseffo, 1517-1590
Subject (Topic):
Music -- History and criticism -- Early works to 1800, Vocal music -- 16th century, and Vocal music -- 17th century
Copyist's MS., Modern binder's blanks unscanned., Modern binding, in case with original boards., and Original boards scanned rather than current binding.
Subject (Name):
Bever, Thomas, 1725-1791, provenance and Boyce, William, 1711-1779, provenance