"Robson speaks in the House of Commons, with outstretched arms: "We're all ruinated, Sir! - all diddled, Sir!! - abus'd by Placemen, Sir!!! - Bankrupts all, Sir! - not worth Sixteen Pounds, Ten Shillings, Sir! - ". From his coat pocket project bundles of papers: 'Ignorance of ye Old Administration'; 'Stupidity of ye New Administration'; 'Charges against the Ministry'. In his hat, on the seat behind him, are other bundles: 'Ministerial Tricks', 'Plunders', 'Blunders', 'Collusion'; 'Impeach[ment]'; 'Punishm[ent]'. Behind him, and next his vacant seat, sits Tyrwhitt Jones, listening with a fierce scowl, a pen in his mouth, his hat beside him; he holds a bulky sheaf of 'Notes'. Behind these two are Horne Tooke and Burdett (right), listening intently, Burdett turning towards his mentor. The other Opposition benches within the design, which shows a corner of the table on the extreme left, are empty."--British Museum online catalogue.
Description:
Companion print to: "Hope." and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jones, Thomas Tyrwhitt,--Sir,--1765-1811--Caricatures and cartoons., and Tooke, John Horne,--1736-1812--Caricatures and cartoons.
"Two juxtaposed but unrelated half length figures, a man (right) and woman, with expressions of angry despair, anger prevailing in the woman's face. Beneath the design: 'A disappointed Old Maid & Bachelor, are selected as proper Subjects to represent the Passion of Despair.'"--British Museum online catalogue.
Description:
Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Plate numbered 'No. 20' in upper right corner., Title engraved above image., and Two lines of text below image: A disappointed old maid & bachelor are selected as proper subjects to represent the passion of despair.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Ackermann, Rudolph,--1764-1834--Stamp., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Bachelors. , Despair., Older people. , and Single women.
"The Colossus, emblem of French revolutionary bloodshed and aggression (and perhaps intended for Bonaparte), strides from Egypt (right), where the left foot rests on Pyramids, to 'France', where the right foot tramples on the 'Holy Bible' and a cross. Beneath the Bible lie the dismantled scales of justice. Above, an arm and the shield of Britannia emerge from dark clouds; in the hand is a sheaf of thunderbolts which smites the Colossus, striking off its head, a skull in which serpents twine; from this drops a bonnet-rouge in the form of a fool's cap. The arms and legs of the Colossus have also been broken, so that the figure is on the point of collapse. The severed right hand rests on a guillotine, inscribed 'Fraternité'. The decollated head of Louis XVI [see BMSat 8297, &c] hangs by the hair from the figure's neck. From the left hand drops an open book: 'Religion de la Nature [cf. BMSats 8350, 9240] Injustice Oppression Murder Destruction'. The figure wears only a tricolour sash and belt in which are a pistol and a bloody dagger. Its hands and feet are dyed with blood above the wrists and ankles. Tricolour flags inscribed with names decorate the landscape, showing the extent of French depredations: 'Malta' in the channel immediately under the Colossus; 'Spain' (left) behind 'France'; 'Holland', with windmills; 'Switzerland' backed by rocky mountains; 'Rome' with the dome of St. Peter's. ..."--British Museum online catalogue.
Alternative Title:
Destruction of the French colossus
Description:
Title etched below image. and Two lines of quoted text below title: "Shall the works of a wicked nation remain? Shall the monuments of oppression not be destroyed? ..."
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Napoleon sits on the shoulder of Talleyrand gleefully peering through a large rolled document at the Channel, where the French flotilla is being destroyed by shells from British ships. Talleyrand stands behind the gun embrasures of a fortress on a cliff at whose base the gunboats are foundering. He wears a general's uniform with a long cloak; the crown of his cocked hat is a bishop's mitre. He holds Bonaparte's legs, grinning delightedly. Napoleon's document is 'Talleyrand's plan for Invading Great Britain'; he says: "O my dear Talley, what a glorious sight! - we've worked up Johnny Bull into a fine passion! - my good fortune never leaves me! - I shall now get rid of a hundred- Thousand French Cut Throats whom I was so afraid of! - O my dear Talley, this beats the Egyptian Poisoning hollow! - Bravo, Johnny! - pepper 'em, Johnny!" On a flag (l.) behind the pair are a skull and cross-bones, the skull looking down with a sinister stare. On the horizon is the English coast, with Dover Castle on a cliff."--British Museum online catalogue.
Alternative Title:
Little Boney & his friend Talley in high glee and Little Boney and his friend Talley in high glee
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.