Manuscript on paper of 1) Will of Guglielmo di Montiglio, councillor of Guglielmo X (VIII) Palaeologus, Margrave of Montferrato, 1464-1483, dated Casale Montferrato, 8 Febr. 1469. 2) Aeneas Silvius Piccolomini (afterwards Pope Pius II, 1458-1464), De miseriis curialium, a letter addressed to the German courtier Iohannes von Eich, written 1444
Description:
In Latin., Watermark: flower (?)., Art. 1 is copied in a rapid Humanistica Cursiva Libraria. Art. 2, by another hand, is in Humanistica Textualis Formata., Art. 1 is undecorated. Art. 2 opens with a 3-line plain initial in red and blue, followed by a line in Capitals. In the lower margin of f. 5r a coat of arms gules, with a head (?) azure and a heart-shield gold. Initial and coat of arms, of mediocre execution, are by the same hand., and Binding: Nineteenth century. De luxe binding by Chambolle-Duru. Brown morocco over pasteboard, the turn-ins gold-tooled; marbled endpapers. Spine with five raised bands and gold-tooled inscription: "AENEAS / SYLVIUS / DE / MISERIIS / CURIALIUM". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pius II, Pope, 1405-1464.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Letters, Papal, Manuscripts, Medieval, and Wills
Manuscript on paper (mutilated) of Ps.-Aristoteles, Tractatus de pomo sive de morte. Latin translation attributed to Manfred, son of Emperor Frederick II (1232-1266). Incomplete; originally part of a larger manuscript
Description:
In Latin., Watermark: crowned fleur-de-lys over initials "J.b.", var. Briquet 7252?., Script: Copied by one hand in Gothica Semihybrida Libraria (Bastarda)., Red paragraph-marks and underlining. Heightening of majuscules in red. Red plain initials at the beginning of the prologue (5 lines) and at the beginning of the text (2 lines); small guide-letters., and Binding: Twentieth century. Half parchment with corner pieces over pasteboard, the boards covered with grey paper. On the front cover a blank paper label. On the spine the handwritten title in red in modern Gothica Textualis Formata: "De Pomo et Morte".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle, pseud. and Manfred, King of Naples and Sicily, ca. 1232-1266.
Subject (Topic):
Dialogues, Latin (Medieval and modern), Manuscripts, Medieval, and Philosophy, Medieval
Manuscript on paper (unidentified watermark) of Libellus de quinque floribus huius mundi contemnendis, a short moralistic treatise dealing with the five flowers of the world which need to be despised: (1) bona dispositio corporis, scilicet sanitas, fortitudo et pulcritudo; (2) nobilitas generis; (3) habundantia rerum temporalium; (4) sapiencia cum discreta eloquentia; (5) potestas sive dignitas temporalis. The treatise is illustrated with quotations from the Bible, Church Fathers and other authors, and exempla
Description:
In Latin., Script: Copied by one hand in Gothica Cursiva Currens. A later hand has transcribed in the margins in Humanistica Cursiva the words or passages which were found difficult to read., Headings, paragraph marks, underlining, heightening of majuscules and plain initials (3 lines) in red., Worm holes throughout the manuscript; the edges of the last folio are torn., and Binding: Nineteenth century (?). Half brown leather over pasteboard, the boards covered with greyish marbled paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Conduct of life, Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on parchment of Petrarch, De remediis utriusque fortunae
Description:
In Latin., Script: Written by a single scribe in beautiful batarde script characterized by calligraphic flourishes (some stroked with yellow) in upper and lower margins., 4-line initial on f. 1r, blue with white highlights, on a gold ground, with a coat of arms (effaced) against burgundy ground with gold floral sprays; short floral border, pink and blue flowers on green stem, infilled with gold dots with black hair-spray. 6-line initials on ff. 84r and 87r green with yellow highlights, on gold ground, with a love-knot connecting E (brown with gold highlights) and N (blue) against silver ground, borders as above. 2-line initials at beginning of chapters, gold with black penwork and flourishes; 1-line initials (R for Racio, and G, S, D, M, for the other interlocutors) blue or gold, with red or black penwork., On ff. 1r and 8r three quarters of the page was ruled, but left blank, presumably for miniatures., and Binding: Nineteenth century. Red velvet case, much worn.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Conduct of life, Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (fine, smooth) of 1) Prologue. 2) Moamin, De scientia venandi per aves, translated into Latin by Theodorus of Antioch. Although the prologue states that there are four treatises composed by Moamin, the fourth (Quartus naturam et medicamen qutrupedum [sic] cum quibus uenamur) is omitted in this manuscript. 3) Treatise of Dancus rex. 4) Treatise of Guillelmus falconarius. 5) Four anonymous descriptions of types of falcons. Produced probably for Ferdinand II of Aragon (arms on f. 1r).
Alternative Title:
Moamin
Description:
In Latin., Script: Written by a single scribe in elegant round humanistic script below top line., One miniature, f. 1r, five falcons sitting on a perch in a niche, with a 6-line initial, blue and light green, with green and blue acanthus, against gold, framed in red, with white dots; full border, pink and blue flowers on stems with pink, orange and green leaves and gold dots spiraling around a pink and gold bar; framed in gold and inhabited by birds, putti, four of the putti in lower margin supporting a coat-of-arms. 5-line initials, gold, filled with blue or crimson with flowers in white, on irregular grounds, crimson or blue with flowers in white, and hair-spray extensions with crimson and blue leaves, flowers and gold trefoil leaves or dots. 2-line initials, gold, filled with crimson or blue against irregular crimson or blue grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red goatskin, gold-tooled with "Cetreria" on spine. Gilt edges with lettering on fore-edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Antonio de Ferrariis (called himself Galateo after his birthplace, d. 1517), De situ Iapygiae. His work is a geographical, historical, epigraphical and literary description of Iapygia, i.e. the Southeastern part of Italy (now Apulia).
Description:
In Latin., Script: Three scribes, all writing Humanistica Cursiva: hand A copied ff. 1r-20v, 24v-26v, 31r-36r line 10, 36v last three lines (Libraria); hand B copied ff. 21r-24r, 27r-30v (Currens); hand C copied f. 36r line 10-36v, except the last three lines (Currens under Gothic influence)., No decoration., Water stains. Some pages badly damaged by the acid ink., and Binding: The damaged covers of the original binding are mounted on the new binding in brown leather. Blind-tooled, featuring two square frames bordered by fillets and rolls.
Subject (Geographic):
Connecticut, New Haven., Italy, and Puglia (Italy)
Subject (Name):
Ferrari, Antonio de, 1444-1517.
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Description and travel
Manuscript on paper of Konrad von Megenberg (1309-1374), Die deutsche Sphaera, an adaptation in German of Iohannes de Sacrobosco, De sphaera. With 23 verses dealing with the numerical value of the letters of the alphabet, excerpted from Hugutio of Pisa (d. 1212), Liber derivationum
Description:
In German., Script: Copied by one hand in Gothica Cursiva Libraria/Currens., The initials are not executed. Coarsely drawn diagrams; the principal ones are on ff. 2r (Earth in the middle of the circles of the elements, the planets and the heavens), 9v (a quadripartite circular map of the world, three quarters covered with sea and inhabited by fish), 10v (a circular diagram and another with "cauda Draconis" and "caput Draconis"), 11r (two diagrams showing eclipses), 11v (related diagrams)., and Binding: Yellow limp vellum too large for the present manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Astronomy, German poetry, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, Numerology, and Science, Medieval
Manuscript on parchment of 1) Joannes de Sacro Bosco, De sphaera. 2) Unidentified Cosmographicae libellus. 3) Nicolas Oresme, Traite de la sphere, in a Latin translation apparently extant only in this manuscript
Description:
In Latin., Script: Written by one person in small fere-humanistic script bordering on cursive, verso., Simple decorative initials, 5- to 2-line, in red. Headings, paragraph marks, strokes on majuscules at beginning of sentences, and marginal notes, in red., Seventeen carefully executed astronomical drawings and two tables, in red, black, yellow and beige, accompany arts. 1 and 3., and Binding: 18th-19th centuries. Limp vellum case. "Tractatus spere" on tail edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, active 1230.
Subject (Topic):
Astronomy, Medieval, Cosmography, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment, composed of two separate and incomplete segments. Part I: Isidore, De summo bono. Part II: John of Wales, Communiloquium (Summa de regimine vitae humanae).
Description:
In Latin., Script: Part I (ff. 1-40): Written in small gothic bookhand. Part II (ff. 41-168): Written in small gothic bookhand; later 15th-century hand added appropriate pars and distich numbers as running headlines; scattered marginalia throughout, some in Anglicana script., Part I: Initials, 4- to 2-line, alternate blue with red penwork designs and red with blue penwork designs. Paragraph marks alternate red and blue. Spaces left for rubrics. Part II: Decoration similar in style and scope to Part I. Part II of the manuscript was well used in the 15th century, for there are several series of numbers in the margins that appear to be chapter or indexing references, in addition to the running headlines., and Binding: Twentieth century. Bound in tan suede (?) with early, printed board pastedowns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Manuscripts, Medieval, Scholasticism, and Theology