A middle-aged woman in a cap, and wearing earrings, a bracelet and necklace, raises her fist in anger at a young servant girl. The girl also in a cap, looks back over her shoulder at her mistress in surprise and fear.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Plate numbered 'No. 18' in upper right corner., Title engraved above image., and Two lines of text below image: This unruly passion shews itself in a forcible degree in a termagant mistress scolding her maid servant.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
A plate with four images etched for the publication: Annals of sporting by Caleb Quizem, Esqr. In the upper left, the image for the etched title page with an image of a man falling from a winged horse; upper right, a portrait of Caleb Quizem, Esqr. sitting in an armchair wtih a quizzing glass in his right hand, two books on the table beside him along with a quill pen and ink stand and on the wall a picture of a man "Geoffey Cambr[..] who also sits in an armchair and his gouty foot on a stool; lower left, image of a man on horseback (rear view) with a cannon above and a caption "The true method of sitting a horse mathematically delineated."; lower right image, an image at 90 degrees to the other images with a man mid-flight having been thrown from his horse, having failed to jump a gate. Another rider looks on in horror (right) and a peasant also with a look of horror looks on from the road (left). With caption above, "How to vault from the saddle" and signed "Woodward del. ; Rowlandson fect."
Alternative Title:
Caleb Quizem, Esqr., How to vault from the saddle., and The true method of sitting on a horse mathematically delineated.
Description:
Four lines of verse below vignette in left panel: The courtier is thrown in pursuit of his game, the poets too often laid low..., Printmaker from British Museum catalogue., and Title from text heading vignette in left panel.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1846, publisher.
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue.
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., Printmaker from British Museum catalogue., and Title etched at top of image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Amelia,--Princess, daughter of George III, King of Great Britain,--1783-1810--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Augusta Sophia,--Princess, daughter of George III, King of Great Britain,--1768-1840--Caricatures and cartoons., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Charlotte,--Queen, Consort of Frederick I, King of Württemberg,--1766-1828--Caricatures and cartoons., Elizabeth,--Princess of England,--1770-1840--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Mary,--Duchess of Gloucester,--1776-1857--Caricatures and cartoons., and Sophia,--Princess, daughter of George III, King of Great Britain,--1777-1848--Caricatures and cartoons.
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue.
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain--Politics and government--1760-1789.
Subject (Name):
Alvanley, Richard Pepper Arden,--Baron,--1745-1804--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hatsell, John,--1743-1820--Caricatures and cartoons., Holland, William, active 1782-1817, publisher., Macdonald, Archibald,--Sir,--1747-1826--Caricatures and cartoons., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., North, Frederick,--Lord,--1732-1792--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
Subject (Topic):
Dogs., Interiors., Politicians--Great Britain., and Spectators.
"Two grotesque and foolish connoisseurs standing admiring a collection of Egyptian statuary, both looking at a mummy case at left, one simpering, pointing and looking through pince-nez, the other squinting through a short spyglass; the antiquities include another mummy case, male and female statues, two sphinxes and a grotesque sculpture of a dog on a plinth decorated with hieroglyphs."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
A half-undressed Dr. Johnson in a dunce's cap and with a rope around his neck walks from left to right, driven by Apollo, who holds the other end of the rope, and the Muses with uplifted scourges and birch rods. On his cap are the names of the poets Johnson criticized. He carries a placard describing his guilt as an unjust critic. In the background, on the summit of Parnassus, can be seen a temple highlighted by the sun behind it, with Pegasus flying nearby.
Description:
CtY-LW, Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Text following title: * Vide, the last sermon at St. Dunstans., and Title etched below image.
Publisher:
Holland, No. 66 Drury Lane
Subject (Name):
Apollo--(Deity), Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., and Johnson, Samuel,--1709-1784--Caricatures and cartoons.
Subject (Topic):
Muses (Greek deities), Poetry--History and criticism., and Whips.
"A scene of disorder; men sitting and standing round a circular table; they are smoking, gesticulating and drinking. A very fat man, seated on the farther side of the table, wearing a hat and smoking, his hands folded, says,"we want men of Activity". His neighbour, also smoking, adds "To destroy all their Looms". The next man (left), clenching his fists, says, "Blood & Guts, what are we all about - our Armys are grazing in Idleness, like a Flock of Sheep till they die of the Rot - I'd send them to Slaughter all the Cattle on the Enemy's Coast & make the Papist Scoundrells keep a long Lent of it". A man (right) holding up a foaming tankard, says "Old England will never be conquer'd while we can Brew such Drink as this". A barber, a comb stuck in his hair, an implement for curling hair protruding from his pocket, leans back in his chair, saying, "We're all in the Suds - I could shew them a way to lower their French Toupees". On his right stands the figure of 'Prattle' (Atkinson of Pall Mall), as in BMSat 5603 but in reverse. He is saying, "Beg your Pardon my Dr Sir, meant no Offence my Dr Mr Tallow - too much Love & Respect - your Perfectly in the Right - of the same Opinion of my Led & I - they'll never Invade us as you say & my Lud Chatter observed to me the other Night at Lady Carbuncles". He is addressing a stout man standing on the left of the table, who flourishes a stick in his right hand while with a blow from his fist he overturns a punch-bowl, having upset a tankard, a lemon, and a number of wineglasses which are falling to the ground. He says "Dont Talk to me of your Dukes & your Lords, I'm a True Born Englishman, & dont care for Nobody not I - they dare not invade us - Damme they dare not - you Glister Pipe, you pitiful Plaister Spreader You------". A dog barks at him. A thin and rather ragged-looking man on his right, his hands in his breeches pockets, says "Invade us - Damme, what can Soup Meager do against Beef & Plumb Pudding"; a pair of scissors projecting from his coat-pocket shows that he is a tailor; his stockings are ungartered and his shoes are unbuckled. On the extreme left an elderly man with a tie-wig and wearing a hat and pince-nez, sits in a chair reading a newspaper; he holds up a hand in dismay saying, "All's lost". Behind stands a waiter, his napkin under his arm, saying "Dr Prattle says right - I'll go over to the Opposition and never drink another Pot with my Lords Footman". Hats are hung up on the wall, and a bracket-clock shows that it is one o'clock."--British Museum online catalogue.
Alternative Title:
Apothecaries, tailors, &c. conquering France and Spain and Apothecaries, tailors, conquering France and Spain
Description:
Attributed to Gillray. See British Museum catalogue. and Title from item.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, William, approximately 1740-approximately 1810, publisher.
"Napoleon's flaming nest is the terrestrial globe, resting on sheaves of bayoneted muskets laid on a flat-topped pinnacle inscribed 'Pyrenean Mountains'. Clouds and crags frame the design. The phoenix, with flaming wings, has the head of Napoleon, turned in profile to the left. He is terror-stricken; his blazing crown flies upwards from his head; his predatory claws are raised in horror; from one his sceptre falls, from the other the orb. He wears a high military collar; round his neck is a tricolour'Cordon d'Honor' fringed with daggers. On the globe is a map of countries surrounding the Mediterranean, the central spot being 'Corsica'. The burning countries are 'Portugal', 'Spain', 'France', 'Sicily' [south of Corsica], 'Germany', 'Italy', 'Turkey'. At the base of the globe is the north of 'Africa' with 'Morocco' and 'Algiers' [in flames]. Above the flames by which Napoleon is surrounded are heavy clouds; from above these emerges a dove holding an olive branch, its wings inscribed 'Peace on Earth'. It is irradiated, rays descending from behind the clouds."--British Museum online catalogue.
Description:
Four lines of text following title: "When the phoenix is tired of life, he builds a nest upon the mountains, and setting it on fire by the wafting of his own wings ... and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Satirical armorial ridiculing Lord Denbigh's claim to descend from the Habsburg family.
Description:
Artist identified as 'Lord de Ferrars' in the British Museum catalogue., Dedication etched at bottom of plate: Humbly dedicated to Garter King at Arms and all other the officers of the College of Arms, London., Four lines of text in Latin below title: Monstrum, horrendum informe, ingens, cui lumen ademptum. Quale portentum neque militaris, aaunia in latis alit esculetis, nee jubae tellus generat, &c. &c., Publication date from contemporary manuscript note in lower left margin: Publish'd 27th May 1780., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Denbigh, Basil Fielding,--Earl of,--1719-1800., Harvey, Francis--Ownership., and Townshend, George Townshend, Marquess, 1755-1811, artist.