BEIN PLAYING CARDS GEN 132: Title card pasted to sleeve. Formerly owned by Julia Parker Wightman. From the Cary Collection of Playing Cards. and Title card and 25 numbered cards depicting inhabitants of various countries.
Pigafetta, Antonio, approximately 1480-approximately 1534
Published / Created:
[ca. 1525]
Call Number:
Beinecke MS 351
Container / Volume:
Box
Image Count:
218
Resource Type:
unspecified
Abstract:
Manuscript on parchment (fine) of A journal of Ferdinand Magellan's voyage around the world in 1522, written by Antonio Pigafetta (ca. 1480/91 - ca. 1534), an Italian gentleman from Vincenza who survived the trip. Beinecke MS 351, the text of which is divided into 57 numbered chapters, is the most complete and most handsomely produced manuscript of the four surviving witnesses to the text; the original, probably in Italian, is now lost
Description:
In French., Script: Written in elegant humanistic bookhand with script often resting above the rulings; marginal notes and headings in a more cursive script that inclines toward the right., Twenty-three beautifully drawn and illuminated maps, mostly full-page, surrounded by gold frames, and with scrolls superimposed that contain the identifying legends for islands and land masses. Decorative initials, 4- to 3-line, rose or blue highlighted with white, on gold rectangular grounds edged in black, contain flowers in contrasting colors or strawberries and green and chartreuse leaves. Gold initials, 2-line, on red rectangular grounds or on red and blue grounds (divided diagonally or horizontally) with gold highlights. Gold paragraph marks, 1-line, on rectangular grounds that alternate red and blue, with gold highlights; rectangular line-fillers in red and gold, also highlighted with gold. Headings for chapters and titles for maps within text, as well as notes in margin entered by same scribe, in red or blue., and Binding: Nineteenth century. Red goatskin, gold-tooled. Bound by Duru in 1851. Disbound and mounted for photographic reproduction for the facsimile edition by Harold Tribolet at the Extra Bindery of the Lakeside Press. Rebacked with extraordinary skill.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Magalhães, Fernão de, 1480-1521. and Pigafetta, Antonio, approximately 1480-approximately 1534.
Subject (Topic):
Discoveries in geography, Portuguese, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Early maps, and Voyages around the world
A collection of moralistic sayings, compiled from various authorities, isthe French version of an Arabic work of the 11th century. Guillaume deTignonville (d. 1414) composed the French text from a Latin translationsometime before 1402. and Manuscript on parchment (worn and stained) of a collection of moralistic sayings, compiled from various authorities: the French version of an Arabic work of the 11th century. Guillaume de Tignonville (d. 1414) composed the French text from a Latin translation sometime before 1402. The philosophers represented include (in the order of their appearance): Sedachias, Hermes, Tac, Zalqualquin, Homer, Zalon, Abion, Hippocrates, Pythagoras, Diogenes, Socrates, Plato, Aristotle, Alexander the Great, Ptolemy, Assaron, Loguion, Onese, Macdarge, Thesile, St. Gregory, Galen.
Description:
One miniature on f. 1r, 11-line, Ezekiel, Socrates, and Cicero with identifying banderoles, in grisaille with light green and ink washes.
Subject (Topic):
Arabic literature, Conduct of life--Early works to 1800, French literature--To 1500, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper and parchment of a version in French of the German text, Das Buch von der Heiligen Dreifaltigkeit, with close copies of the illuminations in two fifteenth-century manuscripts. Contains illustrations that mix Christian symbolism, especially the Passion of Christ, with alchemical symbolism, and also depict some apparatus
Description:
In French., Script: Calligraphically written in brown ink in a very clear, large cursive hand., Watermarks: Paper watermarked with large fleur-de-lys with a cartouche, surmounted by a crown, the letter "W" below, perhaps identical to Heawood 1845., With illustrations added about 1875., and Binding: Nineteenth-century French citron polished calf, sides bordered with triple gold rules, gold-stamped fleurons at the corners, back in compartments gold-stamped with small tools, red morocco title label, marbled pastedowns and flyleaves, the latter glued to parchment flyleaves which appear to have come from an earlier binding of this volume; mottled edges.
Subject (Topic):
Alchemy, Religious aspects, Christianity, and Trinity
Manuscript on paper of Prayers to be said at various times during the Mass. Composed by Paul Pellisson-Fontanier (1624-93).
Description:
In French., Script: Written by the master calligrapher Jean Pierre Rousselet, a follower of Nicholas Jarry, active in Paris between 1677 and 1736., Two full-page miniatures and nine historiated headpieces in gouache, all in frames best described as resembling the frames of 18th-century mirrors; the frames blue and purple with white highlights and gold side-pieces decorated with red flowers in diamonds; floral swags at bottom. Tail pieces with swags, as above and filled with gold, on f. 48v with the Holy Spirit as a dove. 3- and 2-line initials, blue with white highlights on gold; 1-line initials in red. Titles in gold, red and blue capitals; running headings and rubrics in red., and Binding: 18th-19th centuries. Black goatskin, gold-tooled. A red label and salmon pink doublures and flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pellisson-Fontanier, Paul, 1624-1693. and Catholic Church
Subject (Topic):
Liturgy, Devotional literature, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment (rather thick) of a codex containing alchemical verses and other works by Samuel Norton and illustrated with skillful drawings of the arcane figures associated with Norton's work
Description:
In French., Script: Written by a single hand which has also annotated and captioned the drawings in a neat cursive sloping to the right, with the addition of passages in italic and chancery scripts., and Binding: Early, perhaps original, French binding of black morocco, the sides with triple gold fillet around the edges, a similar triple fillet forming a rectangular panel in the center of each cover with fleurons at the corners, the inside edges with a border of small tools stamped in gold, the back gilt compartments formed by five raised bands, modern title label on second compartment from top, some modern repairs with brown leather, including filling up the four holes on each cover which originally held ties, now missing; original gilt edges.
Written in 66 or 79 long lines; one side only, no rulings. Written in 2 different hands, both informal batarde. Stains and remnants of paste; used as pastedowns and binding reinforcements.
Description:
3 fragments, 70 x 80 mm., ca. 155 x 69 mm., and ca. 55 x 550 mm., the largest dated 1525., Parchment, and Subjects unidentified.