Title supplied by curator., Date and place of publication from item., In margin upper right: Plate I., From: Joseph Swan, A Demonstration of the Nerves of the Body. London: Longman, Rees, Orme, Brown, and Green, 1830., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title supplied by curator., Date and place of publication from item., In margin upper right: Plate II., From: Joseph Swan, A Demonstration of the Nerves of the Body. London: Longman, Rees, Orme, Brown, and Green, 1830., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title supplied by curator., Date derived from printmaker's date of death., Place of publication derived from printmaker's place of residence, In pencil lower margin: Ostade; J. Smith sculp., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Medicine shows, Quacks, Spectators, and Children
"The corner of a house seen from a walled garden. Death throws down a ladder which gave access to a window from which a distraught girl looks out; her lover, a young lieutenant, falls from it towards a pond, while an elderly colonel, the father, fires a blunderbuss towards cats on the wall, the charge being intercepted by the falling man. A prancing dog barks."--British Museum catalogue
Alternative Title:
Assailant does not feel a wound; but yet he dies, for he is drown'd
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: The assailant does not feel a wound; but yet he dies, for he is drown'd., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 241., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Jany. 1 - 1816, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Accidents, Courtship, Military officers, British, Gardens, Garden walls, Skeletons, Ladders, Falling, Firearms, Dogs, Cats, and Lakes & ponds
"A runaway horse dashes over a bank towards the sea. The driver, a stout 'cit', falls backwards, broken reins in his hands. A young woman flings herself out. Death sits beside the road on a mile-stone, '56 Miles from London', holding up his hour-glass at the pair. (In the text the accident is on Shooters Hill.)"--British Museum catalogue
Alternative Title:
Away they go in chaise & one, or to undo or be undone
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: Away they go in chaise & one, or to undo or be undone., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 158., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Octr. 1 - 1815, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Accidents, Skeletons, Carriages & coaches, Horses, Dogs, Traffic signs & signals, and Hourglasses
"A pretty young wife sits beside an aged doting and rich husband, reading to him. He delightedly contemplates his glass, which is being filled by Death, who leans over a screen. The girl's left hand is held by a young officer who leans through the window (right)."--British Museum online catalogue
Alternative Title:
Honeymoon and When the old fool has drank his wine and gone to rest, I will be thine
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: When the old fool has drank his wine / and gone to rest, I will be thine., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 106., and Temporary local Medical Library subject terms: Marriage & married life -- Skeleton as Death.
Publisher:
Pub. Augt. 1, 1814, by R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Marriage, Skeletons, Courtship, Adultery, Military officers, British, Eating & drinking, Alcoholic beverages, Windows, Interiors, Stringed instruments, Books, Dogs, Fireplaces, and Screens
Charles Fox, in strait jacket, with unruly hair and a wild look on his face, is examined by Dr. Monro, the physician to Bedlam, who looks at him through a quizzing glass. Fox confesses that his troubles come from loosing his place, i.e., the fall of the Fox-North Coalition, while Dr. Monro pronounces him an incurable
Alternative Title:
Dazzled with hope he could not see the cheat ...
Description:
Title from Grego., Six lines of verse in two columns below image: Dazzled with hope he could not see the cheat, of aiming with impatience to be great. With wild ambition in his heart we find, farewell content and quiet of his mind. For glittering clouds he left the solid shore, and wonted happiness returns no more., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local Medical Library subject terms: Hospitals, Great Britain -- Hospitals, psychiatric -- Psychiatric patients -- Bethlehem Hospital., and 1 print : etching with stipple, hand-colored ; plate mark 250 x 305 mm.
Publisher:
Pubd. April 4th 1784, by W. Humphry, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Monro, John, 1715-1791, and Bethlem Royal Hospital (London, England)
Subject (Topic):
Politics and government, Mentally ill persons, Mental institutions, Physicians, Physical restraints, Straitjackets, and Quizzing glasses
Title supplied by curator., Inscribed in plate lower right: Blampied Nov 1929., Place of publication based on artist's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Below image in pencil: E. Blampied.
"An apothecary's shop, the walls covered by jars closely ranged on shelves, a stuffed fish hanging from the ceiling. Behind a curtain (right) Death, wearing an apron, pounds at a mortar of 'slow Poison', looking gleefully in a mirror to watch the customers. The fat quack compounds medicines at the counter. A grotesque crowd of agonized patients enters through a doorway (left) inscribed 'Apothecaries Hall'. Two sit in arm-chairs. The jars are 'Canthar[ides]', 'Arsnic', 'Opium', 'Nitre', 'Vitriol', 'Elixir', with (right) 'Restorativ Drops'."--British Museum online catalogue
Alternative Title:
I have a secret art to cure each malady, which men endure
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: I have a secret art to cure / each malady, which men endure., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 85., and Temporary local Medical Library subject terms: Skeleton as death -- Pharmacy, interior -- Apothecaries.
Publisher:
Pub. July 1- 1814, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Quacks and quackery, Skeletons, Interiors, Drugstores, Pharmacists, Mortars & pestles, Sick persons, Medicines, Shelving, Containers, and Mirrors