Poster shows image of a skeleton wearing a hat with United Farm Workers iconography, a shirt with a large green circle with a smaller red circle inside, and pants. The skeleton appears to be hanging up a poster with information about a parade. The interior poster includes five panels, four with information, and one with images of skulls and bones. Title information is above. Around the information is a border of bones. "RCAF" in lower center of poster
Description:
BEIN WA Prints +168: Variant 1., BEIN WA Prints +439: Variant 2., At least two variants exist. Variant 1 has background of "Dia de los muertos" fully in orange, "Nov. 1, 1975 at 4 p.m." in orange on green, "respeto la raza!" and "¡Boycott Gallo!" in red on green, and background behind skulls and bones in lower right in red. Variant 2 has background of "Dia de los muertos" half in red and half in yellow, "Nov. 1, 1975 at 4 p.m." in red on green, "respeto la raza!" and "¡Boycott Gallo!" in yellow on green, and background behind skulls and bones in lower right in yellow., "Nov. 1, 1975 at 4 p.m.", "From Hiram Johnson to St. Mary Cemetery.", "Respeto a la raza!", "1st annual procession, for more info: 442-7651.", "Boycott CocaCola.", "¡Boycott Gallo!", "¡Para la gloria de mi raza!", "The Royal Chicano Air Force (RCAF) is a Sacramento, California-based art collective, founded in 1970 by José Montoya and Esteban Villa. It was one of the 'most important collective artist groups' in the Chicano art movement in California during the 1970s and the 1980s and continues to be influential into the 21st century.", and Text in English and Spanish.
Publisher:
RCAF
Subject (Geographic):
California, Sacramento, and Sacramento.
Subject (Topic):
All Souls' Day, Mexican Americans, Social life and customs, Politics and government, Parades, All Souls' Day in art, and Serigraphy
The print reproduces Thomas Hill's painting "Driving the last spike" above a key to seventy-one of the persons represented in the painting; also, a short essay by the historian Richard Dillon
Description:
At foot of sheet: Published by The Nut Tree to commemorate the centennial anniversary of the "Driving of the last spike," Nut Tree, California, 95688.
Publisher:
The Nut Tree
Subject (Geographic):
Utah
Subject (Name):
Central Pacific Railroad Company and Union Pacific Railroad Company
The print reproduces Thomas Hill's painting "Driving the last spike" above a key to seventy-one of the persons represented in the painting; also, a short essay by the historian Richard Dillon
Description:
At foot of sheet: Published by The Nut Tree to commemorate the centennial anniversary of the "Driving of the last spike," Nut Tree, California, 95688.
Publisher:
The Nut Tree
Subject (Geographic):
Utah
Subject (Name):
Central Pacific Railroad Company and Union Pacific Railroad Company
BEIN ENG38 : From the Cary Collection of Playing Cards., Title devised by cataloger., Latin/Italian suit system, modified (swords, wands, pentacles, cups), Type: Cartomancy., Composition of deck: 78 [A, K, Q, C, J, 10-2, trumps I-XXI, Fool]., CourtCards: Cavaliers are called knights; jacks are labelled pages., Pipcards and Jokers: Pip cards numbered X-II., Trumps: Single figure trumps; II: THE HIGH PRIESTESS; V: THE HIEROPHANT., The cards appeared originally with Waite's Pictorial Key to the Tarot, 1910. All cards bear the designer's monogram. Suits of batons and money are labelled wands and pentacles., and Label indicates that the pack was printed in Great Britian and distributed by the Church of Light, Los Angeles.
BEIN Lemaître Lettrism 141: Unsigned copy. Paperbound. From the library of Maurice Lemaître., "Chaque exemplaire de ce tirage a été paraphé par l'auteur, ce qui l'authentifie comme édition originale"--Third printed leaf., and Includes photocopies showing "quelques prix obtenus en ventes publiques ou en achats officiels."
Publisher:
Centre de créativité/Éditions lettristes
Subject (Geographic):
France.
Subject (Topic):
Painting, French, Prices, Painting, Modern, and Lettrism
Photocopy of a typescript memoir by Margarita López y Galarza containing over 20 brief chapters reflecting on her life and identity as a Mexican American, 1983. López y Galarza recounts her family history in Jalcocotán, Mexico and describes her parents, brothers, and extended family members, many of whom were ranchers and railroad workers in California. Many of the stories concern her childhood in Sacramento, including her mother's role in the household, her experiences with religion, and her education. Several sections describe López y Galarza's elementary education in detail, including learning English and the program of Americanization at her elemenary school, which had a significant population of immigrant children, including Japanese Americans, Italian Americans, Irish Americans, and Mexican Americans. Other sections describe her father's opposition to her choice to attend college and become an American citizen, her career as a health educator at Los Angeles County General Hospital, and a visit to her birthplace in Jalcocotán with her daughter in 1972. Accompanied by a manuscript note from López y Galarza to a friend describing the process of writing the memoir and sharing family news, 1984
Description:
Margarita López y Galarza de la Vega Linsley (1916-2000) was born in Jalcocotán, Mexico and immigrated to Sacramento, California with her family in 1920. She earned her bachelor's degree from University of California, Los Angeles and master's degrees from University of Southern California and University of California, Berkeley. She worked for the United States Department of Agriculture and was a health educator for Los Angeles County General Hospital, Kaiser Permanente, and the World Health Organization. López y Galarza was forced to legally change her first name to Marguerite when she became a United States citizen in 1940, because her American elementary school teachers had insisted on using the name Marguerite on her school records. She went by the nicknames Mago and Margo to family and friends., In English., and Title from title page.
Subject (Geographic):
California., West (U.S.), California, Jalcocotán (Mexico), and Sacramento (Calif.)
Subject (Name):
López y Galarza, Margarita, 1916-2000. and Los Angeles County General Hospital.
Subject (Topic):
Americanization, Education, Elementary, Elementary schools, Health counselors, Immigrant children, Education, Immigrants, Mexican American children, Mexican American women, Mexican Americans, Religion, Railroads, Employees, Ranchers, Women, Race relations, Religious life and customs, and Social life and customs
Silkscreen poster shows red silhouette of man holding a megaphone and a flag, based on a photograph taken by Hector González of José Montoya of the Royal Chicano Air Force during a strike for the United Farm Workers in Yuba City, California (see E.M. Diaz, Flying under the radar with the Royal Chicano Air Force). The flag contains a white circle in which the words "viva la manana" and "viva la huelga" form the huelga eagle symbol of the United Farm Workers of America. Background is yellow with the same two phrases repeated, filling the background
Description:
Title, publisher, copyright date, and statement of responsibility from below pictorial area.
Publisher:
RCAF
Subject (Geographic):
California
Subject (Name):
Montoya, José and United Farm Workers of America
Subject (Topic):
Migrant agricultural laborers, Labor unions, and Serigraphy
Lithograph reproduces Von Schmidt's painting that depicts the battle at Little Bighorn; in foreground center U.S. soldier holds up regimental flag surrounded by dismounted troopers under attack by mounted Native Americans; villages and natural landscape in distance. The lyrics to Garryowen, the 7th U.S. Cavalry's regimental song, are printed below the image
Description:
In facsimile of artist's hand below image:On left, artist's proof; on right: for the Beinecke Rare Book & Manuscript Library / Eric Von Schmidt '89., Title from caption below image., and Within image of original painting in lower right, signed: Von Schmidt, 1971-76.