Manuscript on paper in two parts. Part I (late 15th century): 1) John of Rupescissa, De consideratione quinte essentie. 2) Aqua solempnissima, atque mirabilis. Part II (copied in 1775): 3) George Ripley (?), Touchant le grand magistere des sages, translated from English into French
Description:
In Latin and French., Script: Part I: Written by a single hand in a semigothic cursive. Part II: Written in a cursive hand sloping to the right., Part I: Headings in red., and Binding: Nineteenth century, English. Tan buckram boards, brown morocco back and corners, flat backstrip with gold-stamped title, plain edges.
Manuscript on paper in two parts. Part I (ca. 1700): 1) Treaty between Edward the Elder, King of England and Guthrun II, King of the Danes in East Anglia, 905-906. 2) Leges Edouardi regis, the Laws issued by King Edward the Elder (ca. 902-ca. 924) or Edward the Confessor (d. 1066). Part II (ca. 1650): 3) Annals of Iceland, 636-1394, with partial Latin translation in the margins. Here ascribed by another 17th-century hand to the Icelandic humanist Arngrimur Jonsson (1568-1648).
Description:
In Latin (Part I) and Icelandic (Part II)., Script: Part I (ff. 1-16): Written by one hand in Humanistic Cursive script. Part II (ff. 17-89): Gothica Cursiva for the Icelandic text, Humanistic Cursive script for the English text written in the margin., The acidity of the ink of the Icelandic text has damaged the paper., and Binding: Modern white parchment over cardboard.
Manuscript on paper (sturdy; staggered thumb holes at bottom of leaves) of Antiphons for suffrages. With liturgies and offices for various occasions. Written during the 16th century presumably for Franciscan use and supplemented during the 17th century; the second portion may have been added for use of the Reform Congregation of the Spanish Discalceates of which Peter of Alcantara was the founder
Description:
In Latin., Script: Written by two scribes in a large round gothic bookhand. 1) ff. 1r-43v (16th century); 2) ff. 44r-50r (17th century). Scribe 2 attempts to replicate the work of Scribe 1, but uses 5-line staves rather than 4-line., Decoration for ff. 1r-43v: initials, with foliage designs, in rectangular frame, often with ground uncolored; colors range from vibrant blue, yellow, and orange to olive green and dark purple. Initials for ff. 44r-50r, of similar design, with more subdued shades, and no frames., and Binding: Seventeenth century. Vellum stays, contemporary paper flyleaves and pastedowns. Original sewing on five supports attached to very thick, square wooden boards. Beaded and colored endbands. Red edges. Covered in brown calf (cow?) reinforced at spine with additional leather and straps nailed to the boards. Traces of a strap and pin fastening. Vellum label with notation "Antiphonar. Com. sanctorum" nailed to lower board. The badly warped upper board is reinforced with two strips of wood placed vertically on the upper surface.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Franciscans.
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (unidentified armorial watermarks) of Basilici tyranni umbra, a Latin tragedy with a list of characters drawn partly from Byzantine history, including Umbra Basilici tyranni (d. 497), Zeno Imperator, Longinus eius frater, Gazeus Rhetor, Euphemianus, Castor tribunus militum, and various pupilli and ephebi. With a collection of poems in Horatian meters on early Jesuits, e. g., St. Francis Xavier (1506-52), Brother Rudolph Acquaviva (1550-83), St. Ignatius of Loyola (1491-1556), St. Aloysius Gonzaga (1568-91), and Edmund Campion (d. 1581). Includes other miscellaneous texts
Description:
In Latin., Script: Written by several cursive hands, some clearly later additions. A few headings in square capitals., and Binding: Eighteenth century. Vellum case, blind-tooled. Bookblock almost detached. Front pastedown may be part of art. 2 of text, but is too badly mutilated to be certain.
Subject (Geographic):
Connecticut, New Haven., and Byzantine Empire
Subject (Name):
Jesuits
Subject (Topic):
History, Jesuit poetry, Latin (Medieval and modern), Latin drama (Tragedy), and Manuscripts, Medieval
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of prayers for priest and bishop to say before and during Mass
Description:
In Latin., Script: Written in imitation of Roman font, upper and lower case, with cursive for headings and rubrics, by N. Jarry in Paris, 1649., Title page (p. 1), p. 31 (Gratiarum actio) and p. 40 (orationes) with finely executed headpieces and 3- or 2-line initials, gold edged in red, with flowers. 2-line initials gold edged in red or blue; 1-line initials in red. Running titles and headings in red. On p. 73 a monogram that incorporates the alphabet inside a wreath tied with a pink ribbon., and Binding: 17th-18th centuries. Red goatskin, gold-tooled, with two gold-plated clasps which may be later additions. Gilt edges.
Manuscript on parchment of Diploma for a doctorate of Civil and Canon Law accorded to Franciscus Adelasius (Adelasio) from the University of Padua, 27 Jan. 1674
Description:
In Latin., Script: Written in elegant italic script; headings and names of persons in humanistic bookhand or square capitals, in gold., On f. 1v: coat-of-arms of the Adelasio family of Bergamo (gules, per fess 3 pennants argent on staves or; in chief azure, an eagle displayed or) surrounded by a full floral border in vivid shades of gold, brown, red, orange, and blue, with two peacocks in lower panel and a framed oval miniature of the Virgin Mary supported by griffins in upper panel. On f. 2r similar treatment of folio, but with text of diploma in center of page and a miniature of St. Antony of Padua in upper panel; ff. 2v-3v surrounded by full floral borders of less exuberant design than ff. 1v-2r., and Binding: Seventeenth century. Brick-red sheepskin heavily gold-tooled with a central medallion surrounded by floral arabesques and fan corners in multiple roll borders of different designs, the outer one blind-tooled. A red wax seal (cracked), displaying the arms of Gregory, Cardinal Barbadicus (Barbarigo; 1626-97), and enclosed within the original gold-tooled circular holder (58 mm. diameter) that matches the binding, is attached to the spine with twisted silk cords.
Subject (Geographic):
Connecticut, New Haven., and Padua (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
A collection of documents bearing the signatures of rulers or important personages of France; most are preceded or followed by an engraving of the person. Mounted so that both sides of the document are visible
Description:
In French, English, Italian, Latin and Spanish., Collected, mounted and bound in one volume during the 19th century., and Binding: Nineteenth century. Dark blue goatskin, gilt, by Riviere and Son.
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Name):
Anne, Queen, consort of Louis XIII, King of France, 1601-1666., Catherine de Médicis, Queen, consort of Henry II, King of France, 1519-1589, Charles VIII, King of France, 1470-1498, Charles IX, King of France, 1550-1574, Charles X, King of France, 1757-1836, Eugénie, Empress, consort of Napoleon III, Emperor of the French, 1826-1920, Ferdinand II, Holy Roman Emperor, 1578-1637, Francis I, King of France, 1494-1547, Francis II, King of France, 1544-1560, Henry II, King of France, 1519-1559, Henry III, King of France, 1551-1589, Henry IV, King of France, 1553-1610, Louis XI, King of France, 1423-1483, Louis XII, King of France, 1462-1515, Louis XIII, King of France, 1601-1643, Louis XIV, King of France, 1638-1715, Louis XV, King of France, 1710-1774, Louis XVI, King of France, 1754-1793, Louis Philippe, King of the French, 1773-1850, Louise, de Savoie, duchesse d'Angoulême, 1476-1531, Marguerite, Queen, consort of Henry IV, King of France, 1553-1615, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Marie Leszczyńska, Queen, consort of Louis XV, King of France, 1703-1768, Marie de Médicis, Queen, consort of Henry IV, King of France, 1573-1642, Marie-Thérèse, Queen, consort of Louis XIV, King of France, 1638-1683, Napoleon I, Emperor of the French, 1769-1821, and Napoleon III, Emperor of the French, 1808-1873