Volume 2, page 83. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A woman sitting beside a spinning wheel in a field, pinning a corsage of flowers at her breast, a dog curled up asleep at her feet, behind at right two figures, one on horseback, travel along a path towards a tower in the distance; after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image., Printmaker attribution to Charles Knight from the British Museum online catalogue, registration no.: 1878,0511.831., Sheet trimmed to plate mark., The name "Gay" follows title, etched in small letters., Illustration to John Gay's poem 'The shepherd's week'., Companion print to: Black-eyed Susan., and Mounted on page 83 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 1st, 1792, by W. Dickinson, No. 24 Old Bond Street
"A woman sitting on a stool in a landscape, looking up from her writing, upon a wedge on her lap, a cat reaching up to her knee for attention at left, a man packing a gun through a fence beside a house at right, a tower and woods in the distance beyond at left; circular design after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image., For an earlier state, published 12 November 1781 by J. Baldrey and sold by R. Wilkinson, see British Museum online catalogue, registration no.: 1917,1208.3003., Sheet trimmed within plate mark., One line of quoted text below title: "The rival of the parson's maid was she." Gay., Companion print to: Marian., Plate numbered "6" above image., and Mounted on page 33 of: Bunbury album.
Publisher:
Pubd. Novr. 25, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 3, before page 159. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
"A stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath."--British Museum online catalogue
Description:
Title from text within ribbon at top of image; remainder of title from text below image., One of the suppositious 'Sympson' prints whose attributions have long been doubted; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Dated to the 1790s in the British Museum online catalog, registration no.: Cc,3.122., Sheet trimmed within plate mark., Polly portrayed by Lavinia Fenton., Mounted to 38 x 27 cm., and Bound in before page 159 (leaf numbered '22' in pencil) in volume 3 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Publisher:
publisher not identified
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., Polly portrayed by Lavinia Fenton., Ms. note in pencil Steevens's hand above print: £5.5.0; at top of print: 5., Ms. note beneath print in another hand in pencil: For Graphic illustrations of Hogarth ... its possession of Samuel Ireland, 1794, p. 58., and On page 233 in volume 3. Sheet trimmed to: 11 x 12.7 cm.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., and Polly portrayed by Lavinia Fenton.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Volume 2, page 80. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A kneeling woman reads the palm of a girl standing at left in travelling clothes with a basket on her arm, two others watching, leaning on a fence behind, children and a dog sitting beside a fire at right, over which a large pan hangs; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Fourteen lines of verse below image, seven on either side of title: Last Friday's eve, when, as the sun was set, I, near yon stile, three sallow gipsies met ... Vide Gay's Pastorals., and Mounted on page 80 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 20, 1791, by Thos. Macklin, Poets' Gallery, Fleet Street
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Baskets, Fences, Children, Dogs, Campfires, and Pots & pans
White, Charles William, active 1775-1807, printmaker
Published / Created:
[28 March 1783]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 10. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing whole-length to front in a checked skirt, head turned in profile to left and wearing a bonnet, holding a straw hat in her right hand and the other resting at her waist; after a drawing by Henry William Bunbury, first state before plate reduced to an oval."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Two lines of verse below title: The patten now supports each frugal dame, which from the blue eyd Patty takes the name., "Gays Poems"--Lower right corner of plate., Illustration to John Gay's Trivia, or, The art of walking the streets of London., and Mounted on page 10 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Marh. the 28th, 1783, by C.W. White, Kemps Row, Chelsea
Titles from text above each design., Six designs on one plate, each individually titled., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
From the left a well-dressed maiden pulls a length of twine from around the right stocking of a country boy who sleeps on a grassy bank under four large, leafy trees. The eight lines of Gay's poem Shepherd's week quoted on either side of the title describe her intention of joining the twine to her garter to form "a true loves knot."
Alternative Title:
Hobnelia
Description:
Title from item., Publication date following the phrase "Publish'd as the Act directs" has been burnished from plate., Numbered '506' in lower left of plate., Dated tentatively from plate number. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, Appendix, p. 786-7: Key to the dates of the series of mezzotints issued by Carington Bowles., and Four lines in two columns on either side of the title: As Lubberkin once slept beneath a tree ... from the favourite Pastoral of Gay's Shepherd's work.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London