Art, French--20th century, Authors, French--20th century, Gender identity in art, Lesbian artists--France, LGBTQ resource, Photographers--France, Photography, Artistic--France, Surrealism--France, Women photographers, World War, 1939-1945--Personal narratives, French, and World War, 1939-1945--Underground movements--Channel Islands--Jersey
Art, French--20th century, Authors, French--20th century, Gender identity in art, Lesbian artists--France, LGBTQ resource, Photographers--France, Photography, Artistic--France, Surrealism--France, Women photographers, World War, 1939-1945--Personal narratives, French, and World War, 1939-1945--Underground movements--Channel Islands--Jersey
Collection of four scrapbooks compiled by Marcel Jean between 1921 and 1940 containing over 150 tracts, exhibit catalogs, letters, advertisements, subscription forms, invitation cards, and other ephemera documenting Surrealism in France, Belgium, and other locations. Includes printed, typescript, and manuscript material relating to Surrealist exhibitions, publications, and political activity, including tracts on the Spanish Civil War and fascism. Printed ephemera feature artists and writers such as Salvador Dalí, Man Ray, Tristan Tzara, René Char, and André Breton. Correspondence includes letters from Georges Bataille, Henri Pastoureau, Remedios Varo, Sheila Legge, Wolfgang Paalen, Eduardo Westerdahl and others to Jean, 1935-1939. Contains one photograph of Benjamin Péret and Jean at Léo Malet's house, 1935 and Volume 1: 1921-1934. Volume 2: 1935-1936. Volume 3: 1937-1939. Volume 4: supplement, 1926-1940
Description:
Marcel Jean (1900-1993), French artist, member of the Paris Surrealist group and author of numerous publications on Surrealism., Largely in French., and Each volume includes original endpapers created by Marcel Jean with ex-libris and autograph list of contents.
BEIN Ernst +73: Bookplate of Dorothea Tanning. Copy 10 autographed and inscribed by Man Ray to Dorothea Tanning and Max Ernst. Binder's stamp: Mercher Man Ray. In case as issued. "Bulletin de souscription" laid in., "Mannequins présentés à l'Exposition surréaliste de 1938. Texte & photographies de Man Ray"--Leaf [4]., "Mannequins de Salvador Dali, Oscar Dominguez, Marcel Duchamp, Max Ernst, Espinoza, Maurice Henry, Marcel Jean, Léo Malet, André Masson, Sonia Mossé, Joan Miró, Wolfgang Paalen, Man Ray, Kurt Seligmann, Yves Tanguy"--Leaf [5]., "L'édition originale des 'Mannequins' a été tiré à 30 exemplaires numérotés de 1 à 30 et 7 exemplaires nominatifs, tous signés par Man Ray. Les épreuves originales des photographies contenues dans l'ouvrage portent au dos le cachet de l'atelier de l'artiste. Les négatifs rayés et le manuscrit ont été joints à l'exemplaire numéro 1. Quelques exemplaires hors commerce ont été réservés aux collaborateurs et amis. Cette édition a été reliée par Mercher en son atelier de la rue Visconti à Paris. Il a utilisé son procédé de relieure à décor photographique exécuté d'après une composition de Man Ray spécialement conçue pour cet ouvrage"--Leaf [8]., The ill. are mounted photographs., and Issued in a slipcase.
36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students
36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students