It also includes a charter granting lands from William I to Deorman., It includes a copy of the charter in Old English presented by William the Conqueror affirming the rights held by the citizens of London under Edward the Confessor., Manuscript, on parchment, in chancery script, produced in London at the beginning of the sixteenth century (during the reign of Henry VII)., and The text is an affirmation by King Henry VII of the rights given to the city of London by previous kings.
Description:
Binding: vellum wrapper., On the wrapper is written "Thomas Binkheued who sold it to Raph Wilbraham.", Purchased for the James Marshall and Marie-Louise Osborn Collection., and The manuscript was originally a roll, as can be seen by the sewing holes extending across the bottom of each page.
Subject (Geographic):
Great Britain--Kings and rulers, London (England)--Charters, grants, privileges, and London (England)--History
Subject (Name):
Henry--VII,--King of England,--1457-1509
Subject (Topic):
Charters--England--London, Laws--England, and Medieval and Renaissance Manuscripts in Beinecke Library
[Anonymous] Albertus, Magnus, Saint, 1193?-1280 Khālid ibn Yazīd al-Umawī, 7th cent Martin Roesel of Rosenthal Wolfgang the Organist
Published / Created:
1536, ca. 1520, and ca. 1586
Call Number:
Mellon MS 27
Image Count:
141
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper, composed in three parts, of a large number of practical procedures, chiefly alchemical but sometimes medical, with a few standard medieval alchemical texts by Khalid ibn Yazid, Theodoric, and Albertus Magnus. Occasionally there are passages in cipher, added by Martin Roesel of Rosenthal ca. 1586, long after the principal contents were written; the cipher seems to be of a simple number-substitution type.
Description:
Binding: Probably ca. 1586 for Martin Roesel. Red-stained limp parchment (most of the stain now lost), single central clasp and catch now missing from center of fore-edges, two slits on each fore-edge for thong or ribbon ties, also missing., In Latin and German, partly in cipher., Script: Part I (ff. 1-29): Written in 1536 in red and black in a gothic cursive by Wolfgang the Organist. Part II (ff. 30-65): Written in a well-controlled gothic cursive without color. Part III (ff. 66-132): Written in one or possibly two scrawling gothic cursives, with red headings on ff. 109-124., Several initials illuminated in trick have been cut from a late 15th-century MS and pasted into the present MS at ff. 2v, 4v, 5, 10r, and 16r. Marginal drawings of alchemical apparatus are cropped, as also marginalia., and Watermarks: 1) unidentified eagle watermark somewhat resembling Briquet 104; 2) a crown pattern resembling Briquet 4921 and 1922; 3) the Paschal lamb resembling Briquet 61.
Subject (Topic):
Alchemy--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medicine, Medieval, and Medieval and Renaissance Manuscripts in Beinecke Library
Collection of six letters from Asger Jorn to Edouard Jaguer and nine black-and-white photographs. Letters discuss the avant-garde art movements COBRA and the Internationale des Artistes Expérimentaux, artists affiliated with these groups, including Pierre Alechinsky, Corneille, and Christian Dotremont, and other topics. Two letters accompanied by manuscripts on the "Programme de l'organisation IAE" and "Au sujet des qualités artiste...". Six photographs record a 1953 visit by Jaguer to Jorn's studio in Silkeborg, Denmark. In addition, there is a photograph by Lars Bay of a ceramic plate made by Jorn and Jaguer, "La sirène du nord," in the Silkeborg kunstmuseum.
Description:
Asger Jorn (1914-1973), Danish artist. and Purchased from Jan Ceuleers on the Edwin J. Beinecke Book Fund, 2010.
Subject (Name):
Alechinsky, Pierre, 1927-, Bay, Lars, Cobra (Association), Corneille, 1922-2010, Dotremont, Christian, 1922-1979, Internationale des artistes expérimentaux, Jaguer, Edouard, 1924-2006, Jorn, Asger, 1914-1973, and Silkeborg kunstmuseum
Subject (Topic):
Artists, Arts, Modern--20th century, and Avant-garde (Aesthetics)--Europe
Collection of short texts including a manual on the astrolabe, treatises on the zodiac, several horoscopes, and a map of England.
Description:
1 map; parchment, some col.; 20.5 x 31 cm. and The manuscript is a composite of many separate treatises, some on paper,others on vellum, of varying sizes bound together. Bound in brown calf, gilt.
Remarks on Sr. J. Hawkins's 'General history of music', 1776.
Image Count:
36
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript, in a single hand, with numerous corrections, of notes on "A General History of the Science and Practice of Music" by Sir John Hawkins. Citations from Hawkins' work are followed by often disparaging commentary upon them; Burney remarks that "Ch. V. Bk. IV is chiefly made up of dry dictionary articles of Biography, loosely littering his Book as if he had been in want of a needle & thread to tack them together," and "Vol. III p. 262 He calls Jno. Okenheim the disciple of Jusquin whereas it is well known he was the master." He includes a list of "Omissions of Composers & Performers who died long before Sr. Jno. published his History & therefore had fair Claims to a Niche in it." The work is interspersed with commentaries on various pieces and composers, accompanied by fragments of musical notation, and followed by a piece on "Dancing," a history of opera and theater titled "Progress of the Musical Drama or opera, at Venice," and another titled "Progress of the Musical Drama at Rome."
Description:
Binding: contemporary parchment., Index on flyleaf., Page numbers written in ink have been crossed out and replaced by different page numbers written in pencil., and Section ends with a note written in pencil: "Here insert an engraving of the transcript" although the engraving is not included.
Subject (Name):
Burney, Charles, 1726-1814 and Hawkins, John, Sir, 1719-1789
Subject (Topic):
Music--18th century--History and criticism, Musical analysis, Music--Europe--History and criticism, Music--History and criticism, Opera, and Opera--Italy