Portfolio of inkjet prints of photographs by Peter Goin that document nuclear test sites at Nevada Test Site, Nevada, and at Bikini Atoll and Enewetak Atoll in the Marshall Islands, as well as the radioactive waste repository at Hanford Site, Washington, circa 1986-1988. Printed by Scott C. Hinton in 2011. The portfolio includes a title card printed by Robert E. Blesse of the Black Rock Press. Most of the images appeared in Peter Goin, Nuclear Landscapes (Baltimore: Johns Hopkins University Press, 1991).
Description:
Peter Goin (born 1951) is an American photographer known for his work within the altered landscape., Scott C. Hinton (born 1974) is an American photographer and printer., Robert E. Blesse (born 1946) is an American special collections librarian and director of the Black Rock Press of the University of Nevada, Reno, Library., Finding aid available., Captions and inscriptions in English., Title from title card., Captions in the printed image., Versos signed and numbered by the photographer., and Copy 3 of limited edition of 3.
Subject (Geographic):
Marshall Islands, Nevada, Washington (State), Bikini Atoll (Marshall Islands), Enewetak Atoll (Marshall Islands), Hanford Site (Wash.), Nevada Test Site (Nev.), New Mexico, Trinity Site (N.M.), and White Sands Missile Range (N.M.)
Subject (Name):
Blesse, Robert E., Goin, Peter, 1951-, Hinton, Scott C., 1974-, and Black Rock Press.
Subject (Topic):
Nuclear weapons, Testing, and Radioactive waste repositories
Portfolio of inkjet prints of photographs by Peter Goin that document nuclear test sites at Nevada Test Site, Nevada, and at Bikini Atoll and Enewetak Atoll in the Marshall Islands, as well as the radioactive waste repository at Hanford Site, Washington, circa 1986-1988. Printed by Scott C. Hinton in 2011. The portfolio includes a title card printed by Robert E. Blesse of the Black Rock Press. Most of the images appeared in Peter Goin, Nuclear Landscapes (Baltimore: Johns Hopkins University Press, 1991).
Description:
Peter Goin (born 1951) is an American photographer known for his work within the altered landscape., Scott C. Hinton (born 1974) is an American photographer and printer., Robert E. Blesse (born 1946) is an American special collections librarian and director of the Black Rock Press of the University of Nevada, Reno, Library., Finding aid available., Captions and inscriptions in English., Title from title card., Captions in the printed image., Versos signed and numbered by the photographer., and Copy 3 of limited edition of 3.
Subject (Geographic):
Marshall Islands, Nevada, Washington (State), Bikini Atoll (Marshall Islands), Enewetak Atoll (Marshall Islands), Hanford Site (Wash.), Nevada Test Site (Nev.), New Mexico, Trinity Site (N.M.), and White Sands Missile Range (N.M.)
Subject (Name):
Blesse, Robert E., Goin, Peter, 1951-, Hinton, Scott C., 1974-, and Black Rock Press.
Subject (Topic):
Nuclear weapons, Testing, and Radioactive waste repositories
BEIN 2013 +452: Paper wrappers and spiral binding., Cover title., Publisher place and name from unnumbered page 13., and Unnumbered pages 25-32 are blank black paper sheets for affixing personal photographs.
Publisher:
Army-Navy Publishers, Inc
Subject (Geographic):
Maryland.
Subject (Name):
Civilian Conservation Corps (U.S.). Company 1374 (Lantz, Md.)
The collection consists of three drawings by Greville Rickard: "Sherry-Netherland Fire" (circa 1927, crayon on paper mounted on board, 51 x 34.5 cm.), "Residence of Dr. Charles V. Paterno, Greenwich, Conn." (circa 1937, ink on card, 56 x 32 cm.), and an aerial view of Paul Martinot house, Mt. Harmony Road, Bernardsville, New Jersey (circa 1946, crayon, ink, and watercolor on paper). The drawings were signed by Rickard
Description:
Greville Rickard was born in Denver, Colorado, on December 8, 1889, the son of Stephen Rickard. He received a BS degree from Sheffield Scientific School at Yale University in 1912, and studied afterward at the Yale School of Architecture. Rickard practiced architecture in Colorado and, from 1923, in New York. He died in El Paso, Texas, on May 3, 1956., The fire at the Sherry-Netherland, a hotel-apartment building at 781 Fifth Avenue in New York, occurred in April 1927 while the building was under construction. The residence on the Paterno estate, "Round Hill," on John Street in Greenwich, was completed in 1940., Title devised by cataloger., and Captions in English.
Subject (Geographic):
United States.
Subject (Name):
Paterno, Charles, 1878-1946, Martinot, Paul, and Rickard, Greville, 1889-1956.
36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students
36 black and white photographs of the Atelier Populaire at the Ecole Nationale Supérieure des Beaux Arts and scenes of the general strike and student uprisings in Paris, May 1968 by Marc Riboud, Philippe Vermès, and unidentified photographers, Box 1: 18 photographs printed in 8 x 10 inch format depicting multiple stages of poster production at the Atelier Populaire in the printmaking studios of the Ecole Nationale Supérieure des Beaux Arts. 16 of the photographs were taken by Philippe Vermès and have his and his studio's ink stamps on the versos; many have annotations suggesting a 1998 printing date and linking them to the exhibition "Paris 1968: Posters from the Atelier Populaire", August 31-October 1, 1998 at Aronson Gallery, Parsons School of Design, New York, New York. The remaining two photographs in this group are inscribed on the versos "Philippe Vermès" and "Marc Riboud", and were likely printed circa 1968, and Box 2: 18 photographs printed in 12 x 16 inch format, taken by an unidentified photographer or photographers. The photographs depict scenes from the Paris general strike, student uprisings, and street protests of May 1968, including police dressed in riot equipment, streets barricaded with burning cars, protesters wearing protection against tear gas and standing on street barricades, and student leader Daniel Cohn-Bendit addressing crowds with a megaphone
Description:
The Atelier Populaire ("Popular Workshop") was established in Paris in May 1968 by students from the Ecole Nationale Supérieure des Beaux Arts to support the ongoing protests and strikes then occuring in France. The members were students, faculty, workers, and artists who used the school's printmaking studios to anonymously produce lithographed and screen-printed political posters that were distributed for free., Marc Riboud (1923-2016) was a French photojournalist., Philippe Vermès (1942-) is a French photographer and one of the co-founders of the Atelier Populaire., Inscriptions in French., From the Johan Kugelberg Collection of Paris May 1968., and Inscriptions and ink stamps on photograph versos.
Subject (Geographic):
France, Paris, and Paris (France)
Subject (Name):
Cohn-Bendit, Daniel, Riboud, Marc., Vermès, Philippe, 1942-, Atelier populaire, and École nationale supérieure des beaux-arts (France)
Subject (Topic):
Art students, College students, Political activity, General Strike, France, 1968, Labor movements, Lithography, Political posters, French, Political violence, Print workshops, Printmakers, Prints, Technique, Protest movements, Riots, Screen process printing, Serigraphy, and Students
Set of 290 black-and-white prints of Rockwell Kent's illustrations and decorations for the 1930 Lakeside edition of Moby Dick. The prints are housed in 148 mats, with each mat holding one to four prints, and divided into three volumes that correspond to the published Lakeside edition. The mats for each volume are housed in a custom case with paper spine and cover labels featuring Kent's illustrations. Volume 1 contains mats 1-49 (95 prints) and the inventory of illustrations; volume 2 contains mats 50-94 (89 prints); and volume 3 contains mats 95-148 (106 prints).
Alternative Title:
Moby Dick
Description:
BEIN 2023 Folio 19: From the library of William S. Reese. Twenty-six sheets bear the Strathmore drawing board trademark stamp. Accompanied by manuscript inventory of illustrations in an unidentified hand (11 pages). Each mat is numbered in pencil with a number corresponding to this inventory. The final 9 illustrations (mats 145-148) likely do not appear in the published Lakeside edition. and Title devised by cataloger.