Manuscript on paper of Renaissance poetry including: 1) Antonius Panormitanus (Antonio Beccadelli,1394-1471), Hermaphroditus. 2) Elegies on various subjects by the scarcely known Pompeius (Pazzalia) Bononiensis. 3) Basinius Parmensis (Basinio di Parma, 1425-1457), Liber Isottaeus. 4) Iohannes Marrasius (Giovanni Marrasio, 1405-c. 1457), Angelinetum. 5) Three poems by Carolus Marsuppinus (Carlo Marsuppini, 1398 [?]-1453). 6) Poems by Gregorius Tiphernus (Gregorio Tifernate, 1414-after 1462). 7) Poems by Iohannes Iovianus Pontanus (Giovanni Gioviano Pontano, 1426-1503), the final one here attributed to Iohannes Sagundinus (see also artt. 48-51). 8) Aeneas Silvius Piccolomini (pope Pius II, 1405-1464) , Versus in MahumetumTurcorum regem. 9) Iohannes Iovianus Pontanus, Carmina. 10) Petrus Porcellius (Pietro Porcellio, 1450), Carmina. 11) Antonius Panormitanus (Antonio Beccadelli), Elegia ad Iohannem Lamolam. 12) Petrus Porcellius, Poem in praise of Alberto d'Este (d. 1502). 13) Poem by Antonius Panormitanus. 14) Poems by or attributed to Iohannes Sagundinus. 15) Pompeius Bononiensis, Carmina. 16) Prayer to Mercury, also found in San Daniele del Friuli, Biblioteca Guarneriana, MS 121, f. 81r. 17) Poem attributed to the emperor Hadrian. 18) Complaint on the decay of Rome. Corpus Inscriptionum Latinarum, v. 6.5, no. 3*h, among the Inscriptiones falsae urbis Romae. 19) Funeral inscription. With short poems by various others.
Description:
4° folding. The s. XVII foliation is erroneous:it has ff. 55 and 55bis, 89 and 89bis, 96 and 96bis, and 118 and 118bis. Damaged by waterstains and tears., 7 postliminary leaves, 17th century binder's blanks, not digitized., Binding: Eighteenth century. Limp parchment with remains of two ties. Handwritten title on the spine: "Elegiae / nonnu/llorum / doctorum"., Headings and initials in brown, pale red, and blue., and Script: Copied by one hand writing Humanistica Cursiva Libraria.
Subject (Topic):
Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Renaissance--Italy
Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year.
Description:
Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., and Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r.
Subject (Name):
Martí, Ramón,--d. ca. 1286 and Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
German American authors--20th Century, Indians of North America--Biography--20th century, Indians of North America--Civil rights--20th century, Indians of North America--Government relations--20th century, Indians of North America--Politics and government--20th century, Indians of North America--Religion--20th century, Indians of North America--Rites and ceremonies--20th century, and Indians of North America--Social life and customs--20th century
Binding: Eighteenth century. Rebound in brown cowhide (?), blind-tooled, with numerous metal bosses. Pastedowns from the same 17th-century antiphonary used as flyleaves., Script: Written in two sizes of round liturgical gothic script by several scribes: Scribe 1, ff. 1r-235r; Scribe 2, f. 235r-v, and Scribe 3, ff. 236r-245v., and Three fine historiated initials, 4- to 2-line, shaded pink and/or green, with blue, yellow, green and orange foliage and knots, with gold dots and orange frame; figures against blue ground. 3- to 2-line calligraphic initials, divided, red and blue with red penwork, with blue and red penwork flourishes. 1-line initials red or blue with blue or red penwork, sometimes with black and green; some initials with guide-letters in outer margin. 1-line initials with yellow. Square notes on 4-line red staves. Rubrics throughout, with notes to rubricator in margins. One very crude 4-line initial (s. xvii) on f. 1r, in red, yellow, blue, green and purple.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Antiphonaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 3 liturgical rolls, containing Ambrosian Rite Antiphons for Rogation Days, with musical notation.
Subject (Name):
Catholic Church--Ambrosian rite
Subject (Topic):
Antiphonaries, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Music--500-1400, and Rogation days
Manuscript fragment on parchment of an illuminated leaf from an Antiphonary.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Antiphonaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript fragment on parchment of 2 leaves from an Advent Sunday antiphonal.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Advent music, Antiphonaries, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Music--500-1400
Correspondence, photographs, and an incomplete catalog raisonné related to the work of artist Charles Demuth, which Richard W. C. Weyand collected and compiled from 1940 to 1955, as well as auction catalogs related to Weyand's estate, 1957-1976. Correspondence in the collection documents artwork created by Demuth and owned by different persons and institutions, while circa 125 photographs document work created by Demuth, circa 1906-1934.
Description:
Charles Demuth (1883-1935) was an American watercolor artist who turned to oils late in his career and developed a modern art movement known as Precisionism., Folios 203, 207, 209-10, 213, 216, 218, 220, 227-229, 244, 250-260, 272-276, 287-289, 291-292, and 298 are missing., Gift of Ann Grether Hill, 1988., and Richard W. C. Weyand (1905-1956), born Richard Conklin Weyand, was the son of Edwin Stanton Weyand (1863-1913) and Wilhelmina Thompson Weyand (1873-1943). He had two sisters, Dorothy Adams Weyand Grether (1897-1982) and Louise Victoria Weyand White (1899-1924), as well as two brothers, Edwin Stanton Weyand (1903-1973) and William Rodgers Weyand (1908-1970). Weyand served in the United States Navy during World War II, 1942-1945. Weyand and Robert Evans Locher (1888-1956), a close friend of artist Charles Demuth, operated an antique store and lived in the former home of Demuth in Lancaster, Pennsylvania, 1943-1956.
Subject (Name):
Demuth, Charles, 1883-1935, Demuth, Charles, 1883-1935--Catalogs, Demuth, Charles, 1883-1935--Pictorial works, Locher, Robert Evans, 1888-1956, Stieglitz, Alfred, 1864-1946, and Weyand, Richard W. C., 1905-1956
Subject (Topic):
Artists--Pennsylvania--Lancaster, LGBTQ resource, and Precisionism--Pennsylvania--Lancaster