Manuscript on parchment of Roman de la Rose. Seventeen leaves containing lines 8242-10751 are now missing between ff. 39 and 40; in addition, the text has been abridged to 16272 lines
Description:
In French., Script: Written by a single scribe in neat gothic textura., Plain initials, 2-line, alternating red and blue, throughout the text; headings in red. First letter of most verses stroked with yellow., Slits in parchment on ff. 42-44, some affecting text., and Binding: Nineteenth century. before 1881. A very fine Grolieresque binding in brick red goatskin, gold-tooled, by Riviere.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Lorris, active 1230.
Subject (Topic):
French literature, French poetry, and Manuscripts, Medieval
Manuscript fragment on parchment of a selection of sermons by Stephen Langton, including: an unidentified sermon on St. Paul; Sermon on the Conversion of St. Paul (25 January); unidentified sermon on the Annunciation (25 March); and Sermon on John the Baptist (24 June).
Description:
In Latin., Script: written in small gothic script (littera textualis)., and Decoration: 2-line and 6-line sermon initials are in red, except for the initial on fol. 1r, which is a 1-line capital in brown ink; 1-line initials are brown; rubrics in red in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation in the same ink as the text.
Manuscript on parchment of 1) Statuta capituli generalis, with the years 1158 and 1180-1190 mentioned in red. 2) Liber usuum. 3) Super instituta generalis capituli apud Cistercium. 4) Liber usuum conuersorum. 5) Carta caritatis
Description:
Probably produced at the abbey of Fontaine-Jean in Northern France, to which it belonged in the late 16th century. The Cistercian abbey of Fontaine-Jean, near Montargis, between Sens and Orleans, was a daughter house of Pontigny founded in 1124., In Latin., Script: Written by one scribe in large, even bookhand. Additions by various hands, 13th-17th centuries; some lost due to trimming., Four large initials, ff. 1v, 38r, 86r, and 93r (12-, 29-, 8-, and 9-line), light brown with crude running pattern of clover-leaf-like forms in brown ink, filled with brown, green and red spiral foliage with flowers and dragon-head terminals, on blue and red grounds decorated with triplets of white dots. One elaborate, but crude, calligraphic initial, f. 118v, 9-line, divided red and green, accompanied by red and green foliate motifs, framed in green. Numerous initials throughout, 7- to 2-line, red or blue, and occasionally green, with blue, red or green foliate penwork, some extensive. 1-line initials, red or blue, alternating. Rubrics throughout, some in text, others in margins. Wavy red line-fillers., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled, with mottled, mauve paper sides. On spine: "Constitutions du monastre de Fontaine-Jehan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of Thomas Aquinas, Summa contra gentiles, ending abruptly
Description:
In Latin., Script: Written in neat gothic bookhand by a single scribe., Red and blue split initial, 10-line, at beginning of text (p. 11) with fine penwork flourishes within body and length of inner margin, in red, blue, and purple. Similar initials, 6- to 3-line, without penwork extensions, on pp. 68, 130, 284. Small initials, 5- to 2-line, alternating red with purple penwork and blue with red, throughout. Headings in red; running titles in red and blue; paragraph marks alternate red and blue., and Binding: Fifteenth century. Sewn on five double, tawed thongs laced into flush oak boards through tunnels in the edge and pegged with rectangular pegs. The back board is cracked and mended. The spine is square and lined with tawed skin. Plain, wound endbands sewn on twisted, tawed skin cores laced into the boards. Added embroidery is sewn through the cover and shows on the spine and the edge, with whip-stitching around the entire endband. Covered in kermes pink tawed skin with corner tongues. Two strap-and-pin fastenings, the pins on the lower board. Five foliate bosses on each board. A pin, straps and two bosses wanting. Original front pastedown: incomplete alphabetical index, 14th century, of subjects from amor through uita (no entries for x). Original back pastedown, also contemporary with main text: fragment of a theological text on the biblical prophets, on recto; unfinished diagram of the books of the Bible, divided into categories in mandata diuisio, in exempla diuisio, in ammonitiones diuisio, in reuelationes diuisio (with material from Old Testament only), on verso.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, Aquinas, Saint, 1225?-1274. and Dominicans.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Scholasticism, and Theology
Stuart, Bérault, seigneur d'Aubigny, ca. 1452-1508
Published / Created:
[between 1500 and 1525]
Call Number:
Beinecke MS 659
Image Count:
34
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Berault Stuart (Bernard Stewart, ca. 1452/53-1508), Traite sur l'art de la guerre
Description:
In French., Script: Copied by one hand in a small Gothica Hybrida Formata (loopless Bastarda)., Line-fillers in liquid gold on red, blue or brown ground. 2-line (rarely 3- or 4-line) initials on square background, in liquid gold on coloured background or in colour, heightened with white, on liquid gold background decorated with leaves and flowers. Six miniatures., and Binding: Early nineteenth century. Cross-grained red leather over pasteboard, the covers gold-tooled with a decorative border, the turn-ins gold-tooled with dentelle border; brownish marbled endpapers; the spine gold-tooled with flowerets and the title "L'ORDRE D'UN CHEF DE GUERRE PAR D'AUBIGNY".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Stuart, Bérault, seigneur d'Aubigny, ca. 1452-1508.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Military art and science
Manuscript on parchment (trimmed) of Book of Hours with Full calendar, in French
Description:
In Latin., Script: Written in batarde script., Miniatures and an extensive cycle of border vignettes by Jean and Jacquelin Montlucon who were active in Bourges between 1477 and 1492. The calendar pages are framed by gilt columns and entablatures in the antique manner with the occupations of the month and signs of the zodiac in the outer margin and a Creation cycle in the lower margin. Eleven half-page miniatures framed in magenta and gold with cusping at the top; fanciful architectural bases, surrounded by simulated grey-black marble with joined wings and foliage branches in gold. Twenty-three miniatures, 8-lines in height, in magenta and gold frames, each with a full border of flowers and acanthus, birds and grotesques on compartmented gold and white grounds. Text pages with full borders: columns in inner margin; panels with masks, shields, garlands, and wings in upper margin; flowers and acanthus, as above, in outer margin; and, in the lower margin, one of the fullest known cycles devoted to the wild man (sometimes extended to include outer margin as well). Other manuscripts from the same shop, the Monypenny Hours and Grenoble Bibliotheque Municipale MS 1011, also contain extensive cycles of wild-man imagery; the artists Jean and Jacquelin de Montlucon lived in Bourges in a house "at the sign of the Wild Man.", 5- and 4-line initials with leafy branches, gold with fruits, flowers, profile heads on pink or mauve grounds. 2- and 1-line initials, line-endings, and KL monograms in the same style. Rubrics in red. Calendar entries alternate red and blue. F. i verso added in 16th century: the arms of Gian Francesco di Montegnacco in a frame closely modelled on the decoration of the calendar pages., and Binding: Nineteenth century. Tan goatskin, gold-tooled with concentric frames, the central panel daubed with green and red. Red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of two sections of Jacques de Longuyon's Voeux du paon
Description:
In French., Script: copied by a single hand writing Northern Gothica Textualis Libraria. 2-line half inset flourished initials alternately in red and blue, respectively with purple and red penwork extending into the margin. At the opening of the second section, a 6-line littera duplex with penwork. At the opening of the first section, a half-page miniature in three compartments in a decorative frame: at left a tent in which two knights in armour are seated; in the center a tent with two ladies standing; at right Alexander and Cassamus. Under the miniature 14 lines of text, opening with a 5-line foliate initial ending in a bar in the left margin, continued with a foliate bar border in the lower and the right margins; the horizontal section ends at left in the head, forelegs and wings of a monster; at right a bird is sitting., Two sections of the poem "Voeux du paon" by Jacques de Longuyon, composed 1312-1313., and Binding: 18th century. French dark olive green morocco gilt, lined with pink silk. Bound by Bisiaux (his ticket); arms of Edward Vernon Utterson on covers. Folio 8 is bound between ff. 1 and 2.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacques, de Longuyon, active 1290-1312.
Subject (Topic):
French poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (rather thick) of a codex containing alchemical verses and other works by Samuel Norton and illustrated with skillful drawings of the arcane figures associated with Norton's work
Description:
In French., Script: Written by a single hand which has also annotated and captioned the drawings in a neat cursive sloping to the right, with the addition of passages in italic and chancery scripts., and Binding: Early, perhaps original, French binding of black morocco, the sides with triple gold fillet around the edges, a similar triple fillet forming a rectangular panel in the center of each cover with fleurons at the corners, the inside edges with a border of small tools stamped in gold, the back gilt compartments formed by five raised bands, modern title label on second compartment from top, some modern repairs with brown leather, including filling up the four holes on each cover which originally held ties, now missing; original gilt edges.