Maria Walpole (1736-1807) was the daughter of Sir Edward Walpole (1706-1784) and his common-law wife Dorothy Clement (1715?-1739). She married first, in 1759, James Waldegrave (1714-1763), Earl Waldegrave, and second, in 1766, Prince William Henry Hanover (1743-1805), Duke of Gloucester and Edinburgh. and Miniature attached to larger paper backing, mounted in early 20th century bezel; it was probably originally set in a locket or bracelet clasp.
Maria Walpole (1736-1807) was the daughter of Sir Edward Walpole (1706-1784) and his common-law wife Dorothy Clement (1715-1739). She married first, in 1759, James Waldegrave (1714-1763), Earl Waldegrave, and second, in 1766, Prince William Henry Hanover (1743-1805), Duke of Gloucester and Edinburgh., Maria, Countess Waldegrave, dressed in mauve, when the widow of James Waldegrave, Earl Waldegrave. Hone painted his miniature after the Sir Joshua Reynolds portrait in the Euston Hall Collection, Suffolk (Mannings, D. Sir Joshua Reynolds, number 1900)., Signed by the artist with monogram, lower right., Date of the minature is based on the Reynolds portrait., Portrait set in gilt metal locket with burnished glass bezel and ridged case edge. The initials MW are engraved on the verso beneath a coronet., and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Maria Walpole when the Countess Waldegrave with pearl choker
Description:
Maria Walpole (1736-1807) was the daughter of Sir Edward Walpole (1706-1784) and his common-law wife Dorothy Clement (1715-1739). She married first, in 1759, James Waldegrave (1714-1763), Earl Waldegrave, and second, in 1766, Prince William Henry Hanover (1743-1805), Duke of Gloucester and Edinburgh., Artist attribution identified by Bodo Hofstetter of Christie's, 2004., Maria, Countess Waldegrave, dressed in a pink robe, and wearing a pearl choker., Enclosed in a burnished bezel locket, engraved on the reverse with the initials MCW surmounted by a coronet., and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Maria Walpole as the Duchess of Gloucester and William Henry, Duke of Gloucester
Description:
Maria Walpole (1736-1807) was the daughter of Sir Edward Walpole (1706-1784) and his common-law wife Dorothy Clement (1715-1739). She married first, in 1759, James Waldegrave (1714-1763), Earl Waldegrave, and second, in 1766, Prince William Henry Hanover (1743-1805), Duke of Gloucester and Edinburgh., Two ivories back to back in a hinged locket case; neither is signed by the artist., and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Subject (Name):
Maria, Duchess of Gloucester, 1736-1807, and William Henry, Prince, Duke of Gloucester, 1743-1805,
Maria Walpole when the Duchess of Gloucester in a blue dress
Description:
Maria Walpole (1736-1807) was the daughter of Sir Edward Walpole (1706-1784) and his common-law wife Dorothy Clement (1715?-1739). She married first, in 1759, James Waldegrave (1714-1763), Earl Waldegrave, and second, in 1766, Prince William Henry Hanover (1743-1805), Duke of Gloucester and Edinburgh., Artist attribution identified by Bodo Hofstetter of Christie's, 2004., Miniature set in a case with brightwork decoration on edge band that is hinged at top. A field of woven graying brown hair and one tied lock of white hair are inside the case between the minature and the silk backing embroidered with the initials ELW (for Elizabeth Laura Waldegrave, daughter of the sitter)., Though the embroidered initials would indicate that the portrait is of Elizabeth Laura Waldegrave (1760-1816), it is believed that her portrait was removed and replaced by one of her mother; the miniature there now is smaller than the case. The woven hair is mounted on paper inscribed "Lady Laura Waldegrave's hair / AC.", and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
A caricature of an elderly woman, shown full-length, walking in profile to the left and holding a folded fan in her hand. A tiny dog (sheep?) follows behind her
Description:
Title, date, and artist attribution suggested by curator. and For further information, consult library staff.
A portrait in three quarter view with subject seated at an ornate table with marble top partially covered with a fringed cloth supported by a gilt classicizing child at the corner. The setting includes a heavy drapery on the left and a colonnade on the right through which a distance landscape is visible. She wears a lace cap with a pink ribbon and a blue waist jacket over a white chemise. She holds a small bouquet of flowers on her lap
Description:
Dorothy Clement was born in County Durham in 1715, the daughter of Hammond Clement (1692-1733) and Priscilla Clement (-1739); when she arrived in London she became a milliner’s assistant. Due to her status, she was never able to marry Sir Edward Walpole (1706-1784) but with him had a son, Edward Jr. (1737-1771), and three daughters: Laura (1734-1813), who became the wife of Frederick Keppel, Bishop of Exeter; Maria (1736-1807) who married first James Waldegrave, Earl Waldegrave, and after his death, William Hanover, Duke of Gloucester; and Charlotte (1738-1789) who wed Lionel Tollemache, Earl of Dysart. Dorothy Clement died on January 17, 1739, and was buried at St James Garlickhythe Church graveyard in the City of London., Title from 2005 Christie's appraisal., Identifying inscription and dated 1726 on the reverse., and From Christie's 2002 appraisal: English School, 18th century.
One of a number of related versions of this portrait in the style of Liotard. The sitter, identified as Maria Gunning, was a notable beauty of her time. She wears Turkish dress, a pearl choker necklace and large pearl earrings. Her pale complexion is achieved by lead white make-up know to be poisonous
Description:
Title from 2005 Christie's appraisal. and Artist thought to be a follower of Jean-Etienne Liotard.
Subject (Name):
Coventry, Maria Gunning Coventry, Countess of, 1733-1760,