Manuscript on paper of Apocryphal Gospel Books and Miracles of the Virgin, including 1) Evangelium infantiae; 2) Liber passionis et resurrectionis Iesu Christi; 3) miracle legends about the Virgin
Description:
In Italian., Script: Copied by two scribes. Hand 1, the notary Franciscus Salvator (Francesco Salvatore) from Ventimiglia, copied artt. 1-4 in Gothica Semihybrida Libraria (Mercantesca). Hand 2 copied artt. 5-6 in Gothica Hybrida Libraria/Currens (Mercantesca)., Decoration: Long red headings up to f. 29r (artt. 1-2). In artt. 3-4, space for headings was provided, but they were not executed. Space was reserved for 2-line initials, but these were not executed. Artt. 4 and 5 are undecorated; there are no guide letters for the 1-line initials at the opening of each of these articles, for which space was reserved., and Binding: 20th century, brown leather and wooden boards. Spine has three raised bands.
Manuscript, in parchment, in unidentified hand, containing Rolandus of Parma's Cirogia vulgare (ff. 1-65). Followed by an anonymous list of medical recipes and antidotes. Imperfect: many sections of the list of antidotes censored with black ink. Folio 104 almost completely torn away; its verso and extra vellum leaf at end have manuscript notes on astrology, in a later hand
Alternative Title:
Chirurgia vulgare : followed by a ricettario, and antidotarium vulgare
Description:
In Italian., First title from title heading, other titles assigned by cataloger., Script: southern gothic textualis., Decoration: headings in red ink and rubrication throughout., Layout: double column of 24 lines., Binding: vellum binding with spinal title: Cirogia vulgare / MS. XIV. Saec., and Also available on microfilm.
Subject (Topic):
Antidotes, Surgery, Medieval, Materia medica, Medicine, Medieval, Medicine, Manuscripts, Traditional medicine, and Recipes
Manuscript on paper (watermarks: unidentified mountain) and parchment (inner and outer bifolios, of poor quality) of Boccaccio, De claris mulieribus; translated into Italian by Donato degli Albanzani
Description:
In Italian., Script: Written by three persons in round gothic script: Scribe 1, ff. 1r-33v (except f. 8, replaced in 16th century); Scribe 2, ff. 33v-36v; Scribe 3; ff. 37r-74r. In portions written by Scribes 1 and 2 some elaborate ascenders and descenders in upper and lower margins, touched with red., Initials, 3- to 2-line, in red or blue, sometimes with red penwork. Rubrics throughout. Initial added [date?], f. 2v, to replace one removed: blue, with leafy filler in green outline, and foliage extending down margin and across top and bottom of column, drawn in green, red, and blue., Initial removed from f. 2v; leaf was then reinforced with paper covering f. 2r, col. b (blank). Lower margins of ff. 1, 33 and 37 cut off., and Binding: 19th-20th centuries. Vellum spine and fore-edge strip with marbled paper sides. Label on spine: "Donne Illust. del Boccacc. MS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boccaccio, Giovanni, 1313-1375.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of 1) Dante Alighieri, La Commedia secondo l'antica vulgata. 2) Bosone de' Raffaelli da Gubbio, "Capitolo" on the Divine Comedy, in 64 terzine. 3) Iacopo Alighieri, "Divisione" of the Divine Comedy in 50 terzine (thus of the B group).
Description:
In Italian., Script: Written in round gothic script., Very fine initials and borders. Three historiated initials, each with a personification with attributes. Each initial with a full border of fleshy acanthus, blue, orange, olive green, pink, grey and gold, with tooling; birds in lower margin of ff. 1r and 54r; on f. 1r a coat-of-arms, in lower margin: azure, a chevron or, between two roses in chief argent, a mount of 6 in base argent, probably of the Bini family, Florence. 3-line initials, red or blue, with mauve or red penwork with long intricate flourishes often extending the length of the page. Opening text of Inferno adjacent to the initial of f. 1r in display capitals with penwork panels in brown ink. Capitals on the beginning of each stanza stroked in yellow. Rubrics throughout., and Binding: Sixteenth century. Sewn on five double supports attached to wooden boards. The spine is square with well defined bands and red and green endbands. Covered in dark brown goatskin, blind-tooled in mudejar style in two sets of concentric frames; DO.IOAN.DE gold-tooled in the center of one, BORGA in the other. Trace of two fastenings. Gilt edges. Restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dante Alighieri, 1265-1321. and Dominicans
Subject (Topic):
Manuscripts, Illumination of books and manuscripts, Medieval, Italian poetry, Manuscripts, Medieval, and Scholia
Manuscript on paper of a number of ascetical treatises and prayers, including: 1) Pseudo-Bernard of Clairvaux, Octo versus. 2) Andrea da Pistoia, Epistola a un amico. 3) Aegidius O.S.B. (frate Gillio), Liber virtutum.
Description:
Binding: unbound., Manuscript on paper of a number of ascetical treatises and prayers, including: 1) Pseudo-Bernard of Clairvaux, Octo versus. 2) Aegidius O.S.B. (frate Gillio), De aedificatione animae, or Liber virtutum, translated from Latin into Venetian and from Venetian into Tuscan. 3) Andrea da Pistoia O.P., Epistola a un amico. (Perhaps the author is to be identified with Andreas Franchi de Pistorio (1335-1401)). 4) Prayers ascribed to St. Augustine. 5) The Apostles' Creed as supposed to be jointly composed by the twelve Apostles; the Seven Sacraments; the Seven Gifts of the Holy Spirit; the Seven Virtues; the Seven Mortal Sins; the Ten Commandments; the Works of Charity; the Ten Impediments of Penance; the Fifteen Signs announcing the Last Judgment. 6) Prayer to the Virgin., and Script: the main section (articles 2-5) is copied by a single hand writing Southern Gothica Textualis Libraria; the headings in Southern Gothica Semitextualis Libraria. Article 6 is in Semitextualis under Hybrida influence; the two final Latin quotations in a large decorative impure Textualis Formata. Article 1 in small rapid Italian Hybrida, the Latin Psalm verses in a larger and more formal form of the same script, with large opening majuscules. In the main section headings and stroking of majuscules in red; 1- and 2-line plain red initials half inserted, with large guide letters in the margin; a 3-line similar initial on f. 2r. Article 1 opens with an outline initial in black, art. 6 with a large initial with interior reserved space, placed in the margin.
Subject (Name):
Andrea da Pistoia
Subject (Topic):
Italian letters, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Virtue--Early works to 1800
Manuscript on paper, written in two stages. Part II was copied in the mid-14th century (before 1369) in Tuscany, possibly in Pisa. Part I was copied by Niccolo di Giovanni Cinuzi da Siena in Ferrara, Italy, by 1 Sept. 1415. Part I: Boccaccio, Filostrato. Part II: Articles 2-35 and 38-39 consist of a collection of Italian canzoni by various authors as well as anonymous poems. Artt. 36 and 37 are fragments of Petrarch, Rerum vulgarum
Description:
In Italian., Watermarks: Part I: similar to Briquet Monts 11678. Part II: similar to Briquet Ciseaux 3737., Script: Part I (ff. 1r-78v): Written by a single scribe in a bold upright notarial script. Part II (ff. 91r-110v): Written in a clear notarial script by a single scribe; later writers have added the initials, offset in margins, for the major sections of text (sometimes inaccurately) and the notes on ff. 109v-110v., Crude drawings include a falconer with birds, f. 103v, and a ghost (?), f. 103r., The pattern of stains suggests the two parts were originally bound separately. Stained throughout; some ink blotches affect text., and Binding: Nineteenth century. Brown calf over wooden boards, blind-tooled. Red-brown, gold-tooled label. Parchment reinforcements between quires.
Manuscript, on paper, in a number of hands, containing a variety of religious and devotional texts, many related to the Franciscan order. Contents include lives of Francis of Assisi, Clare of Assisi, and Anthony of Padua; a poem on the day of judgement in ottava rima; lives of Christ and the Virgin Mary in Italian; writings of St. Bridget of Sweden in Italian; an account of the dedication of St. Lawrence's cathedral in Genoa; St. Anselm's Miracles of the Virgin; and two itineraries of visits to the Holy Land.
Description:
Bergendal Collection of Mediaeval Manuscripts (Bergandal 21). Purchased from Bernard Quaritch, Ltd., (Sotheby's sale, 2011 July 5, lot 69) on the T. Kimball Brooker Italian Renaissance Fund, Binding: modern full red leather., and Modern binder's blanks (ii + ii) not digitized.
Subject (Name):
Franciscans--Manuscripts
Subject (Topic):
Devotional literature, Italian, Devotional literature, Latin, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library