Plate 18. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson). and After the painting "The Inspection" in the National Gallery, London
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Title devised by cataloger., Series title engraved below image., State from Paulson., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 18 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
Alternative Title:
Marriage a-la-mode. Plate 3
Description:
Ttitle and number engraved below image., State from Paulson., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 45 x 56 cm., and Leaf 18 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 19 in: Album of William Hogarth prints.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.4 cm, on sheet 27.2 x 41.2 cm., and Mounted on leaf 40 in: Album of William Hogarth prints.
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.7 cm, on sheet 29 x 44.3 cm., Mounted on leaf 59 x 46 cm., and Plate 44 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
publish'd according to act of Parliament Sepbr 30, 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A churchyard with Tom Idle sprawled on a tomb playing hustle-cap with a one-eyed man wearing a striped cap and a ragged boot-black. A younger boy scratches his head in puzzlement as he watches the play, and a beadle raises his cane to strike Idle. In the foreground skulls and bones and an open grave. To the right in the background, the congregation enters the church
Alternative Title:
Idle apprentice at play in the church yard during divine service
Description:
Title etched above image., State and publisher from Paulson., Sheet trimmed within plate mark., Third plate in the series of twelve: Industry and idleness., "Plate 3"--Below frame., Caption in decoration in lower edge of frame: Proverbs Ch:XIX. Ve. 29. Judgments are prepar'd for Scorners & Stripes for the back of Fools., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.4 cm, on sheet 27.2 x 40.8 cm., and Mounted on leaf 41 in: Album of William Hogarth prints.
publish'd according to act of Parliament, Sepbr. 30, 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 46. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is shown in a churchyard sprawled on a tomb playing hustle-cap with a one-eyed man wearing a striped cap and a ragged boot-black. A younger boy scratches his head in puzzlement as he watches the play, and a beadle raises his cane to strike Idle. In the foreground skulls and bones are shown at an open grave. To the right in the background, the congregation enters the church. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice at play in the church yard during divine service
Description:
Title etched above image., State from Paulson., "Plate 3"--Below frame., Third plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Ch:XIX. Ve. 29. Judgments are prepar'd for Scorners & Stripes for the back of Fools.", and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.