Manuscript on paper of 1) Ps.-Cyprianus Carthaginensis (Pseudo-Cyprian of Carthage or Pseudo-Augustine), De singularitate clericorum. 2) Ps.-Augustinus Hipponensis (Pseudo-Augustine), De incarnatione Verbi ad Ianuarium. 3) Pseudo-Augustine, De essentia divinitatis. 4) Letter from the bishops assembled at the council of Carthage, A.D. 416, to pope Innocentius I. 5) Letter of pope Innocentius I to the bishops at the council of Carthage A.D. 416. 6) Letter from the bishops assembled at the council of Mileve A.D. 416 to pope Innocent I. 7) Innocentius I, letter to the bishops assembled at the council of Mileve A.D. 416. 8) Prayer to be said before the image of Corpus Christi. 9) Prayer to Jesus Christ. 10) Prayer to Jesus Christ ascribed to Thomas Aquinas.
Description:
Binding: Original Italian reddish brown leather over pasteboard with a flap at the rear cover closing over the front cover with leather ties. Covers and flap are blind-tooled with frames and lozenges of quadruple fillets, decorated with small circular tools either single or in clusters, and a full border consisting of a scroll motif. At the top of the front cover, in black ink, Capitalis ca. 1500: “Aur. (?) Augustini opus”. Parchment flyleaves. On the front flyleaf verso a Table of Content written in red by hand A, recording artt. 1-7 only, under the title “Que in hoc libello inserte sunt”., Headings in purplish red. Spaces for 1- or 2-line initials have been reserved throughout the codex (in artt. 1-3 with guide letters), but these have not been executed, except in artt. 8-10, where they have been clumsily written in black ink in the left margin. At the opening of art. 1, 3-line half inset Humanistic dentelle initial on a square background in green and blue decorated with silver and gold penwork. It has floral extensions with gold balls in the upper and inner margin. In the lower margin of the same f. 1r, between three similar floral decorations, a circular medallion containing the coat of arms of the Ugolini family of Florence (parti per bend, or on azure, with two lions passant counter changed, surmounting)., and Script: Two hands, both writing a very small Humanistica hesitating between Semitextualis Currens and Cursiva Currens. A, the main scribe, copied ff. 1r-60v; B, an inexperienced hand, marked by the use of d with ascender curving to the right, i longa and round s in all positions, added the prayers on ff. 61r-63r.
Subject (Name):
Council of Carthage--(411) and Pseudo-Augustinus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pelagianism, and Theology--History--Early church, ca. 30-600
Manuscript on paper of Gaspare da Verona, Regulae de constructione.
Description:
Binding: Fifteenth century, Italy. Parchment stays adhered inside each quire. Original wound sewing on three tawed skin, slit straps laced through tunnels in the edge to channels on the outside of beech boards and nailed. A natural color endband, caught up on the spine, is sewn on a tawed skin core which is laid in grooves on the outside of the boards and pegged. Tied down through brown leather. Quarter bound in mottled brown tawed skin cut out around the head and tail supports. Two fastenings, the leaf-shaped catches (wanting) on the lower board, the upper one cut in for the red fabric straps. The letter R written in ink on head edge., ff. 53v-60r blank, not digitized., Plain red initials, 3- to 1-line, throughout. Guide letters for initials in margin., Script: Written in humanistic cursive script with gothic features by a single scribe, above top line., and Watermarks, buried in gutter: similar in design to Briquet Fleur 6647-49, Briquet Croix grecque 5576 and Piccard Kreuz II.607, Piccard Einhorn III.1648.
Subject (Name):
Gaspare,--da Verona,--ca. 1400-1474
Subject (Topic):
Latin language--Grammar, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (palimpsest throughout, from many different manuscripts, 15th century, primarily documents that were previously folded and a large service book with musical notation) of Ps.-Cicero, Rhetorica ad Herennium.
Description:
Binding: Nineteenth century, England. Bound by Charles Lewis (London, 1807-36) in brown diced calf with a gold-tooled title: "Ciceronis Rhetorica MS in Membr". Edges gilt., Red initial, 5-line, with purple penwork flourishing that extends down inner margin, marks beginning of text, f. 3r. Plain red initial, 3-line, f. 3v. Spaces with guide letters are unfilled for remainder of codex. Initial letter for each sentence stroked with red, ff. 3r-4r only., and Script: Written by a single scribe in fere-humanistic script with numerous abbreviations.
Subject (Name):
Pseudo-Cicero
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Rhetoric--Early works to 1800
Manuscript on paper of Flavius Blondus (Flavio Biondo, 1396-1463), Roma instaurata.
Description:
Binding: ca. 1500, Italy. Brown goatskin over wooden boards, both covers blind-tooled with frame and centre-piece, the latter in the shape of a cross composed of small rhomboid stamps showing some remnants of gold. Remnants of one clasp attached to the front cover, with a brass catch fixed with three nails to the rear cover., Rather carelessly written headings in purplish red ink, added posteriously at the beginning of the Prologue and of each Book, not corresponding to the instructions for the rubricator written in the margins by the scribe (no such instruction is visible on f. 3r). White vinestem initial (5 lines) and border in the same style in the upper and inner margins at the head of the Prologue (f. 3r). The Books open with 2-3-line plain initials (Capitalis) in blue; a similar 2-line initial was planned (and executed) at the beginning of what would be chapter 3 (“Ambitum”, f. 4v), but this practice was afterwards abandoned. Guide letters for the initials in the margin., Script: Copied by a single hand writing a rapid Humanistica Semitextualis Libraria. The first line of the Prologue and the first word or second letter of the three Books are written in Capitalis., and Sold by Alberto Govi, Modena to Fred K. Schreiber, New York. Purchased from Schreiber on the Edwin J. Beinecke Fund.
Subject (Geographic):
Rome
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Juvenal, Satirae I-XVI (with XVI preceding XV). With the argumenta of Guarino of Verona added at the beginning of each satire. 2) Persius, Prologue followed by Satirae I-VI. 3) Notes on the moon in the twelve signs of the zodiac.
Description:
Argumenta of Guarino of Verona in red rustic capitals preceding each title; spaces for decorative initials never filled., Binding: Sixteenth century (?). Vellum stays. Original sewing on three slit, tawed straps. Primary, plain and secondary, beaded endbands on twisted, tawed cores, laid in grooves and pegged or nailed. Spine lined with tawed skin, mostly lacking. Straps laced and pegged or nailed into beech boards covered in (originally) brick-red leather, blind-tooled with an inscription in a border around an inner panel of overlapping circles interspersed with dots. Four flower-shaped bosses on each board and two catches on the lower one. Two bosses and clasp straps wanting., Watermarks: similar to Briquet Lettre R.8941 and Harlfinger Fleche 12., and Written in humanistic script by three scribes. The principal scribe, Franciscus Seroddi Centinomius Phylaretus, wrote ff. 1r-72v and 79r-84v; he signed the manuscript on ff. 72v and 84v. Scribe 2 wrote ff. 74r-78v and Scribe 3 the notes on ff. 85r-87v. Marginal and interlinear glosses in several contemporary hands.
Subject (Name):
Juvenal
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Satire, Latin, and Scholia
Education, Medieval, Latin language--Composition and exercises, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and School notebooks
Manuscript on paper of La Sfera, by either Gregorio Dati (1362-1435), or Leonardo Dati O.P. (1360-1425).
Description:
Manuscript on paper of La Sfera, by either Gregorio Dati (1362-1435), or Leonardo Dati O.P. (1360-1425). A contemporary hand has numbered the Books in the following way: Book I (f. 1r): “Terzo”; Book II (f. 7r): “Quarto”; Book III (f. 13r): “Primo”; Book IV (f. 19r): “Secondo”. and Script: copied by a single hand in Southern Gothica Semitextualis Libraria; the first majuscule of each strophe written between the double bounding lines. The four books open with a 3-line red plain initial with or without interior reserved shapes.
Subject (Name):
Dati, Gregorio, 1362-1436 and Dati, Leonardo, d. 1425
Subject (Topic):
Astronomy, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (thick, coarse, some deckle edges; watermarks indistinguishable) of William of Ockham, Summa logicae. With Walter Burley, De puritate artis logicae tractatus brevior, beginning of text only.
Description:
Binding: Date?, Italy? Backs of quires cut in for sewing. Plain limp vellum case with holes in each cover for two ribbons., Crude penwork initials on f. 1r in red and blue, 3-line. The first incorporates a five-pointed star in red, with blue dots, and terminates with a full-length marginal border in inner margin. The second incorporates a fleur-de-lis. Other plain initials in red and/or blue throughout. Headings and strokes on paragraph marks and majuscules in red., and Script: Written by a single scribe in small, cramped and highly abbreviated gothic cursive. Art. 6 added by two different hands.
Subject (Name):
William,--of Ockham,--ca. 1285-ca. 1349
Subject (Topic):
Logic, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Life of Terence. 2) Terence, Andria. 3) Terence, Eunuchus. 4) Terence, Heautontimoroumenos. Artt. 5-24: Cicero, Epistolae. 25) Commentary, partly in Italian, on the first letter of Cicero to Lentulus Spinther (some loss due to trimming).
Description:
Binding: Seventeenth century. Limp vellum case with title lettered in ink down the spine., Crude initials mark beginning of each section; rubrics throughout; many letters stroked in red., Script: Written by multiple scribes in various styles of round humanistic and gothic scripts. One hand supplied most of the glosses on Terence and Cicero and the texts on ff. 143r-145v in italic., and Unidentified watermarks buried in gutter include horn, mermaid in a circle; two distinct birds in circles similar to Briquet Oiseau 12203 and 12220.
Subject (Name):
Terence
Subject (Topic):
Latin drama (Comedy), Latin letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library