Manuscript on parchment of Guido de Baysio, Rosarium decretorum, secunda pars. Missing leaves throughout.
Description:
Binding: Date? Brown leather over wooden boards, possibly early. Blind-tooled with concentric frames of fillets and a rectangular rope tool. Hearts in a central panel. Four fastenings, the catches on the upper board. Heavily restored., One fine miniature, f. 1r, 23-line, without frame, bishop enthroned under baldachin instructing the clergy; two trees at sides; two birds above. In lower margin, a roundel with a portrait of a student, in a blue, pink and white frame, surrounded by spiral foliage and large gold dots. At the end of the volume, f. 212v, a roundel with a portrait of an older man, with a thick red and blue frame with blue, green, and gold dots. Thirty initials, 16- to 12-line (ff. 1r, 15v, 36r, 45r, 47v, 52r, 59r, 64r, 68v, 81r, 92v, 96v, 100r, 103v, 123v, 127r, 129r, 131r, 137v, 156v, 163r, 163v, 166r, 166v, 172r, 174r, 190r, 190v, 193r, 194r), most with a single, some with as many as three figures, bishops, priests, monks, students, and women, either reading, instructing or debating; in one case, f. 194r, a priest celebrating mass (De consecratione). The figures set against navy blue grounds with white filigree; the initials shaded pink, orange, red, blue and green against square gold grounds with white filigree, framed in black, blue or green; curling foliate serifs attached to bar stems in inner or central margin, interrupted by initials in margin, blue, light blue, grey, pink, orange, red, and black, extending full length of margin; with large spiral foliate terminals with gold dots and flourishes in brown ink, often incorporating roundels, some with additional figures or birds. Numerous small, 4-line, flourished initials, red with blue flourishes and vice versa, as well as red and blue alternating paragraph marks throughout. Running titles added along upper edge., Script: Written in elegant round gothic bookhand secundum pecias., and Written probably in Bologna from a stationer's exemplar secundum pecias.
Subject (Name):
Guido,--de Baysio,--d. 1313
Subject (Topic):
Canon law--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Pecia
Manuscript on parchment of 1) Rudimenta grammatices (Grammatica latina secundum Donatum). 2) Disticha Catonis.
Description:
Binding: Twentieth century, England (?). Quarter bound in brown, blind-tooled calf over wooden boards., Historiated initial, f. 1r, 11-line, pink against blue ground with a half-length portrait in profile of the author, dressed in red and green robes and a red hat against parchment ground with brown penwork. Foliage serifs, green, blue and red extending into inner and upper margin to form partial border. In center of lower margin, blank shield for coat of arms, flanked by stylized foliage, blue and red. In outer margin, small patch of green with boy or man sitting under a tree (visible under ultra-violet light). One illuminated initial on f. 11r, 8-line, pink against blue ground filled with stylized foliage, blue, green and red. Plain initials in red. Small initials touched with yellow., Purchased from H. P. Kraus in 1955 by Thomas E. Marston., Script: Written in round gothic bookhand by a single scribe., and The entire manuscript is well worn, affecting the text; f. 1r is badly rubbed and stained.
Subject (Name):
Donatus, Aelius
Subject (Topic):
Catonis disticha, Illumination of books and manuscripts, Medieval, Latin language--Grammar, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Stoics
Manuscript on paper (thick, coarse) of Lives of the Saints, preceded by accounts of events in the Bible from both the Old and New Testaments. Folios 51 and 61 interchanged in rebinding.
Description:
Binding: Nineteenth century, Italy. Rigid vellum case with two red labels on spine: "Trattati di storia sacra" and "Manuscritto 1360"., Crudely executed title page, f. 1r, consisting of floral and foliage motifs in upper margin, scroll around column in inner margin, and, in outer margin, scroll around column terminating in elongated arm with text on the scroll (much rubbed and stained). In lower margin a coat of arms (damaged; probably: or, two columns gules); the letters B and C on either side in the bases of columns in inner and outer margins. The decoration of title page in bright red and green. Plain initials (some with simple foliage designs), headings, paragraph marks, pointing hands, and hands holding crosses or symbols of passions of martyrs (e. g., gridiron for Laurence), all in bright red, green, and/or black., Folio 1 damaged; no loss of text., Script: Written by several scribes in unruly mercantesca script, above top line. Script becomes smaller and tighter toward end of codex., and Watermarks: similar in design to Briquet Ciseaux 3708 dated Genoa, 1465.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of John Chrysostom, Sermo de dignitate humanae originis, translated into Latin by Ambrogio Traversari. The text is preceded by a dedicatory letter, here directed to Rene d'Anjou (King of Sicily and Naples, 1435-42).
Description:
3 large initials of modest quality, 8- to 7-line, gold on blue or blue and red grounds with white dots and white vine-stem ornament. 1 smaller initial, 3-line, gold on red and blue ground with white dots. Plain initials in blue and red, one in gold, some with penwork flourishes in red. Rubrics throughout. Paragraph marks in red or blue. Guide letters for initials., Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laced through tunnels in the edge to channels on the outside of beech boards and nailed. Beige and white chevron endbands are sewn on tawed skin cores laid in grooves on the outside of the boards. The spine is lined with green tawed skin between supports. Covered in brown, originally tan, calf with corner tongues, blind-tooled with a triple cross in a border of rope interlace. Spine: sewing bands defined and panels diapered with triple fillets. Two truncated diamond catches with a flower in a circle on the lower board, the upper one cut in for the red fabric straps attached with star-headed nails., Purchased from Giuseppe (Joseph) Martini of Lugano by H. P. Kraus, who sold it in 1957 to Thomas E. Marston., and Script: Written by a single scribe in humanistic cursive script, below top line.
Subject (Name):
John Chrysostom, Saint, -407 and Traversari, Ambrogio, 1386-1439
Subject (Topic):
Catechetical sermons, Fathers of the church, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons--Early works to 1800
Manuscript on parchment of a collection of anonymous sermons, mostly drawn from the Italian Homiliary.
Description:
Attractive pen-and-ink drawings throughout the manuscript, in red, though much of manuscript now stained. Folio 1r with a partial border formed of fantastic beasts, dragons and grotesques. Other drawings in margins include a fantastic bird, f. 9r; a dragon with a human head issuing forth stylized scrolls, f. 40v; a scroll inhabited by a fantastic bird, f. 49r; a lizard-like creature, its tail forming a partial border, f. 53r; a grotesque, f. 73v. Several drawings in the lower margin have been trimmed. Plain initials in red, some with penwork scrolls or simple flourishing. Headings and underlining of Biblical passages in red., Binding: Nineteenth century (?), Italy (?). Brown leather case with title, in ink, on spine: "Homil. in Evangel". Fragment of an unidentified 13th-century Latin document (monastic register?) bound in as second front flyleaf., and Script: Written in a nice large early gothic script, above top line.
Subject (Topic):
Homiliaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Sermons, Latin, and Sermons--Early works to 1800
Manuscript (holograph?) on parchment of nineteen poems, dedicated to Niccolo Franco, Bishop of Treviso (d. 1499), and other members of the literary circle in Treviso with whom Giovanni Aurelio Augurello (ca. 1440-1524) was actively connected as a famous private teacher and distinguished poet from 1491 until his death. Only the seventeenth poem of MS 22 is directly related to alchemy, but it is above all a literary exercise.
Description:
Binding: Apparently original. Blind-stamped red goatskin (now darkened), repaired, sides paneled with blind fillets, two rows of differing knotwork tools, four clasps and catches now lacking, two asterisk-headed brass nails for each clasp remaining on upper cover, plain edges, modern leather label on backstrip with three faintly raised original bands., Large capital letters, mostly plain, at the beginning (written in the left margins) and dedication of each poem in pale red. On f. 1v (blank on the recto) is a drawing in delicate wash of a tree, lower left, against the base of which leans a small book in a red cover; extending upward from the treetop to the sun, at extreme top right, is the inscription in red capitals: "VTCVNQ[VE] TIBI." On f. 2r, opposite the dedicatory drawing just described, there is further decoration in the same delicate wash colors: a leaf in the margin beside the dedication to Niccolo Franco, Bishop of Treviso; light tracery ornament surrounding the capital "F" in the left margin at the beginning of the first poem; and Franco's arms, surmounted by the Bishop's mitre and surrounded by green twigs tied with red ribbons, in the lower margin. At the end of the manuscript, beneath the colophon, there is a further drawing and inscription in green wash, referable to the final poem: a small Roman sarcophagus with a little book in red binding lying atop it, and the inscription "POSTERITATI SACRUM" below., and Script: Written by a single scribe in a good humanistic cursive.
Subject (Geographic):
Treviso (Italy)
Subject (Name):
Augurelli, Giovanni Aurelio,--ca. 1456-1524?
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Boniface VIII, Sextus liber decretalium. 2) Commentary of Joannes Andreae on art. 1. 3) Clemens V, Constitutiones, with preface of John XXII. 4) John XXII, "Quia nonnunquam".
Description:
Binding: Fifteenth century (?), Italy. Limp vellum case, restored., ff. 22 loose., Final leaf (now foliated 96) misbound between ff. 93-94., Script: Folios 1-96 written in littera bononiensis; ff. 1-22 written in a less formal Gothic bookhand. Numerous annotations in the margins by contemporary and later hands., and Two miniatures, f. 1r, an enthroned pope holding an open book and symmetrically flanked by ecclesiastical and secular parties, and f. 96r, a Franciscan monk presenting a book to an enthroned pope with clerical and lay attendants. Full border for text on f. 1r, constructed of solid panels, gold and red with white filigree, filled with two karyatid figures, a cleric, and a man in a blue robe. Partial border in lower margin, 3 medallions in blue, pink and red, with a papal portrait in half length, an angel, and a third subject now effaced. The medallions are connected by lozenges, green, blue and red with scrolling vines in blue, red, and green with white filigree and gold dots. 32 marginal figures in various costumes, among them several clerics, knights and an angel, often in animated poses. Numerous illuminated initials, 6- to 3-line in pink, blue or grey on blue, red, pink and gold grounds with white filigree. Foliage serifs in pink, red, grey and blue with white highlights. 39 initials with bust-length figures. Remaining initials in pink and red with white filigree. Calligraphic initials, alternating in red and blue with blue and red penwork scrolls. Plain initials and paragraph marks alternate in red and blue.
Subject (Name):
Boniface VIII, Pope, d. 1303, Boniface VIII, Pope, d. 1303|Clement V, Pope, ca. 1260-1314|Giovanni d’Andrea, ca. 1270-1348|John XXII, Pope, d. 1334, Clement V, Pope, ca. 1260-1314, and Giovanni d’Andrea, ca. 1270-1348
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, and Papal documents
Manuscript on parchment of Gottofredo da Trani, Summa super titulis Decretalium. With medicinal recipes and a list of Roman emperors.
Description:
5 fine illuminated initials, 30- to 7-line, in blue or pink with white filigree on blue and red grounds framed in blue or red accentuated at the corners by gold dots. Infilled with intertwining or angular vines, some with biting head terminals, mauve or blue with white highlights and gold dots. Ascenders and descenders, red, mauve and blue terminating in spiralling serifs with biting animal heads or grotesques against cusped grounds. Two initials with vines issuing from upper and left corners, blue with white highlights ending in grotesques. 3- and 2-line calligraphic initials, red and blue with blue and red penwork. Plain initials alternating in red and blue. Headings in red; running titles (chapter numbers) alternating red and blue. Instructions to rubricator in lower margins., Binding: Nineteenth century, France. Early sewing on five supports with 19th-century boards covered in parchment. Title on spine: "Gofredo de Trano/ Manuscrit"., and Script: Written in a rounded gothic bookhand, below top line; marginal annotations and finding aids by a contemporary hand in less formal script.
Subject (Topic):
Canon law--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
Manuscript on paper of Summulae naturalium, composed in 1408 by Paulus Nicolettus Venetus O.E.S.A. (1369/72-1429).
Description:
Binding: Nineteenth century, England. Blind-tooled brown goatskin with the same gold-tooled title on the spine and both covers: "Summule Naturalium/ Paulus de Venetiis/ M. S. 1373". Bound by Riviere (London) before 1881. Red edges., Brittle. Acidic ink damage with some loss of text., Decorated title page, f. 1r, with border, in black and red ink composed of various decorative devices: in the upper margin a bar border with a central semicircle flanked by stylized scrolls in black and red. In the outer margin, a roundel, black with red and black frame, filled with a flower of 6 petals in red; the roundel flanked by stylized scrolls. In center of lower margin a medallion framed in narrow black and red bands containing a flaming heart pierced by an arrow and an open book, also flanked by stylized scrolls. Numerous decorated initials, 30- to 4-line, black and red with interior designs of lozenges, small flowers, and wavy lines of paper ground. Plain initials and paragraph marks in red. Guide letters for rubricator throughout., Purchased from C. A. Stonehill in 1953 by Thomas E. Marston., Script: Written by several scribes in humanistic cursive script with gothic features, below top line; inital words of each section in gothic bookhand., Watermarks, obscured by text: similar to Harlfinger Chapeau 17 and unidentified ladder., and Worm-eaten; some minor loss of text.
Subject (Name):
Aristotle, Augustinians, and Venetus, Paulus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Physics--Early works to 1800, and Scholia
Manuscript on parchment (poor quality), composed of two distinct parts. Part I: Thomas Aquinas, Super Metaphysicam. Part II: Thomas Aquinas, Super de causis.
Description:
Binding: 14th-15th centuries, Spain. Original sewing on five tawed skin, double supports laced into beech boards. Plain, wound natural color endbands. Single parchment leaf (front) and bifolium (rear), from what appear to be two different Hebrew Bible manuscripts, serve as pastedowns and spine-lining; they have been cut out around the sewing supports. Yellow edges. Covered in what was originally blue tawed skin (now faded) with two fastenings, the catches on the lower board and the straps attached with star-headed nails. Traces of title (?) scratched onto skin of upper board., Part I: One illuminated initial, rubbed, f. 1r: blue with white highlights on dark red ground with white highlights; terminals of ground extend up and down as modest border in blue, dark red and gold. Flourished initials of various sizes, styles and quality: blue with red penwork designs, red with blue, red with purple (ff. 75r-119r) and red and blue divided with penwork in purple (e.g., f. 88v); some flourished initials with border extensions (e.g., f. 110v). Running headlines in red and blue; paragraph marks alternate red and blue. Traces of guide letters for decorator. Part II: Spaces for decorative initials remain unfilled., and Script: Part I (ff. 1-120): Written by a single scribe in small gothic book hand. Part II (ff. 121-132): Written in a less accomplished gothic script than that in Part I.
Subject (Name):
Aristotle and Thomas,--Aquinas, Saint,--1225?-1274
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Philosophy, Ancient, Scholasticism, and Scholia