Contents: 1) Waldmaerchen 2) Der Spielmann 3) Hochzeitsstueck. The "Waldmaerchen" movement hitherto unavailable, deleted by the composer from the version published in 1888. Accompanied by a complete set of parts copied by the composer’s nephew, Alfred Rose.
Alternative Title:
[Klagende Lied]
Description:
Copyist's MS with corrections and lyrics by the composer. and p. 116 blank, not digitized.
Manuscript on paper containing "The constant desperado"; "The force of custome"; "The generous lovers"; "The maids revenge"; and "The Disloyal Wife". With "An address to the Reader" and a dedicatory letter to Dorothy Osborne.
Description:
Disbound but in original gatherings. and For information on the source of acquisition, consult the appropriate curator.
Subject (Topic):
English fiction--Early modern, 1500-1700 and Love stories, English
[Anonymous] Albertus, Magnus, Saint, 1193?-1280 Khālid ibn Yazīd al-Umawī, 7th cent Martin Roesel of Rosenthal Wolfgang the Organist
Published / Created:
1536, ca. 1520, and ca. 1586
Call Number:
Mellon MS 27
Image Count:
141
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper, composed in three parts, of a large number of practical procedures, chiefly alchemical but sometimes medical, with a few standard medieval alchemical texts by Khalid ibn Yazid, Theodoric, and Albertus Magnus. Occasionally there are passages in cipher, added by Martin Roesel of Rosenthal ca. 1586, long after the principal contents were written; the cipher seems to be of a simple number-substitution type.
Description:
Binding: Probably ca. 1586 for Martin Roesel. Red-stained limp parchment (most of the stain now lost), single central clasp and catch now missing from center of fore-edges, two slits on each fore-edge for thong or ribbon ties, also missing., In Latin and German, partly in cipher., Script: Part I (ff. 1-29): Written in 1536 in red and black in a gothic cursive by Wolfgang the Organist. Part II (ff. 30-65): Written in a well-controlled gothic cursive without color. Part III (ff. 66-132): Written in one or possibly two scrawling gothic cursives, with red headings on ff. 109-124., Several initials illuminated in trick have been cut from a late 15th-century MS and pasted into the present MS at ff. 2v, 4v, 5, 10r, and 16r. Marginal drawings of alchemical apparatus are cropped, as also marginalia., and Watermarks: 1) unidentified eagle watermark somewhat resembling Briquet 104; 2) a crown pattern resembling Briquet 4921 and 1922; 3) the Paschal lamb resembling Briquet 61.
Subject (Topic):
Alchemy--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medicine, Medieval, and Medieval and Renaissance Manuscripts in Beinecke Library
Remarks on Sr. J. Hawkins's 'General history of music', 1776.
Image Count:
36
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript, in a single hand, with numerous corrections, of notes on "A General History of the Science and Practice of Music" by Sir John Hawkins. Citations from Hawkins' work are followed by often disparaging commentary upon them; Burney remarks that "Ch. V. Bk. IV is chiefly made up of dry dictionary articles of Biography, loosely littering his Book as if he had been in want of a needle & thread to tack them together," and "Vol. III p. 262 He calls Jno. Okenheim the disciple of Jusquin whereas it is well known he was the master." He includes a list of "Omissions of Composers & Performers who died long before Sr. Jno. published his History & therefore had fair Claims to a Niche in it." The work is interspersed with commentaries on various pieces and composers, accompanied by fragments of musical notation, and followed by a piece on "Dancing," a history of opera and theater titled "Progress of the Musical Drama or opera, at Venice," and another titled "Progress of the Musical Drama at Rome."
Description:
Binding: contemporary parchment., Index on flyleaf., Page numbers written in ink have been crossed out and replaced by different page numbers written in pencil., and Section ends with a note written in pencil: "Here insert an engraving of the transcript" although the engraving is not included.
Subject (Name):
Burney, Charles, 1726-1814 and Hawkins, John, Sir, 1719-1789
Subject (Topic):
Music--18th century--History and criticism, Musical analysis, Music--Europe--History and criticism, Music--History and criticism, Opera, and Opera--Italy
Manuscript on paper of Boccaccio, De mulieribus claris, with dedication to Andrea Acciaiuoli.
Description:
Binding: Fifteenth century, Italy. Parchment stays from contemporary document adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps fastened in channels in flush wooden boards. A primary endband, caught up on the spine, is sewn on tawed skin cores. Remains of red secondary embroidery. The spine is square and lined with tawed skin between central supports. Covered in kermes pink, tawed skin with corner tongues, the sides divided into triangles with right angled and diagonal fillets. Three fastenings, the catches on the lower board and stubs of green fabric straps on the upper board which is cut in to accomodate them. Eight star-shaped bosses on the upper board (one wanting) and five on the lower, each board with four bosses on their spine edges. Inscription on upper cover: "de mulieribus claris". Written in ink on fore edge: "LXXXVIII" with a helmet on each side. Label on lower board wanting., Folio 3r, partial border, of poor quality: in lower margin, a patch of green grass with two women seated, one dressed in red, the other in green and white, supporting a shield with unidentified arms (gules, 3 helmets sable [in outline only]), a later addition. From the patch of grass oak branches with leaves and acorns extend into inner and upper margins. In inner margin, a fox chasing a hare. Folio 80r, a medallion framed in red and pink and four small gold flowers, with an unidentified monogram in gold against blue ground. One pen-and-ink initial, 8-line, blue with pale red penwork. Plain initials alternate in red and blue. Headings in red (ff. 1r-7r only). Many initials touched with red. Guide letters for decorator throughout., Purchased in 1954 from C. A. Stonehill by Thomas E. Marston., Script: Text written in a well spaced gothic bookhand with humanistic features by a single scribe, below top line. Art. 1 and rubrics added in similar script by another hand., Unidentified arms, with "Cretulia" and "Thurj" added on either side, and inscription in the lower margin of f. 2v: "Quid spectas Thurum [with 3 helmets] sunt hec insignia. Thuris/ Donarunt Sacre Iuno Minerua Venus/ Cretulia., and Watermarks: Briquet Tete de boeuf 14717 and similar to Piccard Ochsenkopf XII.123.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Herolt, Johann Nicolaus, von Dinkelsbühl, approximately 1360-1433
Published / Created:
1444
Call Number:
Marston MS 141
Image Count:
259
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (thick) of 1) Five lines of verse on the proper formulaic conclusion to prayers addressed to members of the Trinity. 2) Nicolaus de Dinkelsbuehl, De septem peccatis capitalibus (Confessionale). 3) Latin and German names of the books of the Bible; Latin and German names of Aristotle's principal works; Latin names of the Minor Prophets; etc. 4) Johannes Herolt ("Discipulus"), Sermones dominicales. 5) Johannes Herolt, Sermo in festo Iohannis Baptiste.
Alternative Title:
Nicolaus de Dinkelsbuehl; Johannes Herolt, etc.
Description:
Binding stays from this and other parchment manuscripts, s. xiii-xiv, inserted throughout., Binding: Fifteenth century, Germany. The backs of the quires are cut in. Original sewing on three double supports is laced into almost flush wooden boards, and the tawed skin cores of braided endbands, sewn through the cover, are also laced. The spine is back cornered with lining extending between supports on the outside of the boards. Large vermilion and sepia roses are painted on each edge. Back pastedown (and perhaps the inner front pastedown, covered by paper) consists of a parchment bifolium (Germany, 1200-1250) containing the Sermones de tempore of Johannes Halgrinus de Abbatisvilla. Written in small neat early gothic bookhand, above top line. Binding stays from this and other parchment manuscripts, 13th-14th centuries. Covered in kermes pink skin blind-tooled with an X in a frame on the front board, tying-up marks on the spine, and a frame on the lower one. Five round, brass bosses on each board and one fastening, the catch inset on the upper board, the lower one cut in for the strap., Crude red initials, 3- to 2-line, throughout; ff. 33v-38r, 113v-114v and 166r-203r rubricated., Imperfect: leaves 123r-124r and 207r-v mutilated., Purchased in 1946 from H. Rosenthal by H. P. Kraus, who sold it in 1957 to Thomas E. Marston., Script: Written by multiple scribes in varying styles of gothic hybrida and bookhand scripts., and Watermarks, in gutter: similar to Briquet Monts 11786 and unidentified bull's head.
Subject (Name):
Dinkelsbuehl, Nicolaus de and John,--the Baptist, Saint
Subject (Topic):
Church year sermons, Confession--Catholic Church, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons--Early works to 1800
Bruni, Leonardo, 1369-1444 Burlaeus, Gualterus, 1275-1345? Homer Vegio, Maffeo, 1406 or 7-1458
Published / Created:
[ca. 1450 or between 1450 and 1475]
Call Number:
Marston MS 91
Image Count:
370
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (highly polished) of 1) Walter Burley, De vita et moribus philosophorum. 2) Mapheius Vegius, Declamatio seu disputatio inter solem, terram et aurum. 3) Selected speeches from Homer, Iliad IX (Oratio Ulixis, Responsio Achillis, Oratio Phoenicis) translated into Latin and with a preface by Leonardo Bruni.
Description:
Binding: Nineteenth century, England. Straight-grained brown leather, gold tooled. Edges gilt. Bound by F. & T. Aitken. Title on spine: "Diogenis Laertii Philosophorum Vita et Dicta. Codex MS. Saec. XV"., Purchased from L. C. Witten in 1955 by Thomas E. Marston., Script: Written by a single scribe in humanistic cursive script with gothic features, above top line., The decoration consists of an elaborately illuminated page (f. 1r) in a style influenced by the "Master of the Vitae Imperatorum" who was active in Milan in the second quarter of the 15th century. Included in the full border of curling inkspray with heart-shaped and trefoil leaves in green, flowers in blue, red, pink and mauve, a strawberry, and gold balls is a standing figure of a naked boy holding a scroll inscribed with the motto "Seul e la fin." At the corners four quatrefoil medallions bordered in gold with portraits of philosophers against blue grounds with gold filigree. In lower border unidentified arms (quarterly, 1 and 4 or a millrind gules, 2 and 3 or a lion azure; with a bishop's mitre and crozier); in upper border a scroll with same motto as above. One historiated initial, f. 1r, 7-line, formed of acanthus leaves, mauve and red on gold ground, containing a portrait of the author against blue ground with gold filigree. One illuminated initial, 6-line, in mauve on gold ground with stylized foliage in green and blue with yellow highlights. In the text blank spaces for headings and initials., and Watermarks: unidentified crown over five-pointed star in upper margin, trimmed.
Subject (Topic):
Biography--Middle Ages, 500-1500, Dialogues, Latin (Medieval and modern), Epic poetry, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient
Manuscript on parchment (hair side yellow and speckled) of Walter Burley, De vita et moribus philosophorum; an abridged translation that contains only 77 lives.
Description:
Belonged to Giuseppe (Joseph) Martini from whom it was acquired by H. P. Kraus, who sold it in 1956 to Thomas E. Marston., Binding: Nineteenth century, Italy. Tan calf, blind- and gold-tooled. Head and fore edge bluish green; lettering on tail edge. In panels on spine: "Detti de' filosofi/ MSS. in Perg./ Sec. XV"., Script: Written in a humanistic hand both above and below top line by Johannes Nydenna de Confluentia, who would sometimes complete the final word of the final line of text (recto only) by writing the letters down between the outer vertical bounding lines., and Space left for decorative initial on f. 1r later filled with plain initial and a stylized sprig of flowers, in turquoise. Plain intials throughout text alternate in red and blue.
Subject (Topic):
Biography--Middle Ages, 500-1500, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient