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Two pages of “Transbordeur “ [Iz Podlobia, in Russian] no 6 (Dec 1924) with the “Manifeste aux
Photomontage. Cover of I Parti d’Italia on which Marinetti glued two photos of himself at the Rome
7 photos of the representation of the “Battleship Potemkin.” Wiadomosci Literackie, no. 12, 1925
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. [3862-1]
Anonymous. Vecchio e nuovo nella terza biennale Romana. Emporium LXI, no 365, maggio 1925. [3863
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. [3864-1]
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. [3865-1]
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. [3866-1]
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. [3867-1]
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. [3868-1]
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. With
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. With two
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. [3871-1]
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. [3872-1]
Roberto Papini. “Vecchio e nuovo nella terza biennale Romana.” Emporium, maggio 1925. [3873-1]
Silvio Maurano. “Polemica futurista.” L’Impero, 11 marzo 1925. [3874-1]
J. Goll. “Artisti e professori.” No source, no date. With an answer by Silvio Maurano. [3874-2]
Settimelli. “Il filosofo delle Italietta.” No source, no date. [3874-3]
Mussolini and Generale Gandolfo. “Fascismo e Futurismo.” No source, [1925]. [3874-4]
Typographic composition by Kurt Schwitters. “Merzzeichnung.” No date. [3875-1]
Lorenzo Gigli. “Teatri d’arte torinesi.” Comoedia, 1925. Deals with theatres and accoustics. [3876
Carlo A. Felice. “A Proposito della Mostra Teatrale alla Biennale d'Arti Decorative di Monza
Carlo A. Felice. “A Proposito della Mostra Teatrale alla Biennale d'Arti Decorative di Monza
Comoedia, 1925. With two photographs and caption: I sei personaggi in cerca d'autore al New Oxford
Lorenzo Gigli. No title. Comoedia, 1925. With illustrations. [3880-1]
Guglielmo Jannelli. "Valoriziamo l’Etna." Giornale di Sicilia, 17 agosto 1925. [3881-1]
Ten clippings all reporting the same news: The interest of Marinetti for the utilization of the
S. Privitera. “Primo Campeggio alpino sull’Etna. 4-15 agosto 1925.” Giornale dell’Isola, 18 agosto
Ferdinando Caioli. “Lettera catanese.” Rivolta, 23 agosto 1925. [3882-2]
La Fornarina. “Enquête. Quel est, à votre avis, l’etat de la connaissance des lettres italiennes en
Guglielmo Jannelli. “I Futuristi Italiani.” Isola, 6 ag 1925. [3883-2]
Two photos: Affichette pour “Exposition des Arts Décoratifs, Paris. The second one represents a
Ornella. “Marinetti al Cameleon.” No source, no date. [3883-4]
Bruno Sanzin. No title. No source, [1925]. With publicity for "Marinetti e il Futurismo!"[3884-1]
Cover of La Rivista illustrata del Popolo d’Italia by Depero. No date. [3885-1]
Two original watercolors by Sanzin. 1925. [3885-2]
Anonymous. “Zanzariera parigina.” No source, [1925]. [3885-3]
Filippo Tommaso Marinetti. “L'Arte italiana a Parigi.” Resto del Carlino, 19 lug 1925. [3885-4]
Unsigned article. “L’arte decorativa italiana a Parigi secondo Marinetti.” La Nazione, 30 lug 1925
Anonymous. “Dans les coulisses.” Le Rappel, Strasbourg, lug 1925. [3885-6]
Three clippings. “Un modello di teatro futurista a Parigi.” No source, no date. “Esposizioni
Unsigned and untitled article dealing with Ruggero Vasari. No source, no date. In Italian. [3886-1]
A. G. Bragaglia. No title. Teatro, [1925]. [3887-1]
Guglielmo Jannelli. “Giacomo Balla.” Italia Nuova, 1925. [3888-1]
Anton Giulio Bragaglia. “La partecipazione Italiana alla Mostra Internazionale di Parigi.” La
Anton Giulio Bragaglia. “La partecipazione Italiana alla Mostra Internazionale di Parigi.” La
Mihail Cosma. “Fortuna.” No source, no date. [3891-1]
Photo of tanks in Africa. No source, no date. [3892-1]
Photo of tanks and military preparations in England, Germany and the USA. No Source, no date
Anonymous. “Cartas de Buenos Aires. Pettoruti, el futurismo y la realidad.” Diario de la Marina
Natale Varetti. “Il disegno e l’ornamento applicati alle arti grafiche.” Graphicus, sett 1925
Natale Varetti. “Il disegno e l’ornamento applicati alle arti grafiche.” Graphicus, sett 1925
Hans Richter. “Der Neue Baumeister.” Pasmo, Revue internationale moderne, 1925. [3895-1]
Margherita G. Sarfatti. No title. Paris, 1925. Deals with architecture. With illustration: “Le
Margherita G. Sarfatti. No title. Paris, 1925. Deals with architecture. With illustrations. [3896-1]
Anonymous. “Il teatro magnetico” from Le scimmie e lo specchio. [1925]. With an interesting
Unsigned clipping. “Il teatro magnetico.” No source, no date. [3898-2]
Anonymous. "Il congresso dei sindacati intellettuali." Eco del Piave, 30 sett 1925. [3898-3]
Anonymous. “Il congresso degli intellettuali Fascisti.” Corriere d’Italia, Roma, 30 sett 1925
Anonymous. “Arte di Stato.” No source, 11 ott 1925. [3898-5]
Anonymous. “L’arte di stato.” Monarchia, Milano, 4 ott 1925. [3898-6]
Clippings: Becco Giallo, 11 ott 1925. Lavoro, Genova, 3 ott 1925. [3898-7]
Anonymous. “Futurismo.” No source, no date. [3898-8]
Guglielmo Jannelli. “Giacomo Balla.” Popolo, 23 set 1925. [3899-1]
Fattori. “Cavalli.” No source, no date. Illustration. [3899-2]
Giacomo Balla. “Il critico Scarpa.” No source, [1925]. Caracature. [3899-3]
Four photos. Two of decors for Henry IV in London, and 2 for a new invention which will permit
Even pages of Pasmo, Revue internationale moderne, 1925. With “Le Corbusier. Model vily.” [3900-1]
Even pages of Pasmo, Revue internationale moderne, 1925. [3901-1]
Even pages of Pasmo, Revue internationale moderne, 1925. [3902-1]
Page of [Pasmo, 1925]. With drawings pasted on top. [3903-1]
Fourteen clippings reporting the triumph of Futurism at the “Esposizione Internazionale di Parigi
A photo of Marinetti at the Esposizione Internazionale di Parigi with all the participating
Emilio Cecchi. “Il Movimento intelluttuale in Italia.” Il Secolo XX, [1925]. [3905-1]
Raimondo Collino Pansa [Panza]. “Il Movimento intellettuale in Germania.” Il Secolo XX, 1924. [3906
Anonymous. “L’Alfa [Romeo] campione dopo di assol.” No source, [1925]. [3907-1]
Zaccaria. “Il Caffe del piano.” Lo Specchio, [1925]. [3908-1]
“Diana Club. Danze Dinamiche futuriste.” 1925. [3903-1]
Anton Giulio Bragaglia. “L’Italia alla mostra Internazionale di Parigi.” No source, [1925]. [3910-1]
Five photos showing troops and tanks in Tchad. No source, no date. With French captions. [3910-2]
Seven clippings announcing the “Grand Prix de l’Exposition de Paris” awarded to Enrico Prampolini
A photomontage by Pannaggi for Casa d’Arte Bragaglia. 1925. [3911-2]
Anonymous. “Tutta l’Italia, stretta intorno al Duce...” L’Impero, 7 nov 1925. [3912-1]
Anonymous. “Il tentattivo criminale di Zaniboni.” L’Impero, 8 nov 1925. [3912-2]
Unsigned caricature. No source, ott 1925. [3912-3]
G. M. “Il comm. Arnaldo Mussolini.” Corriere dell’Alto Adige, 1925. [3913-1]
Volt. “La Marcia su Venezia.” L’Impero, 5 nov 1925. [3914-1]
Luigi Valli. “Il contemporaneo di Dante che invento la poesia futurista.” Il Messagero, 24 nov 1925
Two photos. One of the Soviet pavillion and one of the Danish one at the Paris International
Anonymous. "Eviva la faccia loro." Il Piccolo, 24 nov 1925. [3915-3]
Anonymous. “In Pretura. La soluzione: L’assoluzione.” Il Travaso delle Idee, 1925. [3915-4]
Leonhard Adam. “Das Ratsel des Totemismus.” No source, 1925. [3916-1]
Leonhard Adam. “Das Ratsel des Totemismus.” No source, 1925. [3917-1]
Leonhard Adam. “Das Ratsel des Totemismus.” No source, 1925. [3918-1]
Leonhard Adam. “Das Ratsel Des Totemismus.” No source, 1925. [3919-1]
Vittorio Orazi. “Italienisches Theater.” No source, 1925. [3920-1]
Vittorio Orazi. “Italienisches Theater.” No source, 1925. [3921-1]
Vittorio Orazi. “Italienisches Theater.” No source, 1925. [3922-1]
Anton Giulio Bragaglia. “La Mostra teatrale russa.” Il Popolo di Roma, 27 nov 1925. [3923-1]
Anonymous. "M. Maurice Dekobra à Rome." No source, 1925. [3923-2]
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