Manuscript on paper (with parchment of poor quality for inner and outer bifolios of each gathering) of a collection of sermons and materials for the construction of sermons
Description:
In Latin., Watermarks: unidentified crown in gutter., Script: Written by two scribes in Secretary script: Scribe 1 (pp. 1-141) uses a looped d; Scribe 2 (pp. 142-502) uses an unlooped d., Flourished initials, 3- to 2-line, red with blue designs and vice versa throughout manuscript. Brackets, initial strokes and underlining, in red, throughout. Opening words or line of each sermon in a careful text hand., and Binding: Nineteenth century. Half bound in brown calf, blind-tooled, with a gold-tooled title ("Sermones") on spine; dark blue cloth sides. Impression of oval label in upper register of spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Conrad, of Saxony.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript (holograph?) on parchment of nineteen poems, dedicated to Niccolo Franco, Bishop of Treviso (d. 1499), and other members of the literary circle in Treviso with whom Giovanni Aurelio Augurello (ca. 1440-1524) was actively connected as a famous private teacher and distinguished poet from 1491 until his death. Only the seventeenth poem of MS 22 is directly related to alchemy, but it is above all a literary exercise.
Description:
Binding: Apparently original. Blind-stamped red goatskin (now darkened), repaired, sides paneled with blind fillets, two rows of differing knotwork tools, four clasps and catches now lacking, two asterisk-headed brass nails for each clasp remaining on upper cover, plain edges, modern leather label on backstrip with three faintly raised original bands., Large capital letters, mostly plain, at the beginning (written in the left margins) and dedication of each poem in pale red. On f. 1v (blank on the recto) is a drawing in delicate wash of a tree, lower left, against the base of which leans a small book in a red cover; extending upward from the treetop to the sun, at extreme top right, is the inscription in red capitals: "VTCVNQ[VE] TIBI." On f. 2r, opposite the dedicatory drawing just described, there is further decoration in the same delicate wash colors: a leaf in the margin beside the dedication to Niccolo Franco, Bishop of Treviso; light tracery ornament surrounding the capital "F" in the left margin at the beginning of the first poem; and Franco's arms, surmounted by the Bishop's mitre and surrounded by green twigs tied with red ribbons, in the lower margin. At the end of the manuscript, beneath the colophon, there is a further drawing and inscription in green wash, referable to the final poem: a small Roman sarcophagus with a little book in red binding lying atop it, and the inscription "POSTERITATI SACRUM" below., and Script: Written by a single scribe in a good humanistic cursive.
Subject (Geographic):
Treviso (Italy)
Subject (Name):
Augurelli, Giovanni Aurelio,--ca. 1456-1524?
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Boniface VIII, Sextus liber decretalium. 2) Commentary of Joannes Andreae on art. 1. 3) Clemens V, Constitutiones, with preface of John XXII. 4) John XXII, "Quia nonnunquam".
Description:
Binding: Fifteenth century (?), Italy. Limp vellum case, restored., ff. 22 loose., Final leaf (now foliated 96) misbound between ff. 93-94., Script: Folios 1-96 written in littera bononiensis; ff. 1-22 written in a less formal Gothic bookhand. Numerous annotations in the margins by contemporary and later hands., and Two miniatures, f. 1r, an enthroned pope holding an open book and symmetrically flanked by ecclesiastical and secular parties, and f. 96r, a Franciscan monk presenting a book to an enthroned pope with clerical and lay attendants. Full border for text on f. 1r, constructed of solid panels, gold and red with white filigree, filled with two karyatid figures, a cleric, and a man in a blue robe. Partial border in lower margin, 3 medallions in blue, pink and red, with a papal portrait in half length, an angel, and a third subject now effaced. The medallions are connected by lozenges, green, blue and red with scrolling vines in blue, red, and green with white filigree and gold dots. 32 marginal figures in various costumes, among them several clerics, knights and an angel, often in animated poses. Numerous illuminated initials, 6- to 3-line in pink, blue or grey on blue, red, pink and gold grounds with white filigree. Foliage serifs in pink, red, grey and blue with white highlights. 39 initials with bust-length figures. Remaining initials in pink and red with white filigree. Calligraphic initials, alternating in red and blue with blue and red penwork scrolls. Plain initials and paragraph marks alternate in red and blue.
Subject (Name):
Boniface VIII, Pope, d. 1303, Boniface VIII, Pope, d. 1303|Clement V, Pope, ca. 1260-1314|Giovanni d’Andrea, ca. 1270-1348|John XXII, Pope, d. 1334, Clement V, Pope, ca. 1260-1314, and Giovanni d’Andrea, ca. 1270-1348
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, and Papal documents
Manuscript on parchment (thick, furry) of Speculum humane salvationis. With Pseudo-Bonaventura, Meditationes de passione Christi
Description:
In Latin., Script: Written by two scribes in similar gothic textura bookhands. Scribe 1 (ff. 1r-90v) in brown ink. Scribe 2 (ff. 91r-104v) in a darker ink and more compressed script. A few marginal comments and corrections of 15th-16th centuries., The manuscript originally contained 192 miniatures, of which 29 have been entirely and 1 (f. 53r) partially removed. Those remaining are drawn in light brown ink and tinted in brown and yellow washes with touches of red. The miniatures on ff. 7r-38v have been redrawn in black ink by a second hand. A dirty tan ground has been added to miniatures on ff. 67v and 68r., 2-line calligraphic initials, blue, at the beginning of each chapter and "figura" or type (I-initials, 6-10 lines; at the bottom of the page, e.g., f. 29v, the I breaks and runs beneath the lowest line of text), with elaborate, angular penwork and flourishes, in red (some, e. g., ff. 17r and 21r, with faces). On ff. 91r-104v 2-line blue initials, plain; spaces for some initials, including a 6-line initial on f. 91r, left blank. 1-line red or blue initials, some of the blue with red penwork. Capital A's in each Amen alternate red and blue. Guide-letters for initials throughout. Paragraph marks, blue. Tituli, inscriptions in miniatures, chapter numbers, and pagination in red throughout. Guide-numbers for pagination still visible, especially on ff. 58v-60r., The parchment is worn and dirty, with many torn and slashed folios. Apart from the folios which are missing entirely, the upper portions (with miniatures) on ff. 47, 53 and 57 have been removed., and Binding: Fifteenth century. Dutch or German? Sewn on six double, tawed cords laced into beech boards and pegged in three holes. Endband cores laid in grooves and pegged. There is an inner cover of pink, tawed skin. Over this is a chemise of thin, white tawed skin stitched to a heavy outer, tawed pigskin cover which extends about 25 mm. at the head, 70 mm. at the fore-edge, and was whip-stitched at the edges. The tail edge has been cut down. Two straps are attached to the upper cover and tacked to the extending skin at the fore-edge with a narrow, tawed thong. There are two square marks where pins were attached to the lower cover. The original sewing cords have broken and have been replaced, a part of the book resewn, and part of the chemise pocket cut away. The ends of the fastening straps and the endbands are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (leaves are very uneven due to irregular trimming) originally composed of roughly executed full-page illustrations and diagrams that constitute the Speculum theologie
Description:
In Latin., Script: Inscriptions written in gothic bookhand, additions in either textura or running scripts (ff. 2r. 7v)., The illustrations on ff. 1r-7v are drawn in red ink, heightened with green, orange, and yellow. The diagram on f. 8r is drawn in brown and red, touched with blue, red, yellow and gold., Folio 8r darkened and rubbed with some loss of text., and Binding: Nineteenth century. Half bound in mottled brown goatskin, gold-tooled, with a red label. Marbled paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Theology
Manuscript on parchment of 1) Statuta capituli generalis, with the years 1158 and 1180-1190 mentioned in red. 2) Liber usuum. 3) Super instituta generalis capituli apud Cistercium. 4) Liber usuum conuersorum. 5) Carta caritatis
Description:
Probably produced at the abbey of Fontaine-Jean in Northern France, to which it belonged in the late 16th century. The Cistercian abbey of Fontaine-Jean, near Montargis, between Sens and Orleans, was a daughter house of Pontigny founded in 1124., In Latin., Script: Written by one scribe in large, even bookhand. Additions by various hands, 13th-17th centuries; some lost due to trimming., Four large initials, ff. 1v, 38r, 86r, and 93r (12-, 29-, 8-, and 9-line), light brown with crude running pattern of clover-leaf-like forms in brown ink, filled with brown, green and red spiral foliage with flowers and dragon-head terminals, on blue and red grounds decorated with triplets of white dots. One elaborate, but crude, calligraphic initial, f. 118v, 9-line, divided red and green, accompanied by red and green foliate motifs, framed in green. Numerous initials throughout, 7- to 2-line, red or blue, and occasionally green, with blue, red or green foliate penwork, some extensive. 1-line initials, red or blue, alternating. Rubrics throughout, some in text, others in margins. Wavy red line-fillers., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled, with mottled, mauve paper sides. On spine: "Constitutions du monastre de Fontaine-Jehan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of Gottofredo da Trani, Summa super titulis Decretalium. With medicinal recipes and a list of Roman emperors.
Description:
5 fine illuminated initials, 30- to 7-line, in blue or pink with white filigree on blue and red grounds framed in blue or red accentuated at the corners by gold dots. Infilled with intertwining or angular vines, some with biting head terminals, mauve or blue with white highlights and gold dots. Ascenders and descenders, red, mauve and blue terminating in spiralling serifs with biting animal heads or grotesques against cusped grounds. Two initials with vines issuing from upper and left corners, blue with white highlights ending in grotesques. 3- and 2-line calligraphic initials, red and blue with blue and red penwork. Plain initials alternating in red and blue. Headings in red; running titles (chapter numbers) alternating red and blue. Instructions to rubricator in lower margins., Binding: Nineteenth century, France. Early sewing on five supports with 19th-century boards covered in parchment. Title on spine: "Gofredo de Trano/ Manuscrit"., and Script: Written in a rounded gothic bookhand, below top line; marginal annotations and finding aids by a contemporary hand in less formal script.
Subject (Topic):
Canon law--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
Manuscript on paper of Summulae naturalium, composed in 1408 by Paulus Nicolettus Venetus O.E.S.A. (1369/72-1429).
Description:
Binding: Nineteenth century, England. Blind-tooled brown goatskin with the same gold-tooled title on the spine and both covers: "Summule Naturalium/ Paulus de Venetiis/ M. S. 1373". Bound by Riviere (London) before 1881. Red edges., Brittle. Acidic ink damage with some loss of text., Decorated title page, f. 1r, with border, in black and red ink composed of various decorative devices: in the upper margin a bar border with a central semicircle flanked by stylized scrolls in black and red. In the outer margin, a roundel, black with red and black frame, filled with a flower of 6 petals in red; the roundel flanked by stylized scrolls. In center of lower margin a medallion framed in narrow black and red bands containing a flaming heart pierced by an arrow and an open book, also flanked by stylized scrolls. Numerous decorated initials, 30- to 4-line, black and red with interior designs of lozenges, small flowers, and wavy lines of paper ground. Plain initials and paragraph marks in red. Guide letters for rubricator throughout., Purchased from C. A. Stonehill in 1953 by Thomas E. Marston., Script: Written by several scribes in humanistic cursive script with gothic features, below top line; inital words of each section in gothic bookhand., Watermarks, obscured by text: similar to Harlfinger Chapeau 17 and unidentified ladder., and Worm-eaten; some minor loss of text.
Subject (Name):
Aristotle, Augustinians, and Venetus, Paulus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Physics--Early works to 1800, and Scholia
Manuscript on parchment (poor quality), composed of two distinct parts. Part I: Thomas Aquinas, Super Metaphysicam. Part II: Thomas Aquinas, Super de causis.
Description:
Binding: 14th-15th centuries, Spain. Original sewing on five tawed skin, double supports laced into beech boards. Plain, wound natural color endbands. Single parchment leaf (front) and bifolium (rear), from what appear to be two different Hebrew Bible manuscripts, serve as pastedowns and spine-lining; they have been cut out around the sewing supports. Yellow edges. Covered in what was originally blue tawed skin (now faded) with two fastenings, the catches on the lower board and the straps attached with star-headed nails. Traces of title (?) scratched onto skin of upper board., Part I: One illuminated initial, rubbed, f. 1r: blue with white highlights on dark red ground with white highlights; terminals of ground extend up and down as modest border in blue, dark red and gold. Flourished initials of various sizes, styles and quality: blue with red penwork designs, red with blue, red with purple (ff. 75r-119r) and red and blue divided with penwork in purple (e.g., f. 88v); some flourished initials with border extensions (e.g., f. 110v). Running headlines in red and blue; paragraph marks alternate red and blue. Traces of guide letters for decorator. Part II: Spaces for decorative initials remain unfilled., and Script: Part I (ff. 1-120): Written by a single scribe in small gothic book hand. Part II (ff. 121-132): Written in a less accomplished gothic script than that in Part I.
Subject (Name):
Aristotle and Thomas,--Aquinas, Saint,--1225?-1274
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Philosophy, Ancient, Scholasticism, and Scholia